Memory and the Mum-Bum Conundrum

My partner Kate and I were discussing parenting and parental influence, and segued off into how our reading habits had been shaped by our families. As for me, I’ve been a big reader for the entirety of my adult life, but I only really became a voracious reader in my late teens, despite growing up in a house literally festooned with books. My lack of enthusiasm for the family library, though, was entirely explainable by its content, all of which was a reflection of my step-dad’s passions for ornithology and antique trains. These were subjects too arcane and remote to be of any interest to my pre-pubescent self, and my teenage self leaned towards rather different iterations of birds and steaming (and having much more success with the latter than with the former) (and, yes, I know that using ‘birds’ in that context in 2023 basically constitutes a hate crime, but I’m hoping that I’ll get off with it on the grounds that I’m a big sexy Himbo with eyes that could slacken even Anne Widdecombe’s iron-fortressed loins).

So how come I liked reading fiction so much? How come I was so fascinated by stories? Where did that passion come from? When I was reunited with my father, after being apart from him between the ages of 4 and 21, I was delighted and amazed to discover not only that he was as big a reader as I was, but also that he enjoyed most of the same authors and genres. This was no lightning-in-a-bottle similarity, either. The coincidences just kept coming: I spoke just like him; we shared the same wry, but twinkle-eyed sense of humour, with a very similar style of delivery; we looked at religion in the same way (equal parts suspicion to derision); we both thought The Sopranos was the greatest TV show ever made. How could we have so much in common when we’d spent so long apart, and after only such a short time together? If none of these things were coincidences, then it began to make sense that I must have absorbed a great deal of information at an incredibly young age that had managed to shape the person I was at my core, before slithering down into the abyss at the edge of my consciousness, never to be seen again. That’s the cruel paradox, I think, at the very heart of our existence: that if only we could retrieve that treasure trove of memories from the abyss then we would be within touching distance of finally understanding both who we are as individuals, and who we are as a species. But those memories are forever lost to us, leaving part of us forever unsolvable. A little unsolvable person trapped inside a giant unsolvable puzzle just waiting for the random anvil of death to crush them into oblivion. Still, you’ve got to laugh, haven’t you?

I called my eight-year-old son, Jack, through to the kitchen, and asked him what memories of me stood out from his formative years. What a boon it was for my self-esteem to hear him utter those four most beautiful words ever to be delivered sequentially: “Um… I don’t know?” I consoled myself that his memory, along with all other mental processing systems, had probably ceased functioning at the very second I’d interrupted his game of Minecraft to call him into into kitchen.  Jack funnelled all CPU run-time into solving the one problem he had in life: of getting the fuck out that kitchen, and back to building an underwater palace for his pet goats, or whatever bollocks he was up to. Sensing his reluctance to talk, I did what any compassionate and understanding father would do: I just kept on talking. And then talking some more. See how he likes it, eh? I talked right over that non-plussed little face until it was so non-plussed it was basically The Anti-Pluss.

I recounted to Jack what I could remember of my own father, a twofer I hoped would tell him more about me as a person, and give him a snapshot of the grandfather he’d never meet. I shared a few memories with him, but one of the most vivid in my thoughts and in the re-telling was the time my father took me to my first football match. It wasn’t quite the father-and-son bonding experience he’d been expecting. In fact it stands as proof that our relationship was far from a happy hotbed of coincidences and parallels.

Football bored -and still largely bores – me on a primal level. For this reason I spent the duration of that long-ago match amusing myself – and irritating others – by crafting a narrative around my own hands, and then acting it out. I turned those hands into two Punch-and-Judy-style characters, and wasted no time setting them in conflict.

I gave my performance my all – The Guardian said of it in its review: ‘A brave, raw and powerful experience. You will want to put yourself in Jamie Andrew’s hands time and again’. Coincidentally, I also used this as the intro for my Tinder profile.

Anyway, the giant bearded man sitting immediately to my left turned out to be something of a philistine, and gave my performance zero stars. His ratings system was his own face, which he kept swivelling round to, well, face me, adorned with tightly pursed lips and a grave stare. It was a face that seemed to say: ‘How dare you bring live theatre into the middle of my football game, tiny Frasier Crane!’ I remember seeing pleas bobbing like boats in the eddying whirlpools of his eyes, as he jabbed urgently in the direction of the pitch with his immense sausage finger, perhaps hoping that the motion of his quick-swishing digit would be powerful enough to make me suddenly give a shit about football. Like his finger was a magic wand, or I was an imbecile. “Perhaps the laddie hasn’t noticed the grass out there and all the people running on it and kicking that ball. Maybe if I keep pointing and pointing at the pitch, it’ll eventually sink in and he’ll ken he’s at a football match. He’s probably one of those daft wee weins from the yellow bus.”

Big Beardy’s efforts were in vain. In the end, he saw a lot more of my puppet show than I saw of his poxy football match. Needless to say, though, at the end of the day, and while it was a game of two halves, and the boys done well, my football fan of a father wasn’t much impressed by my snub of the beautiful game, either. He vowed angrily to my mother that he would never, ever again take me to a football match. There was very little need for righteous anger. Mainly because that’s not really a punishment when the person you’re supposedly punishing doesn’t like football, is it?

So you don’t like doing your homework do you, boy? Well, how do you feel about NO HOMEWORK AT ALL?!!”

That’s… that’s great actually.”

Oh. I…eh… didn’t really think that one through, did I?”

No. No you didn’t.”

So, Jack could bring very few memories of our time together to the forefront of his mind, and I only write ‘very few’ because it’s less hurtful to me than writing ‘no’ – NO memories –even though it’s the truth. The petty side of me wanted to bring out all the physical photo albums, and the digital photos on Facebook, and make him sift through every damn one of them. “Ah, now. See this day here? That was a bloody expensive day, son. All that money, do you remember? Just to put a bloody smile on your ungrateful little face. Mind you said it was the best day you’d ever had in your life? Well, it must’ve been a real belter, son. A proper belter. So good you cannae remember a thing about it. It’s like it never even happened. Well, if it never happened, THEN I’D LIKE MY FUCKING MONEY BACK.”

Jack could remember my mum, though. Instantly. Vividly. His exact words to me were: “I remember something about Granny two-cats.”

My kids have three grandmothers. One they call gran, one they call grandma, and one they called granny – my mum. I added a further layer of clarification to this Grandmama Da Vinci Code by referring to my mum as ‘granny two-cats and a flag’, on account of her having a flag-pole in the back garden, and two cats in the house. We continued to call her ‘granny two-cats and a flag’ even after the flag had been taken down, and one of the cats had perished in a drive-by; the main reason being that ‘Granny one-cat and a flag-pole’ sounds like something a pervert would type into Pornhub.

Granny two-cats and a flag died more than a year ago. She loved her grandchildren – all of them – and it was more than mutual. She left a big, big hole in their hearts when she went.

What do you remember about her?”

That she’d get her bum out,” he said, with a big, big grin.

And I started to cry. Not big wracking sobs, mind. Just a single solitary tear, like the one cried by Rutger Hauer at the end of Blade Runner. “Your gran would have loved to have heard you say that,” I said, my eyes now properly misting over, the lump in my throat throttling the final few words of the sentence. “For that to be your memory of her.” It’s a strange thing to be brought to tears over an arse.

But I think it speaks to something at my mum’s core. Something I sometimes missed because I was too blinded by the machinery of our historic and ongoing conflicts, the big booms and crashes that formed the percussive rhythm of our fiercely loving but heated relationship. Her inner child. Her need to entertain, her need to be noticed, yes, but also her need to set people at ease. To make them laugh. To make them feel good.

When I think of my own grandparents, I think of loving but emotionally distant people dressed in greys and beiges, sitting in chairs drinking tea, or sitting in seats eating soup. When Jack and his brother think of their granny, they’ll think of an old woman in a pink fluffy oodie pressing her septuagenarian arse-cheeks up against the glass door of the hall, chuckling as she does it. And they’ll smile. And they’ll nod. Because they’ll remember that they live in a world where you don’t have to lay down and die when you get to a certain age. That you can retain a connection to your inner child, no matter how old you are. That you have permission to poke your tongue out at the world. At least every once in a while. Embrace life’s oddities and weirdnesses and weirdos and absurdities. Make them a part of you. Hell, throw your head back and laugh once in a while. One day you won’t be able to.

And forget books, forget football, forget fathers. That’s a real legacy right there: my mum’s legacy. That it’s a bum is immaterial. It’s a legacy that each and every one of us would count ourselves lucky to leave behind. Because life, my dear friends, is over in a flash, and we can’t ever allow ourselves to forget the most important about it: living the fucking thing.

And doing it with both an unflinching glint in your eye, and your fingers ever-ready at your waistband.

Losing Mum: A Journey of Grief and Healing

Life

My mum brought in the New Year of 2022 in hospital. On the surface of it, not such an astounding revelation. Many people in Scotland bring in the New Year in hospital, except mum hadn’t been involved in a massive pub brawl or a rowdy domestic, despite her Glaswegian origins. She arrived early on the 31st of December to little fanfare. She’d been admitted in a confused state, with – as we’d thought at the time – unrelated pain in her legs and feet. By the time I came to see her in the stroke ward, staff had already shuffled her through three different wards; not because the nature of her condition had altered or deteriorated – or because she’d actually had a stroke – but because sometimes that’s what they do in a hospital: a game of human Tetris to free up space.

Of the three other patients sharing mum’s room, she was the healthiest, albeit still quite weak and groggy. Thankfully, whatever medicine or attention she was getting seemed to be unscrambling her brain, at least in terms of the malady with which she’d presented. I remember feeling relieved that my mother wasn’t one of those other poor wretches, especially the little lady in the far corner with the short, hard shock of dirty grey hair, and a face permanently pulled into a scowl: an absolute dead-ringer for Mac’s mum from ‘It’s Only Sunny in Philadelphia’.

She was calling the nurses f***ing ****s last night,” mum told me with both a conspiratorial smirk, and a little glint in her eye. I looked over at Mac’s mum, who was staring dead ahead – not at us, not at anything – with the sort of murderous intensity usually only found on the faces of mob bosses. Perhaps she was peering through a rent in the fabric of our dimension that was visible only to her. If she was, something in the multiverse was majorly fucking her off.

My visit with mum passed quickly, peppered with pot-holes of silence and occasional vrooms of banter. The normal conversational conventions don’t apply in a hospital. It feels like church. Or prison. Or a prison chapel. You don’t want to drag the healthy, regular world too far into the room for fear of making the ill person sad they aren’t experiencing it, but neither do you want to concentrate too much on the minutiae of life on the ward for fear of depressing them. So what the hell do you talk about? Crop rotation in 13th century Europe? The career of Diana Ross? I wondered if our stilted conversation owed as much to our relationship never having evolved or expanded beyond our family markers – despite the ever-present love between us – as it did to situational social awkwardness. Beyond observation and analysis – the act of trying to decipher my mum as if she were a character in a book, or a test subject – had I ever really known her? Had she ever really known me?

As I was leaving, I made some quip to mum about her throwing a wild party the second I’d left the room, which prompted Mac’s mum in the corner to pipe up with: “Shut up! Just shut up, you arsehole!” I laughed out loud. Mum did too. A few days later mum was discharged, and we were content to put her recent health-related stutter-steps down as blips. But she didn’t get better. She got weaker. And sicker. She lost some motor control. She refused to get out of bed, and when she did she often fell. While in bed, she moaned and screamed in agony, claiming that the pain in her legs was unbearable. She was often lucid, but in her quieter moments she would say the most bizarre things. On one occasion, she calmly anticipated a visit from cousins who’d long since died. After a few short weeks, with the bulk of the medical professionals with whom we liaised offering neither constructive help nor sympathy, mum was back in hospital.

This time, the cast of characters was reduced to one. Mum’s new stage was a small oblong room, lit in that minimalist manner of all hospital rooms; an eerie luminescence pitched somewhere in intensity between a long-haul night-flight and a deserted underpass. The air smelled at once acrid and anti-septic. A cloying, chemical sweetness danced through the decay, trying to convince me that everything was normal. But it wasn’t normal. I couldn’t reconcile the image of the helpless old woman who was lying inert in the centre of the room with the big-hearted virago whose love and damage and kindness and cruelty and contradictions and laughter had shaped my core. She was a living ghost, her death a mere formality that was busy being negotiated through every aching and failing cell in her body. I knew the moment I looked at her that this would be our final act together, and that it would be short. I clasped her cold, frail fingers in mine, and stroked the papery skin below her knuckles with my thumb. Wherever she was in her mind, whatever feral and fractured part of it still remained, she reacted uneasily, almost with shock; as though she’d been immersed for too long in virtual reality, and was no longer capable of making a distinction between the real world and the virtual. The collapsing world in her head was the only thing left that seemed real to her.

I looked around again at the spartan room. There was nothing of mum’s essence; no reflection of the things that had made her a person. I wished there’d been a picture to hang, or a video to play, so the nurses could’ve seen her as a fully-fleshed, multi-faceted woman, and not simply looked upon her as a vet would a dying pet. Mum had been alive: larger-than-life, as the old cliché goes. Had the nursing staff and doctors been privileged to meet mum in her prime she would’ve charmed or enraged them, with no half-measures in-between. Mostly she charmed people: she couldn’t help it. She had an unslakeable need to be liked and needed, but it never manifested itself in a desperate or tragic way. On the contrary. She loved being in company, and the company loved being with her. When my teenage friends would call the house-phone to speak with me, she’d sometimes speak to them for half an hour or more first. At restaurants, she would engage in such protracted and animated conversations with complete strangers that she seemed to be angling towards adopting them into the family.

But there was no record of that here. Just bare walls, and the bleeps and bloops of the machines that were helping her to stay alive.

I tried to reach out for her floundering consciousness; to pull it onto whatever piece of still-functioning psychological flotsam I could find; to give her back some of her humanity. I grabbed the swinging robot arm with the television attached to it, and found a radio station that played hits from the 60s and 70s: the soundtrack to her heyday. I kept the volume low, but started to talk to her about the songs that were playing, asking her if she recognised them, if she liked the music. Mostly she babbled, or dozed. Except once, faintly but perceptibly, she whispered: “I like that music.” Her words came to me like a gift; like a light in the darkness; a foghorn in the mist.

I was being a dutiful and compassionate son, but – and these are the kinds of thoughts that torture me, with or without the proximity of death – was this actually a selfish impulse? Was I simply a scared little boy who wanted his mum back at all costs, not realising or caring that even a small jolt of awareness might bring her unimaginable fear and pain? Or was I desperate, believing from one too many Hollywood movies that to bring someone back from the brink of death all you need is the correct sequence of emotive words chanted spell-like over a dying person’s bedside?

I’ve only thought these things in retrospect. At the time I was too frozen in my soul – or whatever passes for it in a heathen like me – to analyse on any useful level exactly what I was doing or feeling. In any case her incredibly rare moments of lucidity, too fragmented to form any sort of encouraging pattern, were heart-wrenching for me, too. As a jolt of pain shot through her body, bolting her rigid, I clasped her hand, and told her in as reassuring a tone as I could conjure: “Mum, you’ll be okay. You’re in the hospital and they’re looking after you, and you’ll be out of here in no time.” Her lips curled into a half-sneer, and through the pain and adrenaline she angrily asserted: “I’m not going to survive this.” That was lucidity we both could’ve done without. Mum was trapped inside of herself, unable to get out, as the roof-beams and high-walls of consciousness retreated from and crashed upon her with ever-greater violence, and no-one, not me, not the doctors, not all the King’s horses and all the King’s men, could ever put her back together again.

But the nurses can’t tell you that. Because miracles do happen, and people are litigious. Instead they tip their hand in less direct ways: by exempting you from the normal visiting process; by inviting you to sleep on the ward; by suggesting that now might be a good time for far-off relatives to return to the roost. It felt strange to be talking with the staff on the ward – all of whom were unfailingly kind and attentive – about mum almost in the third person, as though she were a new-born infant, or a thought experiment. Mum was the person we’d defer to in situations like these; the one who’d be doing the asking and the talking, and absorbing all of the pain, even though she was fragile – deeply, deeply fragile – beneath her seemingly armour-plated exterior.

We can all relate to that. Our psychological defences might not fool us (and if they do we become delusional), but they can fool other people long enough to become self-fulfilling false prophecies. Play the clown even when you’re sad, and people won’t accept you as anything other than their jester, even when you’re dying on the inside. Act tough when you’re not, and in the long run you’re probably going to be crushed under the weight of everyone else’s worries and fears, your faux-strength becoming the weaker world’s feeding ground. My older sister told me that after one of her visits to mum she stood outside the hospital and took out her phone, finding herself seconds away from phoning mum, at home, to tell her about the poor woman she’d just been in to visit. Virtual reality isn’t always the preserve of the dying. Sometimes our brains cling to what isn’t there, because the pain of the realisation of loss is too much to bear. My sister needed her mum, then more than ever, but, in a cruel twist of fate and circumstance, mum was the one person none of us could have.

So the nurses ‘told’ me mum was dying, but they couldn’t ‘tell’ me. I wanted to scream at them: “Just tell me she’s dying! Say the words so I can stop killing myself with hope!” I regret with every fibre of my being that I didn’t show mum the courtesy of a vigil; that I didn’t feel able to take time off work to witness every moment of her final days, so that I could have given her what comfort I could, and been there for my family: for my sake as much as theirs. Adrenalin began to course through my blood, pumping an endless torrent of piss from my bladder, turning my legs to electric jelly. My thoughts, when I was away from the hospital, were like animals thumping against steel walls in a sealed room, their claws frantically scraping and scrabbling against surfaces, unable to find purchase. Unable to escape. I veered between the animal and the robotic, seeking sense in repetition, but failing to find solace or release. Not from this. You can’t run from death.

Throughout mum’s last week I spent three to four hours every night with her after work; an hour before work, too. Sometimes she knew who I was, sometimes she cursed and chided me (and I hoped, in those moments, that she didn’t know who I was). Most of the time she was half-conscious or asleep, her body twitching like a dog running in its dreams. I sat in the chair next to her. I had a book, but it went largely unread. I couldn’t take my eyes off mum. A time would come, very soon, when I’d only be able to look at her in photographs and, as painful as it was, I couldn’t stop. When I was 21 I saw my paternal grandfather in hospital not long after he’d died, his eyes tightly closed beneath his bushy eyebrows, his head lolled back, mouth agape. It gave me nightmares for weeks. I knew this wasn’t the way I’d wish to remember mum, but she needed me, even if she didn’t realise it. She was still my mum – had been, and always would be. If strangers could look at her, and not just look at her, but prod her and poke her and clean shit from her body, then I could sit there in her presence and watch as she fitted or slept, ready with a gentle caress or some soothing words if she grew frightened or agitated.

One night mum told me, in hushed and broken fragments of sentences, that she had to get up to tidy the place. I said I’d do it. That calmed her. She asked me if I’d remembered my pyjamas. I smiled and said that I had. She looked at me kindly, her eyes heavy-lidded, one of them more open than the other, and wheezed: “Do you want me to give them to your mum?” I clasped her hand tightly in mine as tears coursed from my eyes. My mouth and speech belied the presence of those tears, because I couldn’t let her see me break down. I had to look strong. “You’re my mum, silly. Don’t you remember?” She gave me an appraising look, slightly suspicious, her eyes boring into me as if she was trying to work out if I was a liar or a madman. The same look she’d given me on an earlier night when I’d mentioned my sons, her grandsons. “I have to go outside for a minute, mum, but I’ll be right back, okay? I love you.”

I had to get outside. My legs felt like floating hunks of lead. The walls of the hospital corridors felt like they were closing in on me. I sat outside the hospital, on the ground, and smoked a cigarette, the tears falling in great convulsing heaves. It was real, it was all real, and I didn’t want it to be. I would’ve given anything to have walked back into that hospital room to find her sitting upright in bed, hammering the help-button, and asking me what the fuck she was doing in a hospital, and when could I take her home…

When I got back to the room she was still lying where I’d left her, and still stuck somewhere between wakefulness and dreams, fantasy and reality, life and death. A few moments later she looked agitated again. She was concentrating really deeply on something, but it seemed to be confusing and irritating her in equal measure.

Hello?” she said.

I smiled. “Hello, mum.”

Hello?” she said again, more insistently this time. “Hello?”

I’m here, mum. Hello.”

By now she was livid. “Hello?! Hello!!”

I suddenly realised that the machine housing her fluids had started beeping in a way that wasn’t too dissimilar to the trill of a telephone. In her fugue of illness and confusion she must have thought that she’d picked up a ringing telephone from its cradle, and the damn thing wasn’t working properly. I laughed. It was a relief to be laughing after so many dark waves of pain and sadness. What stopped me laughing was the thought that I wouldn’t be able to laugh with mum about this later, once she was better, like we’d done with Mac’s mum on the stroke ward. Or as we’d done immediately after her two near-fatal heart attacks when I was an adolescent, and she was freshly fifty-ish.

I’d driven through to Glasgow to the hospital to which mum had been taken following her second, quick-succession heart attack to find her weak but conscious, surrounded by my uncle, aunty and cousins. They left after ten minutes or so, leaving just me and mum. All of a sudden her face contorted into a mask of pain, and I jumped from my seat to look for buttons to press, readying to shout myself hoarse for help from the nursing staff. Seconds later, I heard the rip from the loudest fart I think I’ve ever heard in my life.

Jesus Christ, mum!” I laughed.

I’ve been needing that all the time my brother was in.”

You almost put me in the bed next to yours there!”

Mum’s ‘fart-attack’ passed into family legend, endlessly repeated along with her story about being approached by Bruce Johnson from the Beach Boys when she was 17 and wandering Glasgow city centre on her lunch break. He asked her on a date, and she turned him down, because she told him she really had to get back to work. Back to work! She’d joke in her later years that as both she and Bruce had become grandparents and now lived in California (he in the Sunshine State, she in the small ex-mining village with the humorous name in Central Scotland) maybe they had enough in common to give it another go.

I stroked mum’s hair. Those days of fond, shared remembrances were over. This was – quite literally – the last laugh. And it felt like a knife to the heart.

Elements of the last night I spent with mum (not the last time, but the last night) still haunt me. After a bout of extreme discomfort and agitation she told me that she needed the toilet. A poo-poo, she said, further reinforcing the image I was trying to resist of mum having reverted to a helpless baby. I fetched some of the nursing staff, and they busied to work, drawing the curtains and asking me to step into the small sitting-room across the corridor. As I sat there I could hear her calling my name, and not just calling it, but screaming it. If you’d heard such a gut-wrenching, plaintive howl on the street you’d assume that some poor woman was being assaulted. Mum had no idea what was happening to her; made no connection between asking for the toilet and the nurses’ arrival. Again and again she shouted my name, and all the while I sat in that tiny side-room, tears welling in my eyes, feeling pained and useless; possessed of the frantic urge to rush to her, but knowing it would be futile, not to mention a breach of her dignity. But the idea that she might die believing I’d ignored her pleas for help tortured me. She wasn’t in full touch with reality, but what if that was the one crystal-clear thought she carried with her as she passed over?

Even now, every once in a while, I hear her calling my name, and it takes me back there. I’ve since wondered if my feelings of guilt and helplessness have a more distant genesis in our dynamic; that her words haunt me as powerfully as they do – the last words I’m conscious of hearing her speak – not only because of the trauma of hearing my mum so scared and helpless, but also because of the times in my life where I could have helped her, but couldn’t. Or didn’t. Maybe my subconscious has connected and joined those dots, then electrified the motherboard.

When I left her that night she was peaceful. When I returned the next morning, she was as peaceful as she’d been since being admitted to hospital. She slept for the full hour I was there, but this time there were no murmurs or jolts. Nothing on her face betrayed the agony and confusion she’d endured over the past few months. Maybe they’d increased mum’s dose of pain killers. Maybe this was simply a stage someone slips through on their way to the end, when the body has given up even noticing its pain, and does its host the mercy of disconnecting them from all but dreams. I don’t know. Part of me wishes that I could draw a line under my memories right there; have that be the final scene of our movie. She was peaceful. That’s the platitude people trot out, isn’t it? At least she was peaceful. And it helps, certainly, to have one less serving of heart-ache in your recollections. Maybe in time, as memory recedes and pain dulls, the sight of mum sleeping gently as the cold sun streaks through her hospital room window will supplant the suffocating terror of sitting in that room hearing her cry out my name. I hope it does.

At work later that day my dad phoned and asked me to come to the family home straight away. My sister was already there when I arrived. It wasn’t good news. After running tests on mum the consultant had diagnosed her with bone cancer, though it had spread from elsewhere in her body. We were now looking at palliative care. One of mum’s cigarette packets was still lying on the kitchen table. Her walking-frame sat nearby. All around us were the big and little signs of the life mum had lived in that house for over thirty years. In the hospital room it had been the absence of mum’s personality that had stung the hardest. Now it was her presence. Every trace of her was simultaneously a reassurance and an assault. Cancer. The pain in her legs and feet. We couldn’t even begin to imagine the agony she had suffered, and all at once we rebuked ourselves for our part in prolonging it.

Mum always had a fondness for alcohol. Even now that she’s gone it’s hard for me to tackle the subject without resorting to euphemism, or dancing around it with imprecise language. She’d experienced a lot of trauma in her life, and that was a by-product of it. When mum started presenting as seriously ill in November of 2021, she vastly reduced and then halted her alcohol intake. She spent more and more time in bed, which we interpreted as a physical response to mild withdrawal followed by a psychological free-fall. When she started popping pain-killers like Tic Tacs to manage the severe pains she said were gnawing at her legs and feet, we interpreted this as her attempt to retreat inside of herself. Especially since the pain didn’t always seem to be provoked by external touch. Doctors and nurses examined her legs, and their consensus, reached in absence of any concrete conclusions, was that the symptoms were psychosomatic. Ergo, the pain was all in her head. And still she bawled and roared and screamed in agony. We were sympathetic, of course, and worried – worried beyond belief. My dad, never a person I’d have associated with nurturing and caring, became like Florence Nightingale, going above and beyond, despite his own advancing years and physical pain. He did everything for her.

But we were labouring under the belief that mum was suffering from depression, exacerbated by her weakened physical and psychological state. The longer she stayed in bed, we feared, the higher the chance her legs would atrophy, thus the higher the chance she’d mentally quit and stay in bed for the rest of her days, like the grandparents in Charlie and the Chocolate Factory. We saw it as our duty to motivate her. To help her. If only we could get her out of bed. Stop her from sinking inside of herself. Give her something to live for. 

Around that table with my dad and sister, as we considered the enormity of mum’s terminal diagnosis, a cloud of guilt settled over us. Why hadn’t we listened? Why hadn’t we been able to see past our confirmation biases? Why hadn’t we fully believed her? Why hadn’t we fought harder (and my dad and sister had fought pretty bloody hard for her)? Of course, the medical profession wasn’t exempt from blame or criticism. Why had it taken so long to give mum this crucial scan, the results from which we’d only just received? Why did a woman at the hospital reply, in response to my dad telling them that mum couldn’t come to an earlier scan by car because she was in too much pain, that ‘her 94-year-old mother manages to make it to appointments’? Why were mum’s doctor and some of the hospital clinicians so aloof and arrogant; so unwilling to explore certain avenues? Was it because of her age? When it comes to elder care, do bureaucracy and cost-benefit analyses trump the Hippocratic Oath? Was the NHS still under critical strain following the Covid debacle? All we knew for sure was that mum would never again sit at that same table with us, sharing food and shooting the shit.

I imagined that receiving absolute confirmation of mum’s irreversible decline would be a relief, that it would finally kill the futile hope each of us had been harbouring, but while it was better to know than not – to face the truth rather than hide from it – in reality the anguish didn’t diminish. It just changed shape.

Death

We had a meeting planned with a consultant the next morning to discuss the way forward, so none of us thought we were in any immediate danger of losing mum. Not within days, in any case. My sister was exhausted, so she agreed to watch my sons that night while I went to the hospital. We were all in my sons’ bedroom when my mobile rang, and an unknown number flashed up on the screen. Things seemed to happen in slow motion. Without saying the words out loud my sister and I both knew what that noise signified. I was barely conscious of answering. “You have to come to the hospital straight away.” I could hear the pain and compassion in the nurse’s voice. “Your mum has become very, very ill.” My sister and I also knew what those words signified. The hospital will rarely tell you that your loved one is dying, and almost never tell you that they’re already dead, but the truth is always right there between the lines.

My sister and I were frantic. Who would watch the kids? We phoned and texted various people, but they either didn’t answer or were out of town. ‘GO!’ my sister told me. ‘JUST GO, JAMIE, SOMEONE WILL BE HERE SOON AND ONE OF US NEEDS TO BE THERE WITH MUM.’ I bolted from the house and jumped in the car, gunning the ignition. But at the top of the street I threw the car into a turn and roared back to the house. I couldn’t leave my sister behind. We scooped the boys from their bed, still in their pyjamas, and bundled them into the car, dropping them with their maternal grandmother. Minutes later we were on the motorway, and firmly in grief’s grip. I drove like a madman along the dark motorway, my fear and sadness converted to rage. I thumped the steering wheel, time and again, chastising myself, venting fury at all those who’d made a difficult time much worse. My sister snapped me out of it, and we spent the rest of those long but hurtling minutes alternating between tears and silence.

Given that death is one of mankind’s few absolutes – along with taxes, apparently, so long as you aren’t Amazon or Gary Barlow – you’d think we’d be more prepared for its sting. But we aren’t, and we never will be. We anticipate death, but we can never know it, or what lies beyond it, despite the arrogant assurances of snake oil salesmen, and men in silly robes, since time immemorial. And it’s the not knowing that scares us the most. Which is why, although we make jokes about death, and most of our literature is in some way about it, we really don’t like to hold the idea of it in our heads for too long. Because to obsess about death is a form of madness, one that either pushes us towards paralysing neuroses, or beckons us moth-like towards extinction’s flame. This is why our species prays and fucks. Broadly speaking.

Sometimes, in our more sombre moments, we might find ourselves sketching out the painful shape of a loved one’s future bereavement in the surface of our fears and imaginations, but no simulation could ever hope to approximate the impact of the identity-swallowing, time-shredding, synapse-battering hurricane of real loss. It’s a clock that suddenly starts ticking; it’s a dark blanket, as heavy as a galaxy, that slowly suffocates us under its weight; it’s a swarm of silent hammer-blows to the heart and memory. If we’re lucky enough to live in a reasonably prosperous part of a reasonably prosperous country, and not some dank, war-torn hell-hole where death and nihilism is doled out on repeat prescription, then we can begin to fool ourselves that the ones we love, and we ourselves, will live forever. It didn’t come yesterday, or the day before, or the day before that. Maybe it won’t come at all. That’s the lie we sell ourselves, so spectacularly that we’re able to live our ordinary, hum-drum little lives relatively untroubled by that singularly unfair, and irrevocable, clause in our existential contract.

When we reached the ward our dad was already there. Both he and my sister went into the little side-room, unable to process, for the moment, the enormity of what we’d arrived to witness. My sister wasn’t sure if she could cope with seeing mum. I stared, frozen, at the open door leading to where mum lay, that same soft, anti-septic light to which I’d grown accustomed filling the triangle of floor at the room’s edge. I walked in, and the resulting emotional detonation carried the force of a hand grenade exploding in my heart. My legs felt like they would buckle. I understood in that moment why grieving Arabic mothers ululate over the bodies of their sons and husbands, because that grief, the size and force of it, churns something primal in your soul; reaches into your chest and pulls out sounds of which you wouldn’t have thought yourself capable of making. I went to her, touched her face, ran my fingers through her hair, pulled her lifeless head towards mine, and wracked and cried and sobbed in a way that I hadn’t ever before, and haven’t since. “I’m sorry,” I told her, then again, and again, an endless torrent of sorrys tumbling from my mouth. “I’m so sorry, mum.”

And I was sorry. For everything. Sorry that I hadn’t been there at the end. Sorry that I hadn’t spent every waking moment with her as she’d fought for her life. Sorry for every bad thing I’d ever said or done to anyone. Sorry for letting my paternal grandmother die thinking I’d abandoned her. Sorry for the cancer. Sorry that she’d struggled with demons. That I couldn’t have understood her better. Sorry that she wouldn’t get any more time with her grand-kids. Sorry for every fuck up I ever brought to her door; for every time I leaned on her when she wasn’t strong enough to take it. Sorry for every time I caused her pain. Sorry for every time I’d raised my voice in anger against her, or wished her dead, or endlessly pored over her psychopathology like a detective looking to build a case. Sorry that our relationship hadn’t been better. Sorry – most of all – that we’d run out of time to put that right.

My dad came into the room, and he, too, broke down. When I was a boy I thought him brusque and unfeeling to the point of being a gargoyle. I understood as I got older that he’d cultivated a mask for himself, first to survive the rowdy horror of school in the rural back-wilds of Central Scotland, and then in order to climb the career ladder during a time when bosses could hurl heavy objects at you without fear of censure, and everyone was looking to knock you down to lift themselves up. He hid his feelings, denied their existence, because feelings meant weakness, and weakness meant failure. I’m sure his professional handshake was as firm as a climber’s grip, but whenever I shook his hand he seemed self-conscious about the intimacy of the contact, and often let his hand fall limp as though it were playing dead; biding its time before it could escape. But in that hospital room we had no need of masks. We embraced for a long time, something I don’t think we’ve ever done. Maybe a quick shoulder-push with some manly back-slapping from time to time. Never like this. I could feel his arms squeezing my back, neck and shoulders, and I squeezed back twice as hard, as the tears fell from us like rain.

My dad is my step-dad. He’s been in my life since I was 4. It’s been hard for me to switch to calling him dad, a process that’s been on-going for many years now, not because I don’t love him, because I absolutely do, or because I don’t think of him like a father, because, again, I absolutely do, but because it’s hard to undo years of programming: the years spent idealising my own father who’d abandoned me; the years spent resenting my step-dad for taking his place. His arrogance and general lack of affection never helped endear us to each other in the early years, but then neither did my mum’s propensity to divide and rule; her habit of discouraging closeness between us, but always calling on him as an attack-dog when the situation demanded.

Admittedly, forces both external and internal also put enormous pressure on my relationship with my dad. When I was five my biological father arrived to collect me for a weekend stay-over, but after an angry altercation with my mum and dad he roared off in his car, and I didn’t see him again until my grandfather’s funeral when I was 21. The story of our reunion, leading up to our eventual parting years later, is a long one, and not one from which I emerge smelling like roses. As a kid, though, I concede that I force-fed my mum and dad an enormous amount of shit sandwiches on account of the way my father had made me feel. It wasn’t until I got older, and especially when I became a parent myself, that I acknowledged how difficult it must have been for them to raise their respective children (my sister and I, my step-sister and step-brother) in the face of the turmoil both families had experienced as they’d first been broken apart, and then parts of them forged together. Not to mention the stress of raising children in tandem with all of the every-day pressures and struggles of life, work, money, and the challenges within their own relationship.

Somewhere along the line, then, across those many hard years – after many arguments, shouting matches and a handful of mild physical confrontations – I came to understand my dad, forgive him, appreciate him, and love him deeply.

I left dad alone with mum. Each of us deserved the chance to say goodbye in our own way. I went to the side-room to hug and cry with my big sister. I told her that no-one would think any less of her if she couldn’t face seeing mum, but that she shouldn’t be frightened, because mum looked peaceful – as if she’d just closed her eyes and fallen asleep. This time, that platitude about peacefulness really meant something. She went to say goodbye to mum, and I think she’ll always be glad that she did. I’m very proud of her, for a great many things, but especially that.

The funeral came and went, the days became weeks, the weeks months. The world moved on, but we didn’t. We found ourselves stuck in a strange new world we didn’t recognise; trapped in a TV drama that had just lost its main character. My dad said the hardest thing to bear was the loneliness. Not just that he’d lost the woman with whom he’d shared a turbulent but loving life, and who’d given meaning and purpose to his existence by bearing witness to its slow and delicate intricacies, but also because after the first few weeks people naturally drifted away. They stopped visiting and calling so much. And I guess he felt like he no longer had the permission to talk about mum, at least with the same intensity and for the same duration.

There’s an unspoken quota placed on grief by those who aren’t adjacent to it. Life hasn’t changed for them; the information about the loss is quickly absorbed into their new paradigm, minus the emotional bite, and the absence is absorbed and normalised. Life, as they say, goes on. But not for you. Life doesn’t go on, not so easily, and when it does it’s not, and never will be, the life you remembered. Some people are irreplaceable in your heart and memory, something that’s felt especially keenly in older people who have more life behind them than they have ahead. My dad still cries for mum. How could he not? Her absence is a black hole around which he helplessly orbits. The only thing keeping him from being subsumed is the recognition that it’s impossible to feel such depths of pain if we haven’t first felt such love. They fought like cat and dog sometimes, and went through their share of tragedies. But they loved each other. They really bloody loved each other. And that’s something to be held and cherished, for as long as humanly possible.

Mum and Allie didn’t speak for over a year. They reconciled when my sister returned to Scotland again in the spring of 2021 to rebuild her life, this time with a bravery and a confidence and a fortitude that made me indescribably proud. It’s not for me to tell my sister’s story, but she’s had a tough life, one riven with heart-ache and injustice and pain. My mental health struggles are as nothing compared to hers, which makes her Phoenix-like rise from the ashes – and her strength, that she never credits herself enough with having – all the more brave and commendable. The logistics for the move, the hoops to jump through, the emotional courage, dealing with stress and anxiety and depression and uncertainty: she came out fighting and faced it all by herself.

My sister took mum’s death especially hard. She, like me, had had a fiercely loving but maddeningly tempestuous and imperfect relationship with mum, but, unlike me, she had usually borne the brunt of mum’s wrath. Their relationship mellowed with time, but there were always flash-points and hand-grenades. That love, though, never faltered, even if sometimes my sister felt – as I often did – that in her quest for approval and acceptance she was chasing mist.

My sister said that the final almost-year she shared with mum, both before and after the advent of her illness, represented the closest and strongest their relationship had ever been. For the first time – away from teenage life, and external crises, and recriminations – they were able to enjoy a love unburdened from guilt and blame. Allie was proud of herself, and mum, finally, was endlessly proud in return. Allie was living in temporary accommodation, but had chosen a new permanent home close to mum. She wanted mum to see her settled, independent, and happy. Mum died before she could witness that, and while the universe’s timing was unspeakably cruel, Allie will remain forever grateful that she got the chance to experience, and feel, that re-established and boosted connection. To know that their love was, and always had been, unbreakable.

I cried when mum was dying. I cried when she died. But I didn’t cry at the funeral, and I didn’t cry – not properly – for a long, long time. Don’t misunderstand me. I was depressed, shattered, and exhausted. I missed her. I needed her. But there were no tears. In the first few months I thought something was seriously wrong with me. My mind kept being drawn to the protagonist of Camus’ The Stranger.

Why am I not as broken as you guys?” I asked my sister.

It hits us all differently, we all process it differently and at different times,” she said.

But why was I more visibly upset and shattered by my last break-up than I am in the wake of my own mother’s death? That makes me a bad son.”

Are you still shattered about the break-up now?”

No.”

When you break-up, it’s the what-ifs that kill you. Losing someone is final. You don’t just get over it. Especially when it’s family. It’s going to be with you for life.”

I think part of my initially muted reaction to mum’s death was explicable in terms of that finality: the futility of being upset about death. What would it change? Could my tears resurrect the dead? It seemed so self-indulgent. I don’t, however, believe that grief is a self-indulgence in others. I understand and respect grief. It’s appropriate. Typical. Normal. Necessary. Human. I envied its scale in my dad and sister.

The other part of my reaction, that’s intimately tied to the first, is probably down to emotional conditioning. I was raised as a people-pleaser, learning to tip-toe around a volatile woman whose feelings – both good and bad – were always the biggest and most important. I became used to internalising a sense of always being wrong. Of being ungrateful. Unimportant. Troublesome.

Emotionally, I push things down; pretend feelings don’t exist. I smile, over-compensate with cheer, crack jokes, revel in the comic absurdity of life. The feelings build and build, and before I know what’s happening they’ve burst out from my subconscious like ghoul hands from a grave. I used to flee, explode, or do daft and impulsive things to lessen the rising pressure. Time and analysis has helped me move closer to an equilibrium, as have various medicines and suppressants. These days I’m much better at restraining myself from outward action. The only problem here is that when things can’t go out, they go in. All of that energy with nowhere to go but my internal organs, leaving a burning fear and fury raging in my chest for hours, even days; robbing me of my appetite; turning me into a leg-jiggling mess with a pulsing, directionless brain starved of blood, and a stomach filled with bile.

In the weeks and months following mum’s death I could physically feel myself pushing away any painful memory of her life or death that popped up – always presented in agonisingly crystal-clear clarity in the cinema screen of my mind’s eye – almost as though I could picture my hands or feet thumping them down into my subconscious. I even, on many occasions, said, ‘No!’ out loud to myself as I did it. My writing may display clarity and emotional eloquence, but in any given moment, inside my head, a maelstrom is brewing, electricity is sparking, wheels are turning too fast for me to see, and as a result I’ve never quite fully mastered the knack of processing my feelings; of dealing with them and putting them into context.

I was good enough at it until 2020, but then the world imprisoned itself; my marriage broke down; I wasn’t seeing my kids every day; I started dating again before I’d had a proper chance to reckon with all that was swimming through my head, dragging heart-ache and calamity in my wake; and then mum got sick and died. In isolation, I probably could’ve taken most of these things in my stride, but the overlap, and their cumulative effect, has left me shaken and broken. Only now, and partly through this piece of writing, am I starting to recognise this, and trying to make sense of it all.

The remainder of my reaction, my lack of tears, was probably down to my complicated relationship with mum. I summed it up as best I could in her eulogy:

The woman most of you saw – the meeter and greeter, the helper, the grand-stander, the events co-ordinator, the woman around whom danced a life-time of funny and memorable moments – wasn’t always like that behind closed doors. She was formidable, in how she loved and in how she lived. She could be… feisty. Sometimes she was hard to love up-close, and I think a lot of that was because she didn’t always feel worthy of love, because of her trauma and pain, because of the mistakes she’d made. I wish I’d understood her sooner. I wish I could have fixed it for her. I wish I’d felt rather than just understood that life was so fragile and short. I wish I’d had more time. I wish I’d been a better son.

That passage is really just a more elaborate and eloquent version of the soliloquy of sorries I delivered at mum’s hospital bed. And a more truncated and sanitised version of the whole truth. I also said this:

When you’re growing up you see your parents first as gods, then as fallen angels, later still perhaps as jailers, dictators or war criminals. When you’re growing up your morality is selfish, binary, rigid. It’s easy to sit in judgement when you haven’t yet been let loose on the world to make your own mistakes. But it’s easier to understand and love your parents once you begin to realise your own capacity for hurting people, for screwing up, for saying and doing the wrong things. And especially once you discover the big secret at the very centre of being an adult: that none of us has a bloody clue what we’re doing. Not one of us is perfect. We’re all just doing our best with the hand we’ve been dealt. And when mum was at her best, which was often, there was no matching her. She was fierce, strong, brave, clever, cunning, and managed to love large and touch so many people’s lives, both in spite of and because of the pain she carried with her. And the world is a sadder, darker and infinitely duller place without her light shining in it.

Before and After

When I was a nipper, my mum used to call me Winky Smurf (a name I hope wasn’t a reference to my tiny child penis). She used to make her feet talk to me, and I’d talk right back to them. She made Christmases a happy time of abundance and twinkling lights. Every Friday night she’d let me stay up late to cuddle into her and watch Cheers. My friend would come round for sleep-overs and we’d put on comedy shows, which my mum would warmly and patiently indulge as our only audience member. Our family camping trips to France were replete with funny stories and little chunks of family legend, most of the funnier moments somehow featuring mum. She would sometimes take a supporting role in the terrible comedy videos my friends and I made as teenagers. On my first foreign holiday abroad with friends I contracted salmonella and ended up in hospital, and mum was frantic, at one point only a day away from jumping on a plane to be with me. When I was at University in Aberdeen, she came up with one of her friends and came out drinking with me and my mob. Mum wasn’t happy when I threw myself into stand-up comedy, but if she was ever in the audience and heard people talking, she’d storm up to them like a psycho and loudly berate them until they shut up. I wish she’d been in more of my audiences. I spoke to her on the phone constantly. Whenever I fucked up, or found myself on the brink of defeat, she always showed up at just the right moment to lend a hand or a shoulder. Often a bank card. She always, ultimately, had my back, standing up for me and digging me out of more holes than I’d care to admit.

When I became a father I thought she’d be an interfering menace, and while she showed early signs, she quickly shook herself out of it and became, along with my dad, an amazing grandparent. Not their first rodeo, in any case. Mum loved all four of her grandchildren passionately and endlessly, but I was privileged to witness the more affectionate, intimate bond she formed with my two boys by virtue of their ages. One of my last memories of my sons with their granny – whom they called ‘Granny Two Cats and a Flag’ to differentiate her from the other grannies – was the three of them curled up together in mum’s bed watching cartoons, a look of peace and happiness on each of their faces.

I’ll never know my mum (can we ever truly know anyone?), but I love her more than I could possibly convey in the confines of this admittedly tremendously long piece of writing. I also understand her and forgive her. As we all must forgive ourselves. Not one of us steps through this world without occasionally stepping on the people we love, or those who have done nothing to deserve our cruelty, approbation or neglect. Certainly, my life has not been without sin, and my behaviour and actions have adversely affected a great many people in my life, not least of which my family. My mum.

In defence of my actions, I could say, “Ah, yes, but a lot of fucked up things happened to me, and that made me really fucked up for a while”, and while that may be perfectly true, I’d then have to extend the same courtesy to my mum. Who wasn’t a superhero, or a god, but a human being just like me – a mere mammal – doing her best with the difficult hand she’d been dealt in life. And she did it in a time and in a place where society was neither as forgiving nor as understanding about mental health issues as it is now – and even now it’s not exactly a bastion of forgiveness and understanding. There was little to no support for people suffering with abuse, trauma, anxiety, depression, and addiction. For some context: in mum’s era, left-handedness was seen as an affliction to be corrected, with corporal punishment if necessary.

I’d then have to extend that same courtesy again to my grandparents, who came from a generation that almost witnessed the end of the world; who lived daily with the threat of widespread death, destruction and decimation. I’m not sure what mental health and welfare provisions existed back then, but I’m guessing that in a world in which you could be shot for refusing to run across a bullet-strewn patch of grass to your certain death, and ladies with mild depression were zapped in the head with strong currents of electricity… not much. If some of them experienced and passed on dysfunction, is it any wonder?

And where do I go from there? How far back do I go on this quest for blame and vengeance? Do I chew out some caveman relative of mine who cheated on his wife with a Neanderthal woman? At some point you have to say, ‘I am my own person. The past no longer has any claim on me, and I refuse to stay bathed in its excuses.’ That’s something mum never managed to do. Let go. Even as an old woman, she clung to the hate and injustices of the past, some of it stretching back to infant-hood. Even in hospital, when she was half-insensible, she still ranted and raged about the past. Hate is corrosive. It eats you from within, and it never stops. I refuse to carry any of it in my heart. Luckily for me, there’s none there.

I do carry regrets, though. I regret every day that I was rarely able to see past my own feelings of hurt, fear and injustice growing up. Sometimes you get stuck in a spiralling negative dynamic, and it takes a lot of work on both sides to pull back from it. Mum didn’t always have the stillness of mind to do that, so I should have stepped up. Instead of sending her further into her hard shell with accusations and recriminations I could have reached out to her with love and understanding. I could’ve been the bigger man; the better son. I can’t do anything to change that now. All I can do now is try my best to funnel those lessons into the future. Try harder to be a better man.

I’m helped in this by my girlfriend, Kate, who has been an unending, unflagging source of love and support throughout this very difficult year. Our relationship was still quite new when mum fell seriously ill, and I gave her an out on the grounds that I couldn’t expect anyone to navigate those waters with me so early in a relationship. She declined to take that out, and instead became my rock, my best friend, and my true love. We and our children have become a little family, words she used to describe us last week, which made me – and I apologise for the unabashedly retrograde banter – cry like a little bitch. Those tears continued, and morphed into tears for my mum, tears that didn’t seem like they’d ever stop. And for the first time since she died I talked to my mum. Out loud. It felt nice. I miss her every day.

Ever After

Epiphanies precipitated by tragedy rarely hold for long, often no longer than the billions of New Year-New Me resolutions we make annually as a species, but they leave their impressions; they join the rippling tide of knowledge and awareness that laps us to the grave, that slowly erodes the coarse rocks of our pain and anger to leave the fine sands of love, of beauty, of understanding. Of peace. And though the grains may resist our grasp and spill through our hands, still we feel them as they go; soft, fleeting, ephemeral. Like life itself. Life will always put rocks in our way. Sometimes they keep growing inside of us no matter how many times we massage them to sand. It takes a lifetime, and even then it never ends. The important thing is never to stop trying. To be better. To be kinder. To try. Always to try. That’s all any of us can do. And we hope, with all of our hearts, that whatever we leave at our feet will be softer to walk on for those that follow behind us.

What to tell your little ones about death

I envy young children what is either their brief assumption of immortality, or complete disinterest in the whole question of life and death. For the first few years of their lives, death is nothing more than a fantastical abstract; something that happens to baddies in games of make-believe, not to real people. It’s an empty word that carries no weight, as hollow and alien to them as the concepts of time, space and Blippi being the most irritating man alive.

Nothing lasts forever. The state of Eden into which children are born is fragile and ephemeral, lasting only until they solve the puzzle of death at the age of around three or four. Once revealed to them, death’s truth can never be removed or reasoned with. It becomes a darkness that casts a shadow over everything that’s ever been or ever will be.

There’s a cruel joke coded into our species’ DNA, and its punchline is that none of us ever remembers our Eden; those years spent at our mother’s teat and our father’s feet, or within whatever configuration of love it was that swirled around us in those blissful, blank-slate years. As we progress through childhood our brains bulge and morph into ever-fresher, ever-larger configurations of flesh and neurons, and all memory of our lives before the idea of death became a buzzing constant in them are erased forever.

Our kids’ memories, then, like ours before them, only start to gain permanence, it seems, at the exact same moment as the hooded figure of Death first flicks open his blood-red eyes and glares at them in the whispering half-light of their imaginations. That fear, that dread, will haunt our children ever after, coming for them in the dark and quiet of their beds when their minds are unbolstered by the protective amulets of sugar and adrenaline. They’ll lie there, alone, tiny, tear-stained clusters shrouded in the endless, swallowing darkness, beneath the unseeing eyes of an empty, Godless universe.

Thanks, Death. As if bedtimes weren’t an horrific enough time for parents as it is.

The respective bedtimes of our sons, aged 4 and 2, are an exercise in contrasts: a Tale of Two Bedtimes, if you want to get Dickensian about it. While the act of getting the recalcitrant rotters into their pyjamas and into the bathroom for their pre-sleep deep-clean has always been harrowing – Benny Hill meets Nightmare on Elm Street – once in bed, Jack, the elder of the two, is usually compliant. More than that, he’s happy. It’s a sweet, peaceful and occasionally magical time, where my wife and I can bond with him over a book, and indulge in conversations from the sublime to the ridiculous; from the philosophical to the farcical. Or else, it always used to be…

Christopher, on the other hand, from the moment we flop him onto the bed, screams like a tired and emotional Weigy woman being forcibly ejected from a nightclub and into a drunk-tank. Christopher resists every tactic to coax him into unconsciousness, from nursery rhymes to gentle whispers to tender strokes of his hair. His mum usually has to bear-hug him to stop him from thrashing his way off the bed and on to the floor and the make-or-break freedom beyond. The ideal scenario is for Christopher to fall asleep unbidden in the car or on the couch well in advance of his scheduled bedtime. The only snag is that the earlier in the evening this happens, the earlier he’ll awake the next day. Peace now, with the promise of chaos later. It’s a deal we always accept. What the hell: it’s pretty much the definition of parenting.

Christopher is still very firmly in his Eden phase. Death is an ‘unknown unknown’ to him; i.e. he doesn’t know that he doesn’t know about it. Jack, on the other hand, is occasionally gripped by the cold and bony knuckles of Death, who visits him every once in a while to breathe terror and sadness into his tiny little lungs (I know that’s tautological, but I’m all about the rhythm, baby).

Last week, I was reading Jack his bedtime stories when he told me that he wasn’t feeling very well. He said that earlier that night, as we were sitting on the couch watching Doctor Who, it had felt as though his body was moving from side to side, even though he was sitting still. I asked him how he was feeling at that exact moment. Not in any pain, he said. Not feeling sick. Just strange. He said that every now and again he felt like he was on an elevator.

I canvassed Facebook for a consensus, where everyone from laymen, fellow parents, a nurse and a doctor offered a diagnosis. Labyrinthitis was the most frequent suggestion, followed by good, old-fashioned exhaustion and dehydration (it had been a very hot and humid day, and he’d had an active few hours at the park with his mum, his brother and his friends). I was worried about him, but his heart was beating at a steady pace, and he didn’t feel particularly hot or clammy. Besides, his reported symptoms seemed too mild and infrequent to be labyrinthitis… but what did I know?

We got talking about other things, and before long, with a big smile on his face, he said, ‘Now it feels like I’m on snowboard, going down a big hill.’

‘Have you been having me on about feeling strange, you wee gonk?’ I said, tickling him.

‘No,’ he said, giggling.

Though he might have been riffing now, I had no reason to doubt what he’d reported. Anyway, it was good to see him laughing. We got on to talking about his day at the park, and how fast he’d been running.

‘I’m the fastest,’ he said, ‘I’m like the Flash. Candy is faster than Chris, but I’m faster than Candy.’

Candy was our cat. We’d had to have her put to sleep last year after a short illness, the poor old girl. It’s funny, but whenever Death is on Jack’s mind, it usually rides into our conversations saddled on our old cat’s back. Right on cue:

‘I don’t want to die one day,’ he said, his eyes becoming filmy pools, ‘Even if it’s a long, long time away, when I’m really old, I don’t want to do it.’

What can you say to that? I wasn’t sure. This wasn’t our first rodeo. But I knew what I definitely couldn’t say:

‘How do you think I feel? I’m probably going to go first.’

You want to protect your kids from every threat and evil in the world, but you can’t protect them from death. There’s nothing you can do to prevent it. All you can do is prepare your children for its reality.

So how was I going to do that? And was this really the best juncture in his life at which to do it?

I knew that if I didn’t pick my words carefully I risked inflicting grave psychological trauma, and he seemed to be finding the concept of oblivion troubling enough already. I worried a little. If I said the wrong thing would I turn him into some animal-sacrificing maniac who sleeps in a coffin? Would I propel him into some weird sexual kink involving zombies?

I reached out and stroked his face. ‘You don’t have to worry about that.’

His bottom lip started quivering. ‘But I’ll have to worry about it on the last day. The last day ever.’ A few tears dropped from his eyes, which I gently smushed away. I felt like someone had stabbed me in the heart.

I remembered being around Jack’s age, perhaps a little older, and bumbling through to my sister’s bedroom, my hair wispy and wild like Boris Johnson’s, my face a crumpled mess of tears, looking for some comfort as I flailed under the anvil of death. I wanted a cuddle. I wanted a cure: some loophole mankind hadn’t yet uncovered, the secret of which was somehow held by my sister alone. I climbed into bed next to her and bubbled like a bag of gently boiling milk, weeping in the warm darkness. I don’t know what my sister said to me, or how she managed to sooth me, but it worked, because my sister became my go-to gal whenever the grim inevitability of death was weighing me down.

As a child, my mother’s go-to person when the fear of death gripped her was her big brother. He chose to allay her fears by telling her that we all had to die, because if we didn’t die, there wouldn’t be any room on earth for any new people. That always struck me as rather unsatisfactory. True, no doubt, but scant comfort; rather like receiving an eviction notice because your landlord wants to move three random strangers into your home the next day. Still, my sister is eight years older than me, and thus almost a second-tier mum. My uncle was only a handful of years older than my mother, more of a peer, and doubtless grappling with his own unease about his one-way ticket to the other side.

Whatever comfort had been offered to my relatives or my younger self, I had to find my own path with Jack. I tried again to capitalise on his anchorless concept of time, and emphasise something of its vastness.

‘If it happens,’ I said with a smile, ‘then it’ll be so, so far in the future that it’ll almost feel like forever. So what I’m saying is, in a way, you’ll live forever.’

The sniffling dropped a gear, but he was still uncertain, uneasy. Then I recalled the old cliché about laughter being the best medicine, and so decided to pour a little of the medicine onto the spoon, throw away the spoon and let him glug down the whole bottle.

‘Anyway, you won’t be scared of dying when you’re an old man. You’ll be sitting there in your big chair, and you won’t be able to walk…’

At this point I scrunched my face up into a curmudgeonly gurn, and put on a croaky, rasping, old man’s voice. “I’m sitting here in this chair, I can’t walk, and I’ve just bloody pooped myself. There’s poop all in my pants. It’s going down my leg. They’ll call me Old Mr Poop Leg. I’ve had enough of this! Bloody can’t wait to die.”

Tears were running down Jack’s face… of laughter this time. I was laughing too. Jack’s laughter is trilling and melodious, a Mexican wave that sweeps you along with it. I resumed channelling the old man, by now completely beshitted: ‘That’s the cat coming in now. It’s trying to bite my willy. It’s trying to bite my willy and I can’t move! I’m too old! I’m too old for this! It’s biting my willy and there’s poo everywhere! Ooooooh!’

Jack started freestyling a few scenarios of his own. ‘A bird,’ he said, his chest convulsing with laughter, ‘A bird flies in… and it poops in his hair, and he can’t get away, and it goes down his face like an egg.’

‘Then he poops himself again,’ he added.

Take THAT Death. I guess we can’t beat you, but we can take the piss out of you, you ridiculous son-of-a-bitch. Human laughter, human resilience. That’s the key. The power of distraction: it’s the only one of life’s problems where burying your head in the sand is the only effective strategy. What’s the alternative? Turning to serial murder? Jumping off a cliff? Drink and drugs? Better just to laugh.

The last few days started to make sense to me. We’d been talking about getting a new cat a few day’s earlier, while Jack was in the room jabbing and prodding away at a computer game. Naturally, Candy’s death had cropped up, and we’d discussed how sad and harrowing it had been. He must have absorbed every word. We’re still getting used to the fact that Jack has the ability to hear and retain information, and be affected by it. And then, in the episode of Doctor Who that we’d watched earlier that night, a few characters had been killed off, and the main baddy had allowed himself to be blown up rather than wallow in the wake of his failed plan. Jack saw it all. Death had been joining dots across the days, between a cat and a Time Lord, with a little boy in the middle.

Is that what had made Jack feel ‘strange’ on the couch and in his bed that night? A double-whammy of death?

There was no way to know for sure.

But I’ll tell you one thing: the next time the hooded harvester shows his face around here, I’m going to kosh him over the skull with a funny bone. And then Jack’s going to poo on his shoulder.

Jamie’s Outlander Binge: Season 2, Eps 11 – 12

Part 7: Death Becomes Them

Wherein we say, ‘Adios, Dukey’, and consider the twin titans of love and death

I still encounter people, mostly men, who sniffily dismiss Outlander as a sort-of slightly more risque Downton Abbey: all frilly collars, bloodless duels, breathless embraces, passionate kisses, romantic outpourings and impenetrable ye olde speak. I can’t blame them. I counted myself among their number until very recently. Perhaps they’ll take the plunge, as I did, and find to their surprise and delight that Outlander is a fast-paced, funny, well-written, visceral and occasionally very, very gory show; a rollicking roller-coaster of pure entertainment that’s got more in common with Vikings than it does Howard’s End.

Help is at hand. Well… head. Every time I find myself slipping back into old habits and buying into the lie that Outlander is first-and-foremost a piece of soppy romantic fiction, I’m going to remember Murtagh hacking off the Duke of Sandringham’s head and kicking it across the kitchen floor like some horrifying football with eyes. It doesn’t get much less bosoms and bodices than that.

When the camera panned to Murtagh’s bloodied face I was a little disappointed not to hear him issue a classic action-movie quip, something along the lines of: “I guess he finally stuck his neck oot for someone,” or “This isnae the time tae be losin’ yer heid, duke.” Some things are better left unsaid, I suppose, and I’m sure I would’ve been disappointed had Outlander suddenly and inexplicably turned into an Arnold Schwarzenegger movie. I did thoroughly enjoy Mary Hawkins’ parting line, though, which must surely qualify as one the greatest understatements of the century (indeed, of two centuries), not to mention one of the most blindingly obvious: “I think we’d better go.”

Yes, Mary. I think you might just better had. Mind how you go. Watch you don’t trip over all those bears shitting in the woods, and Catholic popes.

And, so, another baddie bites the dust. Farewell, then, Duke of S, you slippery, slithering, sociopathic little socialite. I’ll miss you – although in the hours leading up to your death your villainy lost a little of the nuance that had made me love it, and you, so much. I preferred you with your mask half-on, when your charm was the loudest instrument in that cross between an orchestra and an arsenal you always kept holstered in that sallow old soul of yours.

The Duke and Randall were certainly well-matched companions as they marched together along the merry road to complete-and-total bastardom, both wearing their narcissism on their sleeves, but with the Duke’s cold anger resting a little deeper beneath the surface than Black Jack’s. There was something cartoonish about the Duke’s savageness when he finally unleashed it, but I suppose as he entered his final gambit he had little need of charm or pretence, preferring instead to cast them aside and growl out the details of his fiendish scheme like some low-tier Scooby Doo villain. “And I would’ve gotten away with it, too, if it wasn’t for that pesky, propulsive, all-consuming love between Jamie and Claire!” You silly man. Never bet against Jamie and Claire’s love. NEVER.

While the show doesn’t always have the outward appearance or traditional structure of romantic fiction, that molten kernel of Anglo-Scottish passion and devotion that sits at its core is hard as a thousand diamonds, and turns the very world of Outlander around it. Claire and Jamie are like a reverse Romeo and Juliet, whose tragedy is radiated on to the people around them, causing them to die instead.

Ultimately, the very thing that made the Duke’s plan ‘work’ – Jamie’s love for Claire – was also the very thing that guaranteed its failure. But we’ll let the Duke off the hook for that, because the poor love had no idea he was a character in a TV show.

While Sandringham’s mask was off (before his very head was off, too) he revealed to Claire his fiendish plot to hand over Jamie and her, his traitorous wife, to the King, so as to remove all suspicion from the Royal Court that he was, or ever had been, a Jacobite sympathiser. Which of course he was/had been, whenever it seemed to suit him. He seemed to be perpetually hedging his bets like some covetous, duplicitous cross between a Ferengi and a Vorta (dropping in some hard-core Deep Space Nine references, y’all). There were innumerable signals throughout the series that old Dukey Boy wasn’t exactly the world’s most committed Jacobite, but even if you didn’t know his history of self-serving treachery, his line to Claire “Gaelic – do you speak that barbarous tongue?” gives the game away somewhat. Claire has always had his number in any case.

Duke: “You know in my heart I’ve always been a Jacobite.”

Claire: “I’m reasonably sure you don’t have a heart.”

Hey, guys! Black Jack Randall’s back in town, too! But more on him later… The Duke also revealed that it was he who had hired the rape gang back in Paris, of which Claire had been the intended target, with poor Mary becoming the worst kind of collateral damage. It was for this heinous crime in particular that Mary Hawkins and Murtagh had vowed bloody revenge on the Duke (though they hadn’t known he was the guilty party when they’d made their vow), and it was revenge – foul and bloody – that they got. In the kitchens of Callendar House, no less. Callendar Park and House is situated across the road from my old high school. And my two kids were running around like possessed Tasmanian devils in that very kitchen during an open day last year. As much as I’d like to see their flash of recognition, I think I’ll wait until they’re at least… five before showing them that scene. I don’t want them to be scarred.

It was a nice touch to see the Duke desperately trying to re-fasten his mask of civility when Jamie burst into the kitchen; even nicer to see the vain old sod clamouring to put his wig back on. Even when facing certain death, appearances were still the most important thing to the Duke.

While appearances are certainly important, they’re never that important, and they can be incredibly deceptive. Take Dougal, for instance. He’s a son of a bitch, to be sure, but yet he keeps committing genuinely selfless acts that confound my impression of him: like testing how far the English soldiers’ bullets can reach across a battlefield by proffering his bald head to the enemy, or daringly dashing to Rupert’s rescue after he’s been shot by a band of Redcoats.

Let’s talk Rupert. I’d like to submit old Rupes into the running for the ‘Unluckiest Man in the Universe’ award. First, he almost dies in battle; then his best (perhaps only) friend in the world dies violently in a froth of his own blood having risked his life to save him; then he gets his eye shot out; then he gets captured … I’m sensing a pattern emerging. What next? A giant piano crashing down on his head? An anvil? A massive stick of ACME dynamite? Rupert’s recent hardships bring to mind Chef’s ludicrously drawn-out death sequence in South Park. Worse still, even if poor Rupert recovers, the only future open to him is an unspeakably violent death on the battlefield at Culloden, which he’ll meet while wearing an eye-patch that I hope earns him the nickname ‘Nick McFury’. Maybe in another life Rupert will come back as a lucky white heather salesman.

Death is everywhere in these two episodes. It’s so ever-present it’s almost a character. Claire, especially, is submerged in it, giving palliative care to her greatest enemy’s kin, and euthanising her old boss cum gaoler. Everyone has come to Culloden to die, it seems: the soldiers; Colum; Alex Randall; Black Jack Randall (although he doesn’t yet know it). It’s the bloody Switzerland of the north.

Death has the power to transform, to soften, to redeem, and that’s as true in Outlander as it is in life. Death is both transformative in a literal sense and transformative in a retrospective, metaphorical sense. Literally, because… well. You’re dead. It doesn’t really get much more transformative than that; even a caterpillar would have to agree. And retrospectively, because at the very moment when someone’s light is extinguished we tend to remember the light of their life shining brighter than perhaps it ever really did. We remember the departed as being better and bolder; cooler and kinder. Our love and mercy are amplified.

Much of our wistfulness springs from our own feelings about death: we fear it almost as much as we revere it, so we tend to become awestruck in its presence. We sit and we ponder, and we think to ourselves, ‘One human being fewer in the great infinite canvas of the cosmos, and yet what an incalculable loss to the universe,’ and perhaps – depending upon who we’ve lost – we cry, our grief temporarily blinding us to the world.

This whole, sad process can sometimes make it easy to forget that the person we mourn was – if you’ll allow me to fall back on reasonably esoteric philosophical language for a moment – an absolute fucking dickhead.

Death’s looming spectre is the only thing that makes half of the characters in this show palatable. Not only did I almost shed a tear for the immensely irritating Angus during my last binge-watch, but this time I found myself bubbling up as crotchety old Colum breathed his last.

I never really liked Colum – the character, not the actor – and I’m positive I wasn’t supposed to, but the combination of Dougal’s goodbye, and the revelation of just how pragmatic, insightful, forward-thinking and measured a leader Colum could be (and undoubtedly was, though I was perhaps too blinded by distaste to see it) made me realise that I’d miss him. Although I won’t miss his dress-style. In many ways he deserved his death simply for turning up wearing that brown fur coat, looking more like a horse-racing pundit, or a 1st-division football manager from the 1970s, than a laird.

To be fair, Graham McTavish absolutely knocks it out of the park during Colum’s death scene, no doubt reveling in the opportunity to show some of the nuance behind the gruff and growling Dougal. It’s all there in the complex carousel of emotions swirling and spinning on McTavish’s face: the haughtiness, the hatred, the love, the guilt, the spite, the remorse. Despite all that’s passed between them, love prevails. That’s what stays with Dougal, and that’s what stays with us. Christ, it was moving. When Dougal hugged Colum and blubbed, ‘All this cause you couldnae stay on a bloody horse,’ I absolutely lost it. I’m not allowed to say I cried like a big girl anymore in 2018, so I suppose I should say that I cried like a big man, and that’s okay, because men can cry too. BUT ONLY AT TV AND FOOTBALL.

Black Jack was in town, too, so it was time for us to dust off the DSM and have another game of ‘Psycho Bingo’. Except, initially at least, this was a different Black Jack. A more rounded, human version; one who seemed to show tenderness and compassion. He was in town to tend to his brother, Alex Randall, who was succumbing to the illness that had plagued him since Paris. Turns out old Black Jack had also been paying the bills for both his brother and his newly pregnant wife, Mary Hawkins. What a… nice… thing to do. It is nice, isn’t it? Is this still earth? Am I still me? Is up still ‘up’? Why is Captain Randall being nice?!

When Black Jack encounters Claire at his brother’s bedside he begs – begs?! – her to nurse him back to health, or out of suffering, but she refuses unless Black Jack agrees to reveal the location of the British troops.

“You would barter over an innocent man’s suffering?” he asks her.

This was delicious: the indignant nature of the sociopath, railing against injustice with zero sense of perspective or irony. It brought to mind Tony Soprano scolding his psychiatrist for ‘acting unethically’, or Ted Bundy complaining that it was inhumane not to have access to his prison library.

But Tony Soprano and Ted Bundy both, in their own way, helped people, too. Tony was capable of great generosity and gregariousness, and Ted Bundy volunteered at a crisis hot-line, often talking people out of self-harm and suicide. In both fiction and real-life there are plenty of examples of sociopaths doing good deeds, even if they could never be described as good people.

Black Jack ends up doing something else ‘nice’ for his brother: agreeing to marry Mary Hawkins so that she and her baby will have his protection. I must admit, Mary’s pregnancy brought me great relief. I’d feared that she was going to have to suffer savage treatment at Black Jack’s hands in order for the integrity of the time-line to be preserved, but this was a nice swap-out, and one that means two wonderful things: Frank isn’t directly descended from his evil doppelganger, and Mary Hawkins will only have to be joined to this monster for a couple of days before death officiates their divorce.

The road to Black Jack’s agreement to this union was an interesting if deeply uncomfortable one. At first, it seemed like Randall was using his discussion with Claire to indulge his sadism – revisiting his crimes upon Jamie just so that he could watch the pain and anger on Claire’s face – but he was essentially, in some weird and deeply warped way, trying to save his brother’s wife from his darker nature. Was that… noble? I’ve no idea.

Then Black Jack watches his brother pass, and the contrast between him and Dougal couldn’t be more stark. Claire once called Dougal a narcissist, and I disagreed. This episode carried the proof. Dougal is a complex, vain, bottled-up, angry muddle of a man, but there’s nothing pathological about him. He grieves, he feels, he loves.

Black Jack, on the other hand, rather re-affirms his narcissistic status here when he explodes in rage at the point of his brother’s death and starts punching his newly dead brother in the face. I laughed, very loudly, mostly at the shock and surprise of it.

When it comes down to it, there’s no changing Captain Jonathan Randall.

And there’s no changing Culloden.

See you for the finale.

A few final disjointed thoughts

  • Let’s have one final nugget of appreciation for Simon Callow’s turn as The Duke. What a character: so deliberate, so poised, so deliciously wicked. “The last thing I’d do would be to blurt.”
  • In episode 11, we see Claire extracting a woman’s tooth – now THAT’s a rational fear of the dentist. Us lilly-livered, pink-drink-drinking sissies don’t know we’re born.
  • Pity poor Rupert as he sits lamenting the death of his friend, Angus, through the re-telling of bawdy stories about the hairy-faced little rat. Drunk and dead-eyed, Rupert turns to a young lad who’s waiting in line (understandably very reluctantly) for some 18th century dentistry, and adds to his trauma with the story of the time Angus swallowed some teeth. “Said he didnae shite for a week for fear of being bitten.” That made me laugh.
  • I wonder how they made that horrible squishy-cracky sound when Claire retrieved the musket bullet from Rupert’s eye? That was appropriately revolting.
  • The awful spectre of rape hangs over just about every episode of this show. Remember when Claire offered herself up to the English soldiers, claiming to be a hostage, to ensure the freedom of Jamie and Dougal et al? No sooner had I written in my notepad ‘I do hope she isn’t threatened with rape again’ than a sleazy English soldier cocked a leg and said, ‘You look like you need warming up.’ Talk about #McMeToo
  • Jamie tried to convince the Bonnie Prince that the men were weary, and should be allowed to rest, replenish and regroup, to which the daring dandy replied: “I am not some frightened hare to be chased down by a pack of English dogs. I am a man. I am a soldier. And I shall comport myself as one.” At which point I offered an incisive critique of his tactics by shouting at the TV, “Fuck off, you wee wank.”
  • Murtagh on Frank Randall: “Hasn’t enough suffering been had in the name of saving that mythical prick?” Murtagh, I bloody love you.

READ THE REST – Click below

Why I want to binge-watch Outlander

Jamie’s Outlander Binge – Season 1, Eps 1 – 4

Jamie’s Outlander Binge – Season 1, Eps 5 – 8

Jamie’s Outlander Binge – Season 1, Eps 9 – 12

Jamie’s Outlander Binge – Season 1, Eps 13 – 16

Jamie’s Outlander Binge – Season 2, Eps 1 – 4

Jamie’s Outlander Binge – Season 2, Eps 5 – 7

Jamie’s Outlander Binge – Season 2, Eps 8 – 10

Jamie’s Outlander Binge – Season 2, Ep 13

30 Things You Didn’t Know About Scotland

Jamie’s Outlander Binge: Season 2, Eps 8 – 10

Part 6: Bad dads and sad lads

Wherein war tastes bitter no matter the outcome

As Outlander whisks us from the Frasers’ return to Scotland through to the bloody climax of the battle of Prestonpans we’re left in little doubt that the laughs, luxury and light-touch of the French court (miscarriage and murder notwithstanding) are far behind us. Team Clamie’s last, desperate attempts to kick causality up the backside, and deliver the highlanders from the clutches of death – both cultural and literal – don’t generate that much in the way of guffaws. It’s almost as if war isn’t funny (Catch 22 and Blackadder Goes Forth notwithstanding).

Over the course of these three episodes Jamie gets to test his mettle as leader, and pit his wits against an unholy trinity of father figures (grandpa, uncle and spiritual father of the rebellion, respectively). Meanwhile, Claire endures a traumatic period of re-adjustment to the world of war, something she probably never expected to have to do again, given that she’d just lived through the ‘war to end all wars’. Pesky time-travel.

Her first world war, the world’s second, but the first in which she’d nursed, was bad enough, but this war, her second, which isn’t a world war but came first, before the first or the second, which were world wars, comes first in the worst stakes, principally because this time she’s cursed to be versed in how things will unfurl in the world into which she’s been hurled.

And try saying that after a night on the piss with Murtagh.

Because the Jacobite Uprising appears to have been a war in desperate want of soldiers, Jamie’s first stop along the road to rebellion is at the house of his grandfather, Lord Lovat, whom he needs to convince to send men to fight under his banner. Fergus comes, too, on donkey-back no less; Jamie’s very own Sancho Panza there to accompany him as he roams the Scottish countryside tilting at windmills.

The biggest problem facing the Frasers in the domain of Grandpa Greystoke, Lord of the Rapes, is Lord Lovat himself. It’s hard enough to get the guy to make you a cup of tea, much less donate troops. It quickly becomes clear that what Jamie’s grandpa wants most of all is Lallybroch. He might not have managed to get his grubby paws on it this time, but I’m sure this won’t be his final attempt.

While Lord Lovat looks positively humanitarian next to the series’ alpha-villain Black Jack Randall, that’s not to mistake him for a nice guy. Far from it. He’s actually a pretty bloody horrible guy. It’s like when Kim Jong Un calls Donald Trump ‘crazy’. Yes, Mr Un, you’re technically correct; your opposite number across the ocean with the equally unfortunate hair-do does indeed possess an abundance of undiagnosed psychological disorders, but you’re not exactly a stranger to the DSM-5 yourself, you vainglorious, reality-raping basket-case.

When Lovat isn’t tossing around sexual threats (seriously, the 18th century is such a relentlessly grim and rapey place it’s practically the BBC in the 1970s), he likes to spend his free time being cruel, cynical, covetous, mercurial, brutal, boorish and rude – and I’ll bet he leaves the lid off the toothpaste, too. This all makes him rather a hard man to negotiate with. Harder still when the curmudgeonly Colum is at his table, too, lobbying hard against Jamie. I’ve missed Colum. Not very much. At all. Especially. That stilted. Way of. Speaking he has. That makes it sound as though his words. Are running round an obstacle course. Strewn with full-stops.

Laoghaire’s back, too, principally to atone for her part in almost getting Claire killed in season one, but also to show us that the fires of her devotion to Jamie still burn fierce and bright– even if she no longer desires to burn Claire to death in their hot flames. The last time Claire was in Colum and Laoghaire’s company, being seen as a witch was something of a bad career move (death does little to enhance your job prospects). Here, as in Paris, the White Witch persona proves to be an asset. This time, Jamie employs the supernatural ruse to dissuade his Grandpa from sexually assaulting his wife. That’s a spectacularly depressing sentence to write. There’s an episode of Jeremy Kyle in there somewhere (substitute ‘Jerry Springer’ if you’re from across the pond).

Today’s episode: YOU SAY YOUR WIFE ISN’T A WITCH. THEN WHY HAVE MY BALLS BEEN BLASTED LIKE A FROST-BITTEN APPLE?

You may recall seeing the actor who plays Lovat, Clive Russell, in the death-n-dragons epic Game of Thrones. Clive played Brynden Tully, the member of the Stark entourage who very narrowly avoided becoming something red, then something blue at the infamous Red Wedding on account of having to step outside for a piss.

But it’s poo that Clive’s more closely associated with in the minds of several generations of Scots thanks to his memorable performance as a guest star in Still Game, BBC Scotland’s incredibly funny sitcom about Glaswegian pensioners growing old disgracefully. In Still Game he played Big Innes, a taciturn mountain of a man who returned to his inner-city roots from his new home in the remote Highlands to help his old friends deal with a band of unruly youths.

Innes is a vast, human Hagrid of a man, taken to bouts of superhuman strength – especially when he gets his hands on Midori – and with an appetite to match. And when appetites are big, so too are their consequences. Near the end of the episode Innes lays a log in his friend Isa’s loo that’s large enough to upset the sun’s gravitational pull on the earth, certainly large enough to have earned him execution at the hands of a certain jealous and desperately constipated French King earlier this season.

It’s a shite to behold.

If you hail from outside these lands and Outlander has caused you to fall in love with Scotland, I entreat you to check out Still Game. Scotland isn’t all about breath-taking vistas, kilted pretty-boys and tribal honour: we’re also big fans of excrement and violence. Plus, you’ll find quite a roster of big-league guest stars in this little show, from a pre-Hagrid Robbie Coltrane, to a post-Doctor Who but pre-Hobbit Sylvester McCoy, to late-night US talk-show king Craig Ferguson.

Anyway, once Lord Lovat’s double-dealing, smoke-and-mirrors, arse-saving gymnastics result in Jamie netting some soldiers, it’s off with them to Jacobite Boot Camp. The men there are in fine fettle, gloriously unburdened as they are by the knowledge of their deadly destiny. They’re fuelled by optimism and adrenalin, both of which they’ll need in droves with Murtagh – aka Full Tartan Jacket – as their drill sergeant, yelling in their faces like a psychopath for three weeks, no doubt in the process spraying them with enough flakes of porridge to feed an entire regiment.

Dougal (He’s back! Erm… hooray?) doesn’t share the men’s joviality. Sure, he’s stoked for battle, and excited at the prospect of ripping out a few rib-cages to use as CD racks, but he’s not terribly impressed with having to play second fiddle to Jamie. Since their last encounter, the pupil has become the master. Not that Jamie was ever that studious a pupil to begin with, and not that Dougal really had that much to teach Jamie, beyond Dougal’s favourite quasi-commandment, ‘Love thyself as… erm… thyself.’

I thought Dougal was uncharacteristically and jarringly meek in the face of the new command structure, and especially in the face of Claire’s face, which was telling him to fuck himself (beautiful and richly-deserved moment, incidentally). I didn’t expect him to let his accusers and abusers off the hook with nothing more than a withering look, but I guess he’s smart enough to know when the odds are stacked against him. And perhaps, serpent that he undoubtedly is, he’s simply biding his time to strike.

I’m not sure I agree with Claire’s assessment of Dougal as a narcissist. He’s an egoist, certainly, and a blaggard, a bully and an arrogant old sod to boot, but clinically narcissistic? I’m not convinced. When he said he loved his country, and would die for it, I was inclined to believe him. Anyway, though Claire and I mightn’t agree on the finer points, I’m sure we’re on the same page when it comes to the chapter that’s sub-headed ‘Dougal is an arsehole’.

While the baldy, bearded one may have been forced to toe the line, he still found various indirect ways to challenge Jamie’s authority without openly defying him. Some of them were quite subtle. Like when Jamie was giving a rousing speech to his troops about the horrors of war and why it’s essential that they conduct themselves in a disciplined and orderly manner, and Dougal chose that exact moment to come running down the hill screaming like a fucking mad-man, his face daubed in dirt and his hairy man-tits shaking in the cold highland air.

In fairness, sometimes the ‘AAARRRRGGGHHHHHHHH!’ approach works better. Sometimes what’s required to successfully resolve an armed stand-off is to take bravery and push it that extra furlong over the line into insanity. You can see this in action when Dougal tests the firing range of a line of English soldiers by riding his horse as close to them as possible over boggy ground, and gets his hat shot off.

“And now, I’m aff to change ma breeks – because the hero of the hour has shat his pants.”

They must all have shat their pants as they later charged into battle, not only without armour, but into a thick pocket of mist and without even bothering to button up their shirts. Whoever was in charge of health and safety in that unit should’ve been sacked.

Claire naturally sees harrowing parallels between the war about to come, and the ‘future’ war just ended, made all the worse by her unique vantage point. Is it worse knowing or not knowing? Is it better to think that you might, if you’re lucky, die in your sleep at some point during your seventh or eighth decade on earth, or know without doubt that you’re going to be struck by a fast-moving train on the 18th of October 2026 at precisely 10:53? Is it better to bring yourself to believe that you might just bash the bosh and be back in Blighty by Christmas, or resign yourself to the incontrovertible, inescapable fact that you’re hurtling inexorably towards the fatal date of 16th of April 1746?

Claire’s and Jamie’s belief in their ability to unstick that fixed point in time is in many ways more fantastical than any faith that their 18th Century kinsfolk ever placed in white witches, baby-gathering faeries or good genital hygiene. No wonder Claire’s reeling from re-triggered PTSD. Even brief periods of camaraderie and jocularity among the men remind her of the brutal juxtaposition that’s surely just around the corner: the broken, bloody bodies; the reek of death. (Are Claire’s memories flash-forwards or flash-backs? They’re both, really, aren’t they?) I think the flashes work really well, chock-full of augury for Culloden, and allowing Caitriona to do some fine character work.

One man who seems to have no love of war or fighting is the man actually leading the rebellion, Scrawny Mince Charlie. I really like the portrayal of the character. The temptation must have been strong to make this romantic historical figure hopelessly noble, brave and true, but I’m glad they leaned into his whiny sense of entitlement and typical aristocratic disconnect from the common man he claims to serve. BPC is like a rich kid on a gap year looking to immerse himself in the full ‘ethnic’ Scottish experience – and what better way than by watching thousands of big hairy men fighting and swearing at each other before dying tragically young?

“The British are our enemies now but they may be our friends again.”

I don’t think that’s the galvanising cry the Jacobites expected to hear, Charlie.

War can also take its toll on the ears, with choice phrases like “You bushy-faced whoreson!” and “I’ll ram it up your arse until you taste it!” ringing in the air. I can relate to the raucous and bawdy banter of the troops. I don’t know if it’s a Scottish thing, a man thing, or a class thing, but it’s very rare for two Scottish males to express their affection and admiration for each other with anything other than vile insults and obscenities. Men have long been encouraged to equate love and tenderness with weakness and vulnerability.

If you’re walking down the street, and a bus goes by containing your best friend – and I mean this guy is your best friend, the guy you grew up with, the guy who’s always had your back, the guy you’d lay down and die for – if this bus goes by and you see your best friend’s face pressed up against the window pane, even before you know what’s happening your hand has curled into the near-universal sign for self-abuse, and you’re jumping up and down on the pavement gesticulating at your friend like an angry tramp doused in PCP.

Even if you’re visiting your best friend on his death-bed you still have to greet him by saying something like, ‘Looking a bit pasty there, you stinking, arse-faced donkey-fucker.’ (or “Ah’ll no allow that fat bawbag to die on me.”) With these parameters in place it can sometimes be difficult to distinguish between extreme love and extreme hate. A little tip, though: stabbing is rarely a sign of treasured kinship.

All this talk of death-beds makes this a particularly apposite time to talk about a certain doomed duo…

When Rupert and Angus re-appeared, a smile spread upon Claire’s face that was one part happiness to two parts, ‘These cheeky little monkeys, what are they like, eh?’ To employ the language of the riverboat for a moment, I’m afraid I couldn’t call or raise Claire’s smile. What I did do was glare at my TV set with a poker face. I did this not because I was trying to hide my true feelings, as is traditional with the poker face, but because my true feelings were best conveyed by pursing my lips tightly together and staring forwards through cold, flat eyes. I hated Angus especially, the bastard off-spring of a tiny wild-west bandit and an angry Chihuahua.

I even jotted down in my notepad these exact words: “Oh great… it’s Rupert and Angus. Boy, I hope they get wiped out, and as violently as possible.”

Careful what you wish for, eh?

The gruesome twosome has always served as the show’s comic relief, the Keystone Cops of Ye Olde Scotland, although in terms of relief I’ve always experienced the greatest share of it whenever they’ve left the screen. The episode ‘Prestonpans’ does a good job of adding flesh to the bones of these two caricatures, turning them into real people with vulnerabilities and inner lives. Turning them into people, to my incredible surprise (especially in Angus’s case), that I actually started to like.

It was obvious that one of them was going to die the second they had a detailed discussion about what they’d like to happen to their possessions post-mortem. But who died, and how, was still a surprise. Not to mention surprisingly harrowing to watch.

Angus’s death sent out a strong signal: if the hitherto one-note comic relief can die choking in horrible agony, then don’t expect any laughs in the conflict to come. But always expect the unexpected.

A few final disjointed thoughts

  • Awwwwwww. Jamie holding a baby!
  • I don’t think we’ve seen the last of the little English boy who infiltrated Jamie’s camp. He’ll definitely be back. He doesn’t know how lucky he was to be captured by Jamie Fraser and not Shane from the Walking Dead, else he’d have had his neck snapped before his vow of vengeance had a chance to form on his lips.
  • I once talked about the sanitary considerations of cunnilingus in the olden days – but, Claire, I just watched you French-kiss a guy who had the arterial blood of sixty dead English men rubbed around his lips. IT’S LIKE YOU ALL WANT TO DIE?!
  • Dougal bayoneting that injured English soldier made him seem brutal, but then he is, and so is war. Still yukky though.
  • I don’t think I’ve ever witnessed an actual, literal pissing contest before. Thanks, Outlander.
  • Jamie does Dougal a great service by speaking up for him to Bonnie Prince Charlie. But, knowing history as he does – his faith in changing the outcome of events notwithstanding – he’s also technically handing Dougal a confirmed death sentence. Kudos.

READ THE REST – Click below

Why I want to binge-watch Outlander

Jamie’s Outlander Binge – Season 1, Eps 1 – 4

Jamie’s Outlander Binge – Season 1, Eps 5 – 8

Jamie’s Outlander Binge – Season 1, Eps 9 – 12

Jamie’s Outlander Binge – Season 1, Eps 13 – 16

Jamie’s Outlander Binge – Season 2, Eps 1 – 4

Jamie’s Outlander Binge – Season 2, Eps 5 – 7

30 Things You Didn’t Know About Scotland

See ya, pal: What our pets teach us about life and death

My elderly cat is the singularly most irritating creature who ever padded on four paws.

She lies at the top of the stairs outside our bedroom every morning waiting for the first faint sounds of my stirring so she can burst into the room miaowing like an accordion possessed by the spirit of a dying elk, waking both of our kids before I have even half-a-chance to ninja-slide the hell out of there.

She always tries to trip me up as soon as I enter the kitchen, perpetually circling her food-bowl with her tail held aloft like a hairy shark’s fin. A few times she’s almost sent me flying down the stairs to my doom in the exaggerated manner of an A-Team stunt-man.

She licks my hand whenever I pat her, which sounds like it might be kind of cute, but not when it happens every single time I pat her, and certainly not when her tongue is as sharp as sand-paper and her breath is as foul as a hundred decomposing chickens.

She does night-time shits in the litter-tray outside our bedroom so foul that they snap me awake, forcing me to stagger out of bed to snatch up the poo-encrusted cat-spatula as fast as my sleep-leaden legs can carry me. I inevitably spill six tonnes of kitty-litter over the carpet in my haste to reach the toilet with the boufing, scooped-up jobby.

I’m mad at her at least once a day, and dream of a time when I’ll no longer be a slave to her licks, trips, mews and poos. She’s a broccoli-scented, past-her-prime grandma who for some reason I’m not allowed to shove in a home. And she stubbornly refuses to fucking die.

Until yesterday morning.

When she fucking died.

Our cat, Candy – inexplicably named after a 20-year-old Las Vegas stripper – was already middle-aged when we invited her into our home, which was the third she’d lived in. She’s always been a sweet, gentle and affectionate little creature – a cat who never once in her life yowled, hissed or clawed – so she wasn’t constantly re-homed because she was slashing people’s cheeks like some low-level drug-enforcer or anything like that. People loved her.

She was just unlucky.

In home number one her owner fell pregnant and developed serious pet allergies; in home number two she was bullied by the cats who already lived there; and in home number three she was our little baby, at least until our human babies came along, at which point she was relegated to the position of a suddenly inconvenient foster-child. Despite us having to shift the lion’s share (or the cat’s share, if you like) of our attention to the kids, Candy was always loved and looked after. One of the team.

She was the perfect cat to have around our kids, whether they were inside or outside the womb. Both times Chelsea fell pregnant, Candy stuck so close to her middle that she was practically gestating along with the fetuses.

Once they’d been born, Candy was unceasingly tolerant of the children; she was the sort of cat you could grab by the ears, squeeze by the tail and chase round the house without risk of counter-strike, which is a good job, because the kids grabbed her by the ears, squeezed her by the tail and chased her round the house. At least to begin with. Over time, Candy taught them how to be kind, soft and gentle. Well, okay, she didn’t teach them that at all. It was us. We taught them that. By shouting at them. A lot. But having a pet around the house undoubtedly helped our kids learn how to love things unconditionally.

Candy had been poorly for a while, but we chalked most of it down to her advanced years. Besides, she might have been less nimble, pickier with her food, and skinnier and scragglier, but she still purred away like a motorbike riding pillion on a motorbike that inexplicably was being ridden by another motorbike.

But this past week, though the purring continued apace, it became clearer and clearer to us that a battle was raging inside of Candy’s body, and one that she was losing. Her breathing became more laboured, to the point where we could hear the clanking mechanics of her failing respiratory system; see her sides puff out and collapse back sharply, like someone was operating a stiff set of bellows inside her rib-cage. The evening before last, one of her front legs and both of her back legs became swollen, lending her the appearance of mild gigantism. Walking became a serious effort for her.

I called the out-of-hour vet service. I gave my partner the phone. The vet told her that Candy was most likely suffering from an over-active thyroid that was putting strain on her heart, hence the struggle to breathe and the fluid retention. Although it might be possible to limit any further damage and lessen the severity of her symptoms, the vet went on to say, her prolonged life-span would probably be measured in weeks rather than months or years, and there was no guarantee that her condition would improve. I heard the inflection rise in Chelsea’s voice as she parroted the words ‘a thousand pounds or more’, which caused me to parrot her words, six times louder, and completely involuntarily, this time adding my own little flourish to ‘a thousand pounds or more’, which was: ‘Fuck off!’

It was an instant and honest reaction, but it still made me feel ashamed. We don’t know how lucky we are in this country not to have to take fiscal factors into account when deciding whether or not to treat adult relatives for serious or chronic illnesses… else more of them might end up in the ground a lot sooner.

There’s nothing I wouldn’t do for grandma. NOTHING.”

It’ll cost ten-thousand pounds to treat her.”

…to be honest her soup was starting to lose its zest.”

Children are a different proposition altogether, though. If either of our kids needed tens of thousands of pounds for medical treatment, and we didn’t have it, we’d wrench appliances from the wall and flog them on the street, list everything we owned on Ebay. I’d put the car on the market, the house on the market, mySELF on the market – kidneys, liver, lungs, the lot – hell, I’d rob a bank, borrow from the mafia, rob from the mafia, anything. Everything.

But – with mercy set at a thousand pounds minimum – the cat was clearly on borrowed time. Besides, even if we had a thousand pounds or more, she was in pain, and our actions might only serve to prolong that pain, even escalate it. We knew which way the wind was blowing. And you can’t fight the wind. We decided we’d phone the regular vet’s first thing the next morning.

I tried to prepare my eldest son, Jack, freshly-turned four, for the inevitable. I lay in bed next to him after I’d finished reading his night-time stories, and shot the breeze for a while. I told him Candy was sick. Very sick. We had to take her to see the vet, but the vet might not be able to help her. Sometimes a cat is too sick and too old for a vet to help. Animal hospitals aren’t always as good at helping animals as human hospitals are at helping humans (because I didn’t want him to think that hospitals were just giant white death-factories). Out of nowhere Jack asked if there were cities in the jungle. No, I told him.

So there are no vets,” he said. “Then the animals will just die.”

Bloody hell, I thought. This is going to be easier to explain than I thought. But possibly a million times more traumatic. Why can’t he just go around saying ‘Daaaattt’ all the time like his little brother?

We might have to get Candy put…” I began to say, and then steered away from the cowardly euphemism. Probably best not to Freddy Krueger the kid. It wasn’t a great idea to make him scared of going to sleep.

She might not come back,” I told him.

His aunt’s dog died recently. His mother didn’t sugar-coat it for him, or wrap it up in euphemisms, but neither did she labour the point. She just let him be sad, because death is very sad, especially when someone or something we love dies. Once he’d recovered his composure, he asked her, “Dogs die… but cat’s don’t die, do they?” He was getting nearer to completing the puzzle. He keeps finding new pieces. He almost found another one as I was talking to him about Candy.

Candy’s a girl cat,” he said with a smile, “But she’s also an old, old cat. She’s like a granny.”

OK, I thought, I’m all for a good dose of the truth, but let’s gun up the engine and back the fuck out of Dead Grandmother Cul-de-sac before things get too grizzly.

The following morning, yesterday morning, was as sombre and heart-wrenching as you’d expect. I’d slept on the couch that night and Candy had slept on the foot-rest next to me. When I opened my eyes, she was looking at me. And she was purring. I’m glad I got that. It kind of made up for all the times I’d yelled at her.

I called the vet first thing and we were booked in for eleven am. We were filled with denial. And hope. Chelsea and I threw ourselves into the minutiae of family life: wiping butts, cleaning dishes, picking up clothes, all at a frantic pace. We focused on anything except what was about to happen. Even though Candy still picked and licked at her food, miaowing for more but eating very little of it, we kept filling and re-filling her dish. Anything you need, old lady. Anything you want.

It all happened so fast. Within ten minutes of arriving at the vet’s, Candy was gone. The anesthetic took her in less than a second. Chelsea had brought Candy’s favourite cat treat, which she was still licking as she nudged forward, and gently and silently left the world. Chelsea cried. What surprised me is that I cried, too. I’d spent the morning intellectualising, and dispensing little parcels of clinical rationalism like a Scottish Spock. I didn’t cry when my grandparents died, I didn’t cry when my children were born. But yet there I was. Crying like a bitch.

In later years the cat had become more of an adversary to me than a treasured pet. Never-the-less, my tears were pure and unsentimental. I loved her. I didn’t want her to die.

I deal with pain by leaning heavily into black humour. I looked at the vet – who’d been unspeakably patient, human and kind – and pointed at the table behind her, where another few needles loaded with anesthetic still sat. Earnestly, with tears flooding my eyes, I said: “Can I take one of those away for my mum?”

The vet turned round and reached for it, before turning back with a smile. We all laughed.

Little Candy’s body was released to us. I was going to bury her in my parent’s back garden. While it’s undeniable that the £40 price tag was a definite factor in burial’s favour, we owed it to Candy to lay her to rest alongside our three rats, and my mother’s dog, Zoe, all of whom I’d buried myself. It was an honour. A mark of respect. A sign they mattered and meant something.

Me, Candy and the bump

In the car as Chelsea cradled Candy’s body in a shroud made from her favourite blanket, I reflected on the feelings that were stirring inside me. My sense of humour sometimes hides a burning anger; behind that, sadness. That was what lay at my core. Sadness. Great, unfiltered sadness. As I got ready to bury our beloved little cat, something in me was being unearthed.

We told Jack. His first reaction was, “My friend Cory can still come today, right?” The entry for death in his internal lexicon is yet to be shaded with feeling. His second reaction was tears, a plaintive moan. He said he’d draw a picture of Candy. So we could remember her.

I told my mum about Jack’s reaction when I got to her house with Candy. A little gallows humour crept into the re-telling. I just couldn’t help myself. “And as he was crying, mum, I just looked him straight in the eye and told him, ‘While we’re getting it all out, son, I just need you to know that Santa Claus is definitely not real, okay?’”

I smiled. She didn’t.

I dug a hole for Candy. I burst through roots with the spade. Mulched up hard soil and clay. Laid her gently in the earth, and covered her over with soil and a slab, so the foxes wouldn’t get her. I remembered all the times she’d lain next to me in bed with a paw draped over my stomach. How happy she’d been when we’d finally got a garden and she could play outside.

This is how it always ends. With me, here, with a spade.

Why would we ever do this again?

We’ll do it again.


Want to read more about pets dying, you morbid bastard?

Here’s a long, funny and touching piece I wrote a few years ago about the deaths of the three rats and a dog mentioned in this piece

Here’s an article published a few years ago about the death of my mother’s cat, with whom I’d ‘shared’ a childhood

Jesus Christ, I write about pets carking it a lot, don’t I?

A few words on death

dead1

I think about death. A lot. I was thinking about it today. Thinking about how all of us, no matter our views on nudity, modesty or the sanctity of the body, will inevitably find ourselves lying dead and naked on a slab with some poe-faced mortuary attendant hunched over us with a clip-board. That’s the best case scenario. Worst case, some psychopathic medical student will be playing keepy-uppy with our severed balls or tits. On the bright side, we’ll be dead and we won’t give a shit either way. Regardless, I want them to know, these ghouls. I want them to know that I’ve lived my life accepting the allignment of my destiny with theirs. I want to communicate with them from beyond the grave. I was thinking a stomach tattoo. I’m torn between I KNOW A NECROPHILIAC WHEN I SEE ONE and YOU’RE NEXT. I’m open to suggestions.

That led me to thinking about people who work in funeral parlours. Do undertakers and mortuary assistants have appraisals at work? What form do they take?

Funeral director: probably the most hilarious of all the professions

Funeral director: probably the most hilarious of all the professions

Well, Colin, thank you for attending your annual review today. For starters, can you tell me anything that you think you’ve done well in the mortuary over the last twelve months, anything you’re particularly proud of?”

Hmmmm… well, of all the bodies I’ve tended to this year, less than thirty per cent of them ended up looking like Heath Ledger in The Dark Knight.”

A real improvement on last year, Colin. Now, can you think of any way that you could make your processes more efficient?”

We could… put the make-up on people while they’re still alive in the hospice, get them in and out faster on the day?”

“Oh, that’s brilliant, I’ll make a note of that.”

Face-painting?”

I’m not sure I follow…”

Well, I’m always at a loose-end during the funeral itself, but if people brought their kids I could set up in a side-room and do their faces up like cats and wizards and that. Charge five pound a face.”

(nodding vigorously) And then, if any of the adults are particularly upset as they file out of the service, they’ll come out, turn a corner and…”

BAM. Wee guy with a tiger face.”

Wee guy with a tiger face!”

I know a tiger face would cheer me up.”

Oh, me too, Colin, that’s….BRILLIANT! You’d just have to make sure to wash the brushes out before you used them on the kids’ faces.”

I could just use different brushes.”

(claps hands together, frantically scrawls in notepad) This must be how Mr Miagi felt in the Karate Kid! Any other initiatives?”

(ponders) You know, when people think funeral procession, they think sssllllow. But why does it have to be slow? If the drivers absolutely caned it, we could squeeze in a few extra funerals every day, plus the mourners would be too distracted to be depressed.”

Make it more fun!”

Make it more fun. Give the hearses a siren like Ecto-1 from the Ghostbusters. People would go crazy for that shit. Give the guy with the big top hat who traditionally walks in front of the procession a quad bike.”

Jesus Christ, Colin, you’re taking me to funeral director school today, son!”

Maybe this is a little too radical, but how do you feel about group discounts for bonfires?”

hearse

I would hate to be a mortician or an undertaker. Imagine coming home frisky and angling for sex. I imagine there’d be an insistent, unshooshable voice in my partner’s head saying to her: “How the hell can he be horny after looking at dead bodies all day? Unless… oh God, he isn’t horny BECAUSE of the dead bodies, is he? I swear to Christ, if he tells me to stop moving around so much I’ll snip his dick off…”

How could you ever feel horny ever again? I know there are some strange aphrodisiacs in this world, but recently-deceased 87-year-old Gladys McLintoch surely isn’t one of them. Sex and death are inextricably linked, and sometimes proximity to death, and fear of mortality, can trigger the reproductive instinct; that being said, most normal guys wouldn’t gaze down at the face of a dearly departed old granny, allow a lop-sided leer to slip across their lips, and think to themselves: ‘The wife’s going to be walking like John Wayne when I’m done with her tonight.’ 

One final thought: do hearse drivers get to take their work vehicles home and use them recreationally, like taxi drivers do? “Well, it’s an absolute bastard to reverse park the thing, but it’s so good for the weekly shop. I can fit in the bog paper, washing powder, everything.” 

Reflections on the Suicide Bombing in Pakistan

Nobody give a fuck about Pakistan, no? My Facebook newsfeed isn’t exactly overflowing with outrage and Pakistani flags. I refuse to believe we’re all racist. I mean, this is human pain and misery on a grand scale. We’re not monsters. We’re – largely – compassionate people. We must simply view most Western European/North American/antipodean countries and peoples as the closest match to our own, and so when something happens to them, it makes us think, ‘Fuck, that could happen to us’. Thus we desperately try to ward off the demons of our collective fear through exercises of mass solidarity (not suggesting for a second, however, that the expression of solidarity is devoid of human feeling). When we hear about horrible things happening in Pakistan, to fellow human beings, we receive it as we would news about a serial killer picking off prostitutes or homeless people. We feel a momentary pang of compassion, which quickly passes when we convince ourselves that we aren’t in any immediate danger from the threat. They’re not like me. I’m not like them. That wouldn’t happen to me… Even though there’s some suspicion that Christians may have been the target of the attack. Not white Christians though, eh? Maybe we’re a tiny bit racist. Or selfish. Or human. Or all three.

I hereby extend my sympathy to victims of religious and political violence everywhere, regardless of creed, colour, country, race, religion, age, sex or social standing. We’re all human beings.

Louis Armstrong was wrong. This is a pretty shit world (although admittedly his song wouldn’t have been so catchy had he conceded that).

Pet Cemetery

butchIf you’ve ever had a pet, then you’re intimately acquainted with death – especially if you grew up with one.  This piece you’re reading now (as opposed to a completely different piece you may once have read six years ago) is about having pets, loving pets and losing pets, with a few detours along the way to incorporate things like the Rat Jesus, inter-species murder and mafia slayings. I lost four of my pets this year. Three rats and a dog. This is their tribute, delivered the only way I know how: not very well. 

Paddy’s Troubles

One of our first family pets was a budgie called Paddy; he lived during the height of The Troubles, and he was blue. I’d like to think that the act of naming him was some sort of artistic comment on the futility of Scottish sectarianism, but it’s possible that my mum was just racist, and had to fall back on her second choice of offensive racial nickname after Sambo was vetoed.

This isn't Paddy. But who gives a shit? They all look the same.

This isn’t Paddy. But who gives a shit? They all look the same.

Anyway, Paddy didn’t live long enough to have much of an impact on global race relations, as he was tragically murdered. Who’s your number one suspect? A cat, right? Tsk tsk. You bigoted cattist. And don’t even think about telling me that all of your best friends are cats. No, you feline fascist, the perp wasn’t a cat; although in your defence history does tell us that cats and small birds have been mortal enemies since time immemorial (Bros, Warner., 1963, Sylvester & Tweetie Pie). As far as rivalries go it’s a bit of a one-sided enmity (kind of like the rivalry between the sun and asteroids), and, yes, I’m willing to concede that the cat’s usually the aggressor. What I’m saying is, I can understand the root assumption from which your flagrant cattism sprouts. But you’re wrong, friend. Paddy didn’t meet his maker at the jaws and claws of a cunning cat: he died a statistical anomaly, having been snuffed out by an over-excited dog. What a twist.

The dog came bounding into our house with its visiting owner at the same time as Paddy was enjoying one of his brief periods of liberation, free from his cage and happily toddling and hopping about the living room floor. The spaz-tongued, slobbering beast pulled free from its owner’s grip, hurtled in to the living room, and gave our feathery little fella the gift of a massive and fatal heart-attack – as I suppose creatures fifty times the size of you are want to do. A little while later, after the requisite period of budgie mourning (two hours and eleven minutes) we got Paddy II. A little truer to expectations, Paddy II was skillfully – and lovingly – eviscerated by our first cat.

Perhaps unsurprisingly the family declined the option of a Paddy III. As my mother put it: “I’m not having a bloody horse coming in and trampling this one to death.” Also, my mother well knew that the final installment of any trilogy is usually the shittest. She’s right… isn’t she… Spider Man 3? Stop your smirking, Godfather 3, you’re next!

We're so weird as a species that we even keep pets inside giant pets.

We’re so weird as a species that we even keep pets inside giant pets.

I think it’s weird that we keep pets (especially fish. They’re excruciatingly boring. You might as well keep a brick as a pet). Sometimes I look down at my pet cat as it brushes against my leg and think, ‘How did this happen? This is surreal. Why is this four-legged creature living in my house?’ You could argue that keeping a pet is a ridiculous, pointless and incredibly wasteful act. Look after your own genes, or the genes of another of your species: don’t invest your time in the well-being of a creature that shits in a box and licks its own arsehole. Sure, you could argue that case. I’d counter that our ability to indulge in these seemingly pointless acts of nurturing might just be one of the more important stitches in the patchwork-quilt of our humanity.

Having a pet can teach you about compassion and selflessness. It can also, as I’ve glibly demonstrated, teach you about death. Perhaps, in a strange way, we’re nothing but masochists. Owning a pet is like saying: ‘I don’t believe that I’ve been subjected to quite enough in the way of human loss and agony. I’d quite like to experience grief and heartache through a variety of different species, please.’

In a world crammed with suffering, the greater share of which happens unseen or unimagined by mankind – i.e. the never-ending reclamation of flesh as carbon through tooth and claw – why do we desire to bring a proportion of that invisible suffering into sharp focus by ensnaring an animal, developing feelings for it and then observing it as it gradually dies before our very eyes? What a curious species we are. In this year alone, during which I’ve wept not a centiliter of ocular fluid for a single fallen human at home or abroad, I’ve cried genuine tears of grief over the bodies of three rats and a dog.

This piece you’re reading serves as both obituary and commemoration for four special creatures that were plucked from their ancestral destinies within the animal kingdom’s brutal pyramid, and placed – plump and cosseted – upon a man-made pedestal. And loved with a deepness not often seen between two different species outside of underground German movies from the early 1980s.

So RIP, you wonderful, fun-filled, furry little fuckers. I’ll always remember you. You may have spent most of your time eating, shitting, pissing and sleeping, but, collectively and individually, you still lived more worthwhile lives than the cast of Geordie Shore.

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Say What, Momma?

mawOf all the things you might expect to hear your mum say to you as you walk into her house, this probably isn’t even in the top 500: ‘Are you here because of the murder?’

I had no idea what she was talking about. It was rather easier to predict what she would say next, and indeed she didn’t disappoint my expectations: ‘There’s been a murrrrdddeeeeerrrrrrr,’ she said, followed by a chuckle; a chuckle that seemed to say, ‘That’s a cracker, that one. Bet no-one’s ever said that after a murder before.’

According to my mum, a man had been stabbed to death in a local pub a mere mile from her house and had then staggered a few hundred yards down the road to his house, whereupon he promptly died. Her source for this information? Twitter: the cyberspace equivalent of a gossiping conga line stretching across a billion tenement back-fences. Fuck you, Reuters! By the time the story had been banded about the kitchen a few times, the villages of Polmont and Brightons were on lock-down, armed coppers were perched in sentry towers, people were being detained and then airlifted for extraordinary rendition in Germany, helicopters were commanding the skies like a swarm of angry wasps, and martial law had been declared. In addition, six old ladies were shot coming out of the butchers, which at least spared them the horror of the nuclear blast that erupted from ‘Auld Nessie’s Cat Charity Shop’ across the road.

My mate and I did some car-based reconnaissance. One tiny street with a pub in it was cordoned off, and two coppers were standing outside of a house. Miami Vice, motherfuckers. As we drove past the first cordon, my mate clocked the police tape and asked thoughtfully, ‘What do you think the police would do if we just ran through that tape like we’d finished a marathon?’ A tenner for anybody who does that at the next murder scene they stumble across. Twenty quid if they’re a copper (thirty if they’re the suspect). Do it in slow motion, though, yeah?

taggWe rounded the corner from the pub, past the local Spar, and clocked a heavy-set man coming out of the store wearing a fleece that said ‘NYPD’. We couldn’t help but share a giggle. ‘Jesus,’ said my mate. ‘They’re really taking this case seriously.’ Well played, NYPD guy. Well played.

Back at my mum’s house, we sat down to watch Scotland Today on STV. A murder in a sleepy hamlet in Falkirk? There’s no way that won’t feature on the news, even if it only merits a few solemn sentences. So we watched. And waited. Yadda yadda yadda underage drinking. Yadda yadda yadda kids voting. And then we were treated to approximately twelve minutes – TWELVE MINUTES of a twenty-seven minute news show covering all of Scotland – about tonight’s Celtic vs Barcelona football match. TWELVE MINUTES of interviewing Celtic’s coaches, directors and managers, where we gleaned such insights as: ‘It should be a good game,’ ‘I hope we win,’ and ‘The players just need to go out there and play the game.’ Fuck me. Then a woman in a near-empty stadium told us how exciting it was to be standing in that near-empty stadium, just knowing a football match was about to happen. Then we were treated to an ‘interview’ with some young Barcelona fans who were enjoying a couple of pre-match pints in Glasgow city centre. Shockingly, they hoped Barcelona would win, but whatever happened they thought it should be a good game, and urged the players to just get out there and play the game. They were then asked to sing a typical Barcelona terrace song – in Spanish obviously – which I can only hope was about shagging the bodies of their dead foes.

What a coincidence that STV had the broadcast rights to the same football match it plugged for twelve minutes during its own fucking news programme.

I get that it’s a Champions’ League match, and that the event has great cultural significance and entertainment value, but surely if the story’s featured in THE FUCKING NEWS it should be covered thusly: ‘Celtic are playing Barcelona at home tonight.’ What more is there to say? SPORT is not NEWS! Was there nothing else of any significance happening elsewhere in the country? No bribery, corruption, controversial legislation, or, oh I don’t know… MURDER??

dugWell, yes, there was something better than all of that, actually (but not as good as football, obviously). Some fat guy with long hair was so angry about tourists rubbing the nose of Edinburgh’s Greyfriars’ Bobby statue  that he went on TV to complain about it. They captioned him as a ‘Campaigner’. A campaigner for what? A blacker nose on a pretend dog? Bono’ll be in touch soon, my man.

The fat guy went on to tell us that his mate’s been putting shoe polish on the dog’s nose to dispense some rough justice to the tourists. Tourists? TERRORISTS more like! (impulse to write ‘ruff’ instead of ‘rough’ resisted)

Here’s a genuine quote from that news story:

‘It’s amazing how the tourists feel when they come away with a slightly grubby, waxy hand after doing something they shouldn’t be doing.’

So said the fat man, with a proud, steely look in his eyes as if he’d just participated in the vigilante murder of a child killer – instead of what he’d actually done, which was to over-see the repainting of a statue’s nose. Pulitzer’s all round.

(another tenner’s going spare for anyone who paints a big cock on Greyfriar’s Bobby)

And still no murder. Does nobody give a shit? Why is this not deemed important enough to share news space with a rubbed statue? So we switched to Reporting Scotland on BBC1. The headline? The murder rate in Scotland has dropped by 32 per cent. What? Not only was there nothing about the murder, BBC1 was actually reporting the absence of murders (Admittedly, if the news editor had already decided to lead with a story about how there’s no murder in Scotland  – possibly at the behest of the police and government – then they wouldn’t allow a pesky little thing like a fresh murder to come along and waste the composition of the news bulletin)

Now I’m not even sure if there’s been a murder at all. It’s funny how the rumour mill goes into meltdown when something horrid happens on your doorstep. Anyway, a man has died, and it’s a horrible tragedy, whatever the circumstances. Of that I’m sure, at least. I just thought the news – the Scottish news at least – would tell us more about this, and rather less about a man getting angry about a statue.

I’m off to not watch the football.

On the Death of a Pet – Piece Published in The Cat Magazine

This is a piece I wrote following the death of our family cat a few years ago. The article appeared in various national cat magazines, which is my way of saying that I’m rock and roll. It’s a little departure from normal service, in that I show compassion and sensitivity. Well, as much compassion and sensitivity as a man can show when he’s cynically exploiting the death of an animal to get himself in print. This article should accentuate my humanity, or perhaps confirm that I like animals more than people.

Click on the pictures to view the full-size text. Or, if you’re an eagle just read it as it appears on the page, you show-off.

The Doctor Wants To See Your Box Filled

A few years ago, as part of my then-job, I accompanied a guy to an appointment with a consultant at the local hospital. The consultant was your classic, staid, stuffy, be-spectacled, salt-and-pepper-haired, dead-eyed psychopath of a clinician. Which made it all the more strange when he entered ‘BANTER MODE’, like some android clicking a switch in its positronic brain.

‘Yes, and who’s this with you? Marvellous. Where are you living now? Is it nice there? Good. Good. Is that OK with you? Are you happy with that? Yes, and have you had a good day?’

The doc seemed unused to, and uneasy about, chatting like this with people like us. It made me imagine Frasier Crane being trapped in an elevator with the cast of Still Game. The ‘conversation’ was stilted and forced, like small-talk by check-list. There was a good reason for this:

He had a check-list.

This he presented at the end of the consultation, complete with pen and clip-board. One of the questions was – and I paraphrase slightly due to lack of a photographic memory – ‘Did the doctor have a friendly demeanour and seem interested in you as a human being rather than just treating you like a number?’

Poor prick. On top of having to remember thousands of facts about the part of the human body in which he specialises, and trying really hard not to accidentally murder people, some little pen-pushing, number-crunching bureaucrat is forcing him to be jolly and natural with people according to a very strict set of criteria in order to satisfy government friendliness targets. That explains his banter, which I admit was perfectly natural – but ‘natural’ in the same sense that floods, turds and strokes are natural. How much are these surveys costing? And who really cares? I don’t want my doctor to be nice to me. I just want him not to kill me.

‘Ah, so good to see you. Ha ha ha, charming, charming. So, how’s your sister? Is she? Oh, marvellous, marvellous… by the way, you’ve got AIDS.’

Doctors have a gruelling enough job without having to contend with customer satisfaction surveys. Especially GPs. Imagine how horrible it must be for them to have had to listen to 16,000 old ladies per day wittering on about their sons’ new jobs; the weather; their ancient, battered and leaking prolapsed arseholes; how their daughters-in-law don’t cook properly for their sons; how ungrateful their sisters are; how it ‘wisnae like that’ in their day, and generally droning on and on and on and on and on, with neither pause nor end, because they’ve fuck all else to do on a Tuesday afternoon and all of their friends are dead. And now the old incessant, piss-scented yammerers have been handed check-lists? Jesus, that’s like handing Jason Vorhees a chainsaw seconds after calling him ugly. Heaven help our GPs.

‘I got the feeling that the doctor just wasn’t interested in the work history of my son Johnny, the electrician. He’s in that Gibraltar, you know. But I’m not keen on that wife of his, oh no. Thinks she knows it all. Never listens to what I tell her, well, she’ll learn the hard way, so she will, it’s like I’ve been saying to my friend, Jeannie, she’s the one with the bad foot, she lives doon that road that’s filled with the gays and the junkies. Well, it’s no fur the likes of me to be spreading the gossip and that, but she wiz in that corner shop the other day and she saw that yin and that other yin coming in and buying a…’

ENOUGH! No checklist, OK, NHS? What I want from my doctors is simple. If I’ve cancer, catch it. If I’ve chlamydia, get riddae it. If I’ve a dicky heart, help make it start. OK? I don’t want to be my doctor’s BFF, lol oh doccy you be my bestest pal ever pinky swear you will be lol. Right? So let’s help end this madness.

By taking part in my 87 page ‘Should the NHS conduct customer satisfaction surveys?’ survey.

Remember the Spectrum, Grandpa?

I wrote something about growing old earlier this week, which this piece complements. It’s an oldie, if you’ll excuse the very shite and very unintended pun. As I was scouring through files on my laptop I came across this little age-related-rant that I whipped up seven years ago, inspired by Terry Christian… – Jamie

Good for you, being all hip and that, grandma. Unfortunately, your old fucking fingers are now stuck like that.

I heard an advert on the radio the other night. Naturally, because I’m so old, I had to turn up the volume to hear it. That was only after a little clenching and unclenching of my arthritic fingers, just to warm them up. It’s impossible to twiddle the controls these days with the springy, cavalier ease which I recall I exhibited in my youth. Well, I can just about recall it; senile dementia is no laughing matter, you know. 

I’m 25, by the way. Sure, I’m nearer thirty than twenty, and most of my friends are prepared or preparing to enter the 2.4 children phase of their lives; but am I past it? I’m still just a kid.

Not according to Terry Christian; nor to the cosmetics giant that employs him to advertise their products. The product being hocked was some sort of anti-aging face-cream for guys, and the company was Oil of Ulay, or Nivea, or something. Never matter. It was their pitch – not their product – that irked me.

Here’s the gist of it.

Probably best not to take lifestyle advice from this prick.

Terry asked whether or not I remembered the Sinclair ZX Spectrum. I do. I had one. When I was five. And I loved it. Apparently, so Terry claims, fond memories of and familiarity with the Sinclair ZX Spectrum places me in the category of men who should really start to worry about the effects of ageing on their peeling, wrinkled old faces. I repeat, for the record: I am 25. 25 years old.

Don’t the executives at whatever company this is have enough of a customer-base in people who are, oh, let’s say, significantly older than me? Not to be ageist, of course; but I know a lot of people who are the same age as me and never have I regarded them as old sows and warlocks a mere fifteen minutes from the morgue.

This tactic, which seems to me like a profit-boosting pre-emptive strike, makes me fear for the future. I can just hear the greedy little buffoons in the boardroom now: ‘Let’s generate a mass hysteria about ageing and convince perfectly young, smooth-skinned people that the modern world has destroyed, or will destroy imminently, their youthful looks, and so their only hope of facial salvation lies in our safe, money-grabbing hands.’ Maybe these people – these ingenious arseholes – believe, or hope, that the wrinkled masses will begin using their product through their late teens into their dotage, and finally become so terrified to stop using it – lest they age forty years overnight and then die – that perhaps even the mortician will be persuaded to trowel some on to them as they lie rigid in their coffins.

“SO YOU’RE DEAD? IT DOESN’T MEAN YOU CAN’T STILL TURN HEADS.”

Just how far down the age spectrum are these bastards willing to boldly go? I’m willing to bet a split infinitive that their pound-lust knows no limits.

‘So, how old are you?’

‘I’m six.’

‘Huh… but you look ten.’

Batty – definitely worth a hot splodge over your new 50inch HD. Look at the way the old whore handles that broom. She’s asking for it.

Can it be that the same society telling us that young people effectively run the world is also telling us that the price we pay for ruling the world is to look fifty when we’re thirty? Media and marketing cunts have spent many years convincing us on television, satellite and radio that the days of the wise old elder are over; that the old are decrepit fools who can’t keep up with the pace of channel-changing, green-hair-dyeing, sex-in-the-city-watching, metro-sexual modern life. Long live the adolescent seems to be the credo. Are we to infer that the stress of sustaining this reversal of status is burning us out?

We’re all having our mid-life crises in our twenties; we’re all on Prozac; checking in to Betty Ford clinics; going to stress counsellors; buying anti-ageing products by the bucket-load.

Has our Picture of Dorian Gray syndrome caught up with us so early?

Anyway, that’s a snack for thought. I’m off to sort out my funeral plan and jet up to the bathroom in my Stenna Stairlift. Is Last of the Summer Wine on tonight? Maybe I’ll be able to sustain my ancient erection just long enough to crack one off over Nora Batty.

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In case you missed it, here’s the piece I wrote last week about turning 32: http://www.jamieandrew-withhands.com/2012/06/13/happy-birthday/

 

Oh, For Fucked Snake…

A true account of snakes and death.

The road where it all happened...

George Orwell once wrote a short, heart-wrenching essay about the death of an elephant. This won’t be like that. And it won’t be as exciting as ‘Snakes on a Plane’. This is ‘One Snake on a Road’, and I don’t think Samuel L Jackson would’ve starred in that movie:

‘Get this motherfucking snake off this motherfucking road.’

‘OK, Samuel, that’s me shifted it.’

‘Thanks.’

‘Anything else I can help you with?’

‘No, that’s fine. It was just the snake I was concerned about.’

‘Cool. You going to be OK now?’

‘Yeah. So long as there aren’t any motherfucking toads in that motherfucking grass.’

I was walking down the side of a rural road in Turkey with my girlfriend when two guys zoomed past us on reasonably shit-looking mopeds. I say zoomed. Imagine the noise of a coin-operated hair-dryer from a cheap motel passing you at the speed of evolution. One of the guys, who was rather fat – a reasonably irrelevant observation, but I just wanted you to be able to picture him; he had a moustache too, if that helps – made a sort of ‘Ahhhh-ooooop’ noise as he realised he’d ran over something. It was the noise of guilt, but a half-assed guilt. After all, he quickly discovered, he’d merely run over a snake. It’s not like it was a mouse or a puppy. ‘Fuck snakes,’ his ooooop seemed to say, ‘I actually found its maiming quite funny.’ If any crippling was to have its own pompy, trumpet-based theme-tune, then this would be the one. 

The snake after its moped incident. Not a happy snake.

We walked to the middle of the road to check how much damage had been done to the poor fella. He was a thick, long and black snake, his head, tail and body immobile. I got down on my haunches to look deep into his tiny snake eyes. They were red-rimmed and staring. His little forked tongue, still and silent, was poking out from his open jaws. Blotches of blood and bits of brain stained the concrete. I prodded his body with a stick I found near-by and watched as his length pathetically swished, curled and twitched from side to side; not knowing whether his movements were caused by some posthumous reflex, or indicative of a last-ditch fight for life. Whichever way I looked at it: that snake was fucked. 

The ideal method of reptile euthanasia.

I used the stick to push it to the grass at the side of the road. So what to do next? I’d never put a creature out of its misery before. I understood the noble inevitability behind the act of animal euthanasia in cases of extreme injury and illness, but always hoped I’d never have to administer it. Especially since this was no cosy vets’ surgery with a sterile needle and a panpipes’ tape. I was at the side of a Turkish road with a snake and a bunch of rocks.

So I picked one up. It was slightly bigger than the palm of my hand, and felt hot from the sun. It wasn’t terribly heavy, but heavy enough to turn a snake’s head into bloody mashed potato. Was I really going to do this?

‘Maybe it’ll get better and be able to slither away itself,’ worried my girlfriend. ‘Or grow a new head or something.’

Deep down, we both knew that this snake wasn’t going to dust itself off and belly into a hedge to gub a shrew. It had chomped its last rodent, terrified its last sandal-wearer. Still, the thought of pulverising this wounded creature made me feel uneasy, despite the mercy aspect.

‘You’re going to kill a snake?’ my girlfriend asked.

‘I think I’m going to kill a snake,’ I replied. 

An old Turkish peasant woman. Not the one I met, in fact this looks nothing like her. She was fatter and less buckled looking.

At that moment an old Muslim woman – head covered, and dressed in peasant apparel – approached us on her way up the road. She didn’t speak any English, but I decided to cross the language barrier by way of mime. I pointed to the snake’s unmoving body, making sure she noted its injury. Then I pointed to the spot on the road from whence I’d flicked it, making sure she saw the blood. I then mimed a man on a motorbike running over a snake. This was the strangest game of charades I’d ever played (sounds like ‘ooooooooop’). I showed her the rock in my hand, and then mimed me bashing in the snake’s head, but made sure to keep a sad expression on my face to let her know that I wasn’t relishing the prospect. After every mini-mime along the way of the long dramatisation of my intended snake-kill she shrugged her shoulders and nodded, a look of nonchalance on her leathery old face. She finally walked off, still nodding and shrugging, leaving me feeling vindicated. After all, this woman was as close to a resident expert on snakes I was likely to find. And, being Muslim, of course she was going to be supportive of a good stoning. The decision was made. I was going to kill that motherfucking snake. 

The snake's stomping (or slithering) ground.

Fine in theory, but I’m the kind of guy who doesn’t even like squashing spiders, hideous nether-beasts though they are. I clenched the rock in my hand, felt its hardness dig into the base of my fingers. I imagined what it would feel like to drive this object through living flesh, but couldn’t, having no frame of reference with which to compare. Maybe it was just resting. Maybe it was in shock, collecting its thoughts, watching its little snake life flashing before its blood-darkened eyes, waiting, just waiting, for some spark, some scintilla of strength to carry it swishing and bobbing back to the safety of its home in the long, lulling lengths of grass and swaying reeds; back to the snakestead; back to its little snake babies, and its anxious snake wife, who’d been so worried about her husband’s absence that she hadn’t even prepared his daily dinner of half-regurgitated rat, and was instead hissing a soft, sussurating lullaby to all the little baby snakes as they cried and cried and cried and cried for their SPLATT! THUD!! BIFF!! KERSPLURGE!!

Like 60’s Batman, but with more snake-blood. 

I couldn't find a picture of a smashed snake, so I chose this one of a bludgeoned woman instead.

By the time I knew what was happening I’d hammered its head about six times with the rock. Then I placed the rock on top of what was left of its skull and stomped down about another six times. Goo was on the roadside, and blood speckled my fingers. My girlfriend said I looked like a maniac. I just wanted it to be dead – medically and incontrovertibly dead – to deliver it from any further agony. The aim was to euthanise the snake, not subject it to a Guantanamo Bay-style shit-kicking.

Mission accomplished: it was dead. It now looked less like a formerly-living creature, and more like the end of a flex of cord that someone had dipped in tomato sauce. And the act of killing it had felt no more unpleasant than slamming a paperweight into a block of warm butter. Those are the kinds of sentences that serial killers smuggle out of prison when they’re writing their memoirs. ‘It all started with the snake. From there, hitch-hikers were easy…’

A German couple walking down the road saw me do it. I approached them, bloodied-rock in hand, shouting: ‘I’m not a snake murderer!’ and then attempted to explain my actions to them. They didn’t speak very good English, so I’m not sure what impression of British people I left them with.

A little farther along the road my girlfriend and I encountered a stray dog, hobbling and panting in the heat.

‘Poor beast,’ I said. ‘Looks on its last legs.’

She looked at me and smiled, ‘You’re not going to bash its head in with a rock, too, are you?’

‘No,’ I laughed. ‘No, of course not, no. Certainly not…’

‘no…’

‘…at least…’

It was a very poorly dog.

‘…I don’t think so…’