It’s My Funeral and You’ll Cry if I Want To

Clown-funeralWhat song would you like to have played at your funeral? It’s got to be something uplifting, right? Something that’s going to keep the tears from falling from your mourners’ eyes by reminding them of the good times.

Right?

Wrong.

Fuck that. If you’re coming to my funeral, you’re a convulsing, snottering wreck, or you can get your dry face the fuck out of my swansong. I’m literally going to have doormen throwing people out for not being upset enough:

“Sorry, missus, today’s funeral is a two-wail minimum, and you’ve barely scrounged up a sob. You can leave quietly, or big Davie over there will really give you something to cry about.”

I want ‘Everybody Hurts’ by REM played on a constant loop, and I want people to complain that it’s not sad enough, so someone puts on a tape of dogs being murdered instead. I want people banging on the coffin lid pleading to be buried or burned along with me, because a world without me is simply too nightmarish to contemplate. I want a queue of people lining up to grief-fuck my dead body. I want people openly killing themselves in the aisles. I want my funeral to look like a peasant revolt and sound like a hurricane ripping through a cattery.

I’m really looking forward to my funeral, actually.

I’ve got a few ideas for possible directions I’d like the service to take, if I can get a few volunteers to help make them happen?

  • About half-way through the service, an actor pretending to be a detective bursts in and says, “Jamie was murdered. And someone in this room is the murderer. And we’re not leaving until we find out who.”
  • Pass around song-sheets and make everyone sing organ-accompanied versions of ‘Killing in the Name’ and ‘Straight Outta Compton’.
  • I want a big, fancy funeral, worthy of a president or a pope, so I’m going to secure an obscene amount of funding by allowing Coca Cola to sponsor it. This means that all  speakers will have to endorse the product, but that’s a small price to pay for a platinum gravestone. “I think… the only thing that’s going to… (sniff) get me through this difficult time is the… (sob) sweet, sweet, full-sugar taste of delicious Coca Cola.” My coffin’s going to be shaped like a vending machine. No, scrap that, my gravestone will be a vending machine, so people can enjoy a nice Fanta when they come to cry over my rotting corpse. Plus, everyone’s going to have to wear red and white at the funeral or they’ll be in breach of contract. Passersby will think Santa has died.
  • My face is beamed on to a large screen at the front of the congregation, and I glare out at everybody like an angry God, before yelling: “I’M GOING TO HELL. AND YOU’RE ALL COMING WITH ME! SEAL THESE FUCKERS IN!” At this point, my paid henchmen will lock all the exits, and a smoke machine will start pumping smoke into the room. You’ll just be able to hear my maniacal laughter over the screams.
  • If I’m being cremated, just as the coffin slides out of sight along the conveyor belt and the curtain drops, a stunt-man will run out screaming and covered in flames.
  • Either that or I’ll have speakers in my coffin blasting out the panicked yelps of a trapped cat.
  • I’m going to hire a stand-up comedian for the wake, but they won’t know it’s a wake. They’ll be told it’s a seminar for morticians, and thus will be encouraged to use their sickest material, especially jokes about dead bodies and funerals. I won’t be the only one dead that day.

Thanks in advance, Handinistas.

A few words on death

dead1

I think about death. A lot. I was thinking about it today. Thinking about how all of us, no matter our views on nudity, modesty or the sanctity of the body, will inevitably find ourselves lying dead and naked on a slab with some poe-faced mortuary attendant hunched over us with a clip-board. That’s the best case scenario. Worst case, some psychopathic medical student will be playing keepy-uppy with our severed balls or tits. On the bright side, we’ll be dead and we won’t give a shit either way. Regardless, I want them to know, these ghouls. I want them to know that I’ve lived my life accepting the allignment of my destiny with theirs. I want to communicate with them from beyond the grave. I was thinking a stomach tattoo. I’m torn between I KNOW A NECROPHILIAC WHEN I SEE ONE and YOU’RE NEXT. I’m open to suggestions.

That led me to thinking about people who work in funeral parlours. Do undertakers and mortuary assistants have appraisals at work? What form do they take?

Funeral director: probably the most hilarious of all the professions

Funeral director: probably the most hilarious of all the professions

Well, Colin, thank you for attending your annual review today. For starters, can you tell me anything that you think you’ve done well in the mortuary over the last twelve months, anything you’re particularly proud of?”

Hmmmm… well, of all the bodies I’ve tended to this year, less than thirty per cent of them ended up looking like Heath Ledger in The Dark Knight.”

A real improvement on last year, Colin. Now, can you think of any way that you could make your processes more efficient?”

We could… put the make-up on people while they’re still alive in the hospice, get them in and out faster on the day?”

“Oh, that’s brilliant, I’ll make a note of that.”

Face-painting?”

I’m not sure I follow…”

Well, I’m always at a loose-end during the funeral itself, but if people brought their kids I could set up in a side-room and do their faces up like cats and wizards and that. Charge five pound a face.”

(nodding vigorously) And then, if any of the adults are particularly upset as they file out of the service, they’ll come out, turn a corner and…”

BAM. Wee guy with a tiger face.”

Wee guy with a tiger face!”

I know a tiger face would cheer me up.”

Oh, me too, Colin, that’s….BRILLIANT! You’d just have to make sure to wash the brushes out before you used them on the kids’ faces.”

I could just use different brushes.”

(claps hands together, frantically scrawls in notepad) This must be how Mr Miagi felt in the Karate Kid! Any other initiatives?”

(ponders) You know, when people think funeral procession, they think sssllllow. But why does it have to be slow? If the drivers absolutely caned it, we could squeeze in a few extra funerals every day, plus the mourners would be too distracted to be depressed.”

Make it more fun!”

Make it more fun. Give the hearses a siren like Ecto-1 from the Ghostbusters. People would go crazy for that shit. Give the guy with the big top hat who traditionally walks in front of the procession a quad bike.”

Jesus Christ, Colin, you’re taking me to funeral director school today, son!”

Maybe this is a little too radical, but how do you feel about group discounts for bonfires?”

hearse

I would hate to be a mortician or an undertaker. Imagine coming home frisky and angling for sex. I imagine there’d be an insistent, unshooshable voice in my partner’s head saying to her: “How the hell can he be horny after looking at dead bodies all day? Unless… oh God, he isn’t horny BECAUSE of the dead bodies, is he? I swear to Christ, if he tells me to stop moving around so much I’ll snip his dick off…”

How could you ever feel horny ever again? I know there are some strange aphrodisiacs in this world, but recently-deceased 87-year-old Gladys McLintoch surely isn’t one of them. Sex and death are inextricably linked, and sometimes proximity to death, and fear of mortality, can trigger the reproductive instinct; that being said, most normal guys wouldn’t gaze down at the face of a dearly departed old granny, allow a lop-sided leer to slip across their lips, and think to themselves: ‘The wife’s going to be walking like John Wayne when I’m done with her tonight.’ 

One final thought: do hearse drivers get to take their work vehicles home and use them recreationally, like taxi drivers do? “Well, it’s an absolute bastard to reverse park the thing, but it’s so good for the weekly shop. I can fit in the bog paper, washing powder, everything.” 

John Lewis Christmas Advert 2013 – Director’s Cut

Here’s a link to John Lewis’s 2013 Christmas advert, if you haven’t seen it.

John Lewis Christmas advert

Pretty good effort, John Lewis, but I can make the ending better. You want drama? Heart-ache? You’ve fucking got it.

johnlewisOK, this is what happens. The bear waddles out from hibernation. He makes his way down the snowy hill to be with his best pal, the hare and – oh my God… Christmas… and all my friends… and… and a big tree… and OH MY GOD, I’M SO OVERWHELMED WITH AWE AND EXCITEMENT, this is literally AMAZING – just then, a hunter steps out from the forest, takes aim with his rifle and shoots the bear through the back of the skull. BANG! A FOUNTAIN OF BLOOD! The bear’s dead body thumps down onto the snow, and an oil-slick of red quickly spreads over the white landscape. The owl is so freaked out by the gun-shot that primal instinct takes over. The owl swoops into flight, and heads straight for the hare, digging his sharp talons into the hare’s back, and snatching him up into the air. The hare’s too heavy, though, and the owl can’t cope with the burden, so he releases him earthward. The owl, snapping out of his fugue, and finding himself racked with grief and shame, heads straight for a tree trunk, and slams his revolving head into it at full speed. SNAP! He’s DEAD. At the same time, the hare tumbles and hurtles towards the ground like a cannon-ball, and lands – with a sickening crack – right  on top of the hunter’s head, killing the human instantly. The hare is alive – but only just. The hare rolls and rolls and rolls, his legs broken, his neck twisted, rolling and rolling down the snow, until he comes to a stop not too far from his dead pal’s giant slack-jawed body. The bear’s big dry tongue rests lifelessly on the cold, cold snow. The hare struggles to breathe. As the life drains from him, he looks into the bear’s wide, dead eyes, and starts to cry. The guilt is killing him as surely as his injuries. His best friend, the big gentle bear – thought the hare – would’ve been safe in his cave until spring, if only he’d kept his fucking mouth shut about poxy bloody Christmas.

‘It… was… my fault,’ he says. ‘I’m…sorry… old friend. The worst… thing is… Christmas… is shite anyway…’ Then he dies. And a caption flashes up on the screen:

WOULDN’T’VE HAPPENED IF THEY’D BEEN JEWISH.’

Then there’s an enormous nuclear explosion, killing everyone – man and animal – within a 60-mile radius.

Get filming it, John Lewis. And I want my cut.

Merry Christmas, everyone!

I’m Dead… I’m Dead… You Know it… I’M DEAD

I’m still cannibalising material from the previous incarnation of this website; hence why the following is my review of a television programme that aired more than three years ago. Still, it involves ‘getting it roond’ Derek Acorah, and there’s no expiry date on that. Enjoy. – Jamie

The Michael Jackson Seance – Sky 1

“If Michael was here, would he call you crazy?”

So asked presenter June Sarpong of David Gest moments before the big Michael Jackson Live Seance kicked off. This was a bit like asking Nick Griffin: ‘If Hitler was here, would he call you racist?’

June had just appeared on an hour-long programme preceding, and building up to, the main seance. She ratcheted up our sense of anticipation by reminding us that she had ‘got quite close to Michael’ during her LA quest. Hmmm. Close perhaps only in the sense that when I stretch my arm out as far as it can go, I get ‘quite close’ to the fictional planet of Cuntypandy in the entirely made-up Sookyermaw galaxy, fifty billion light years away.

‘He was a weird-faced, sinister-looking, child-like freak,’ said Michael Jackson.

David Gest was there to lend June a hand. Good choice. Gest himself is a man no stranger to planets billions of light years away. He cheerfully name-dropped his way through just about every celebrity he’d ever met thanks to Michael, careful to turn even the most bland and innocuous questions about Michael’s life into a story somehow involving himself and Stevie Wonder. And if it’s a tinge of credibility you’re after who better to have in the studio than a man who actually states that he’s ‘crazy’ live on-air, and then tells you that ‘he believes in leprechauns too’? If only he’d gone for the bampot hat-trick and started battering himself over the head with a hammer. Incidentally, top marks to the Sky controller who saw fit to run a Sky Real Lives’ promo about dwarves and little people immediately after this segment. Pot of gold for that man.

‘I’m bad.’

Still, who am I to mock? I’ve been waiting for this super-duper, supernatural event for months; salivating at the thought of King of Pap Derek Acorah getting his hammy gnashers into the King of Pop.

The venue for the seance was an Irish cottage in which Michael Jackson once stayed when he was putting together a new album. Already we could tell Derek loved a challenge. Never has the old cliche ‘looking for a needle in a haystack’ been more aptly analogised: in this case, looking for the ghost of one dead paedophile amongst a legion of dead pederast priests. I guess it would be more apt to say: ‘It’s like looking for a needle in a needle-stack.’

These cunts can vote and have children, you know.

Still, ‘renowned medium’ Derek Acorah was up for the sift. Alongside him at the seance table were four emotionally-unhinged Jacko fans, two of whom were King of Pop impersonators. The readiness to believe among them was running so high even before they’d formed their circle and sought spiritual protection, that if Derek had brought out a box of Weetos and claimed it was an incarnation of Michael Jackson they probably would have asked it to do the moonwalk. And then fucked it.

Sarpong asked the ‘superfans’, looking collectively like they’d fought in the Christmas Panto regiment of the Whackjob’s army, how they’d coped in the months after Jackson’s death.

‘You’ve just got to keep going, meditate, think through it,’ said the loony female one that looked a bit like The Joker’s even crazier sister.

‘I feel like a part of me has died,’ said another, ‘I miss him every day.’

‘It hasn’t sunk in that he’s passed away,’ said one of the impersonators. I thought to myself, ‘May I suggest that you let that particular nugget of information sink in quickly, son, because you’re about to raise him from the fucking dead.’

Anyway, there was no time to lose as Derek got word from his spirit guide, Sam, that Michael was almost ready to join them. I liked how everyone at the table seemed reassured of Derek’s abilities once his invisible friend had given the nod that Jacko was in the building.

Mad Hatters’ C.U.N.T Party.

They all joined hands, although Derek did allow them to connect with one of Jacko’s hats that he’d placed in the centre of the seance table. One of the spangly-gloved superfans seemed reluctant to stop touching it, long minutes after the rest of them had decided to salvage what little dignity they had left and keep their hands to themselves. Even when Derek was rabbitting on about ‘residual energies’ and ‘thought pattern residues’ and ‘love giving us the power to go on’, this guy was still stroking the brim of Jackson’s hat in an incredibly intimate, sexual way. It was like glove porn. Hot glove-on-hat action. Extreme brimming.

‘I just can’t believe that’s his hat,’ said another of the wide-eyed psychopaths. I just can’t believe, I thought, that you daft, ugly cunts are sitting there with a half-daft Scouse maniac thinking you’re about to chat to a dead, dancing paedophile with a melted face.

A digested Ghost Kebab threatens to tear Acorah’s arsehole apart like a chicken.

So, finally, to the seance itself. Derek’s channelling technique is a joy to behold. Strained and sweating, he looks like a heavily constipated man who occasionally sees a moth flying past his head. And can somebody please explain to me why every spirit Derek channels talks like a Shakespearian character? ‘Hang on, my aunty Betty never sounded like Ophelia.’

Sam, of course, is always there to help him. He’s the ghosty go-between. ‘Sam… Sam… Sam..,’ Derek kept saying. If he had any sense of humour at all, Derek would have shouted out: ‘Who the Hell is Sam Wheat?’ He didn’t, unfortunately. It is funny, though, how Derek can reel off these big, wordy, stage-script-like speeches – stuttery yet fluently – yet when he tries to evoke or decipher a person’s name it takes him about ten minutes and twenty attempts.

Derek eventually uttered the predictable names ‘Samuel’ and ‘lovely Crystal’. Wow, Michael Jackson’s grandparents! How could Derek possibly have known about them? Oh, Wikipedia. I see. Still, it’s quite uncanny how some of Jackson’s first words were ‘journalists…journalists…journalists… they tell lies upon lies upon lies (tomorrow, and tomorrow, and tomorrow, oh where for art thou etc.)’. What, was there some recent tabloid controversy surrounding Michael Jackson or something? How could Acorah have divined such exclusive knowledge? How wholly and completely unpredictable for ‘Jackson’ to have come out with that.

The Thriller Who Became Vanilla. And then fucking melted.

There were many, many highlights during the seance. Derek channelling Michael Jackson with laryngitis being one. One of the idiots at the table breaking down in a flood of tears as Derek/Michael tells him that love ‘oozes’ from him was another. But the best was when Derek, clearly struggling for things to say, got ‘possessed’ by Michael and pointed to one of the superfans and said: ‘You, say hello to Quincy Jones for me,’ and the superfan looked Derek square in the eyes, all serious faced, and said: ‘Hello, Quincy Jones.’ You daft, deluded cunt-rag.

A triumph, then. A wonderful piece of entertainment. I haven’t enjoyed a television programme so much since one of the contestants on Countdown got the word ‘WANKER’. And I doubt I’ll enjoy one this much again until the day they broadcast Stevie Wonder and David Gest wrestling oily, disabled midgets for cash.

A closing word from Michael? ‘He’s going to go very close to his beloved children,’ Derek told us.

It’s a shame that Heaven hasn’t reformed Jackson.

He never asked about his fucking monkey, either.

THE END

 

 

Movie Reboots – JOHN CANDYMAN

"Heeeeeeeeeeeeereeeeee's John Candy!!"

Say his name five times into the mirror, and you summon the angry ghost of John Candyman. Does he flay you with his hook? Disembowel you? Lop your head off? Worse. He casts you in a Steve Martin film.

John Candy had several reservations about appearing in this film – top of the list being that he’s dead. However, Hollywood trade magazine Variety reported that a seven figure sum soon convinced Candy to come back to life. Actors’ unions are now up in arms over what they perceive as a grave case of ‘positive discrimination’.

‘Already we have Rex Harrison resurrecting himself to star alongside a recently re-animated Dudley Moore in Under Siege 26,’ said an angry Jamieson Girthrocket, of Roles Taken From the Living (ROTFL), ‘What next? Die Hard 12 with Clark Gable?’

In the original Candyman, the eponymous villain opened his jacket to reveal a stomach crawling with bees, an echo of his brutal death. In the new film, John Candyman will unbutton his shirt to reveal a fully-grown bull charging from his colon, as a consequence of dying during a violent steak-eating contest against Dan Akroyd.

IF YOU LIKE THIS, YOU’LL LOVE: The House on Notting Hill. Foppish Hugh Grant throws a posh dinner party to impress Julia Roberts. His soul quickly gets torn in half by an angry army of ghosts, who are sick fed-up of his humming, hawing, ooo-ing, ah-ing, and fringe-tossing. ‘If you’re not going to shag her,’ say the ghosts, ‘you might as well die.’ Die Hard 12 with Clark Gable starts shooting next April.