Jack and the Beanstalk
OK, so little Jack’s supposed to be the hero of this story. Unfortunately, he’s an absolute bell-end of a boy, whose reckless behaviour and kleptomania should have handed him a death sentence, or at the very least a bloody good grounding. Instead, by the end of the story, he and his mother are rewarded with untold riches. His unethical actions are only rendered good in retrospect by a dose of deux ex machina at the tale’s end, when a supernatural entity reveals that she’s been influencing Jack’s actions all along. Influencing, not controlling. Jack was more than willing to let his id run rampant and shake shit up in fairytale town, with nary a thought to the consequences.
First, he sells his mother’s only cow to some dodgy butcher at the market for a measly bag of beans, bankrupting his little family for the ye olde fairytale equivalent of a Euro Millions lotto ticket. He then climbs the beanstalk that sprouts in the beans’ wake and inveigles his way into the giant’s home not once, but three times, robbing the giant of a hen that lays golden eggs, a bag of gold coins and a golden harp respectively. Now, the giant certainly deserves to have his stuff nicked, being as he is a foul brute who constantly prattles on about sniffing people’s blood and making bread out of little boys’ bones, but the giant’s wife is an innocent victim – a hostage, really – whose victimhood is only compounded by Jack’s callously shitty behaviour. Each time Jack arrives at the giant’s manor he hoodwinks the poor woman into letting him through the door. He pretends to be a different boy, each time armed with a fresh sob story. Three times he makes this frightened little woman look like a proper mug, and three times he places her at the mercy of her husband’s violent temper. What’s the moral here?
Who cares if an old housewife gets her head punched off by an abusive giant: check out these golden eggs, motherfuckersssss! I’m going to get me a golden milking stool and a jaunty hat! Yay boy!
But really, poor ethics aside, the most despicable element of this story lies in its blood-curdling sexual subtext. The giant is about sixty feet tall: his wife is about five-foot five. The giant’s walloper alone must be a good couple of feet long, as big and as thick as a rolled-up carpet. Imagine getting slapped across the face with that monstrosity! Now, there’s no way that this husband and wife are able to enjoy carnal relations in the conventional way, unless she’s got a TARDIS for a vagina, so this lesson in sexual physics leaves us with a catalogue of increasingly outlandish and humiliating alternatives to consider. Pity this poor woman as she’s forced to scale the giant’s hard-on, shoogling up and down its length like a koala with bone disease trying to climb a tree. Recoil in horror as the giant lies down on his back and bids the exhausted little woman to dash back and forth along his shaft like a footballer doing pre-match warm-up exercises. “Fe Fi Fo Fum, another few pivots and I’m ready to cum!” The story should really be renamed ‘Jack Off the Beanstalk.’
The giant doesn’t seem like he’d be the world’s most sensitive and giving lover, but if he was inclined to reciprocate and get her rocks off too, his only option would be to jam her onto his pinky like a fleshy finger-puppet and bob her up and down until she either cums or splits open like a pea-pod. And imagine if he decided to ‘finish’ on her? Jesus Christ, she’d be shot across the room like an exploding man-hole cover. She’d spend the rest of the day looking like Walter Peck at the end of Ghostbusters.
‘He… slimed me.’
Disgusting.
Hansel and Gretel
As I was reading this story to my son, I had to pause a few times to process my incredulity, and offer a few whispered expletives to the cosmos. How the hell does Hansel and Gretel’s father manage to come out of this story not only unscathed, but celebrated as a hero? He’s the most horrible, spineless man who (n)ever existed. Yes, the step-mother is irredeemably wicked in the extreme, as most step-mothers are in both life and fiction. But this guy is supposed to be Hansel and Gretel’s protector, so for him to sell them down the river (or down the forest path, if you prefer) is as unconscionable as it is unforgivable.
First, the moping sad-sack goes along with his wife’s plan to leave his children to starve or get eaten in the forest not once, but twice. Hansel and Gretel then have to endure a terrifying ordeal at the hands of an elderly cannibalistic paedophile who inexplicably lives in a house made of Swiss Rolls and Twixes. When they escape and find their way back home, they reward their father with a whirlwind of hugs and kisses. Their wicked step-mother is dead by this point, perished off-camera and without explanation, and so their father is able to reassure them that, with her out of the picture, he probably won’t try to have them killed again. Probably. Although there is that nice widow with the come-to-bed-hips and the big diddies who lives in that cabin down by the river… phwoar… she looks like she’d be able to shift a few sides of ham. But… you know… Yay! My kids are alive, let’s celebrate!
And they all lived happily ever after….
No, no, no, no, no AND NO. What sort of a message is that to send to my sons? This fairy-tale universe is in dire need of some gingerbread social workers. I’m going to re-write the ending of Hansel and Gretel so that my sons’ bed-time contains a little more in the way of cosmic justice. Here’s my stab at it:
The kids return home having vanquished the evil witch, with armfuls of Battenburg Cake and Maltesers and everyone’s favourite chocolates from the Quality Street tins bulging against their chests, and all manner of sugary treats stuffed into their pockets. Their Dad throws open his arms and says, ‘My children, you’re home. I am so happy. Your evil step-mother is no more. Come, let us celebrate by feasting on the bounty you’ve brought for us, and live a happy life of plenty.’
‘Fuck off,’ says Hansel, through a glob of Mars Bar.
‘Yeah’, says Gretel, peeling the wrapper from her fifth Double Decker of the hour. ‘Hope you enjoyed getting your hole from that murderous whore wife of yours. Now you’re going to get your hole from us: a hole in the ground.’
Hansel laughs, and downs a tube of sherbert Dib Dab. ‘Yep. We’re pretty much going to stand here eating sweets and chocolate and watch as you slowly die from hunger.’
‘You think he’ll die from lack of food?’
‘Well… he’s bounty!’
The two kids laugh maniacally as they stuff handfuls of Fun Size Bountys into each other’s mouths.
The Steadfast Tin Soldier
My partner read this boundlessly cheery story to my son one bedtime, and later shared with me her horror upon reaching its less-than Disney-ish climax. Allow me to summarise the plot:
A little tin soldier with one leg falls in love with a little paper ballerina who also has one leg. Aw, sweet, it’s just like Toy Story. Looking forward to an absolutely heart-warming ending to this one, and no mistake, guvnor. An evil Jack-in-the-Box tells the tin soldier to forget about seeking happiness with the ballerina, or there’ll be dire consequences for them both. Excellent, a little bit of adversity and tension in the mix, which should only make their eventual union all the sweeter… So the tin soldier is placed on a little boat by the kids who own him, and pushed out to sea, whereupon he falls in the water and finds himself accosted by a rat. Just like Ratatouille, right? Classic! Eventually, after a further series of mishaps, the tin soldier finds himself back home, and by the side of his beloved ballerina. Now, just wait until I grab my hankies, I can feel the tears starting to jerk, God this is going to be beautiful, I can feel it, I can feel it…
Then a little boy throws the tin soldier into a fire, a gust of wind blows the ballerina in with him, and the pair of them burn to death.
They burn to death.
Yeah, but in the morning, they’re fused together in the shape of a heart, and… No. NO. Let’s stick with ‘They burn to death’. At the end of a fucking kids’ story, the main characters literally burn to death. This ‘burning to death scenario’ almost played itself out in Toy Story 3, but the bods at Pixar quite wisely opted to have the three little aliens rescue the toys at the last moment. Where are the three little aliens in this story, Hans Christian Andersen, you gloomy Danish bastard?
This is what Wikipedia has to say about The Steadfast Tin Soldier:
Joan G. Haahr writes in The Oxford Companion to Fairy Tales: “The story is unusual among Andersen’s early tales, both in its emphasis on sensual desire and in its ambiguities. Blind fate, not intention, determines all events. Moreover, the narrative questions the very decorum it praises. The tin soldier’s passive acceptance of whatever happens to him, while exemplifying pietistic ideals of self-denial, also contributes to his doom. Were he to speak and act, the soldier might gain both life and love. Restrained, however, by inhibition and convention, he finds only tragedy and death. The tale is often read autobiographically, with the soldier viewed as symbolizing Andersen’s feelings of inadequacy with women, his passive acceptance of bourgeois class attitudes, or his sense of alienation as an artist and an outsider, from full participation in everyday life.”
The fuck? So my sons have got to suffer the onset of clinical depression just because Christian Andersen struggled to get his hole? I look forward to reading them a version of the Three Little Pigs in which the protagonists are butchered and made into BLTs.
The Little Match Girl
I’d never heard of this fairy-tale before I read it to my son for the first time. As with the previous entry in this list, The Tin Soldier Who Literally Burns to Death, I was fooled into thinking that because this was a fairy-tale in a book for children that it would have a nice, happy ending. It doesn’t. But at least nobody burned to death this time.
Instead they froze to death. Yep. The little match girl freezes to death. On the street. In the gutter. On New Years’ Eve. A group of revellers find her smiling corpse the next morning. She’d been unable to sell any of her matches that night, and thus couldn’t raise enough money for food and shelter, so that’s that. Capitalism: 1 – Little Girl: 0. I kept turning the page to see if there was additional text, perchance a surprise happy ending. Nope. There wasn’t. That was it. A dead wee girl. Bambi eat your heart out.
Jesus Christ, Victorians, what the fuck was wrong with you? I know your life was all top-hats, fog and misery, and you mercilessly beat your children with cummerbunds if they so much as sniffed at the dinner table, but couldn’t you let them escape the horror of their pre-TV lives for the duration of just one measly story? You were basically writing episodes of Eastenders for the toddler market.
I had to read my son Silence of the Lambs after this gloomy death-fest just to cheer him up.
Wait a minute… I’ve just noticed that this one’s another Hans Christian Andersen effort… I might have guessed (shakes fist at the heavens). Annnnddeerrrsseeennnnnnnnn! Could somebody please travel back through time and screw this guy before he gets a chance to pick up a quill?
The First Day of the Holidays
And the less said about this one the better!
READ MORE ARTICLES ABOUT PARENTING BELOW
Co-sleeping kids: banished from the bed
On the horror of taking your child to hospital
A Celebration of Public Breastfeeding
Existential Nightmare at the Soft-play Warehouse
Flies, Lies and Crime-fighting Dogs
