Circus Vegas: Europe Meets the USA

circusvegas

My home-town of Falkirk often feels like an urban version of The League of Gentlemen, only without the laughs. And thrice the horror.

But Falkirk tries, dammit. After all, it brings us Circus Vegas every year, treating us to the kind of dazzling display of Yankee razzmatazz that only a group of touring Albanians can provide. Actually, I don’t know if the Circus Vegas team are Albanians, but I went last year and heard the ringmaster talk, and it’s fair to say that his accent was ever so slightly to the east of Las Vegas. By about 6000 miles.

Location, location, location is the old maxim and, boy, what a location Circus Vegas had in store for us in 2013. I know what you’re thinking. Did they hold the circus in the grounds of Callendar Park estate? Inside the football stadium? Em… close.

It was in the bingo hall car park.

Didn’t you see the glitzy flyers? Well, cash in my chips, and whisk me off to the Grand Canyon in a red, white and blue jet, Uncle Sam. Yee haw! Call me old fashioned, but the only thing that should be taking place in a bingo hall car park in Falkirk is a fight. Between two old guys called Tam.

circus2Circus Vegas’s ringmaster had the vigorous demeanour of a heavily depressed geography teacher who’d just been through a rough divorce. You could hear the suicidal ideation in every quiver of his dulcet Albanian tones: “Ladies and gentlemen, boys and girls, now that my wife has taken everything, I will… NEVER be able to stop doing this shit! OK, for your amazement, the wonderful human cannonball. Will he survive, ladies and gentlemen? I genuinely…. DON’T care anymore!”

The first act was a guy who stacked a bunch of chairs into a tower, pulled his top off and attempted to climb it. A half-naked man desperately trying to balance on a chair? Show us something we don’t already see in Falkirk on a Saturday night, Circus Vegas. What’s the second act? A guy trying to act sober enough to flag down a taxi?

Not long into proceedings there was an X-Factor-style skit involving Mickey and Minnie Mouse, and Donald Duck, wherein the charismatic ringmaster bade the unlicensed characters dance, and then pronounced upon their shittiness. The kids laughed; I doubt Circus Vegas’s Armenian lawyers did. I’m tempted to send a letter to Simon Cowell and Disney’s legal team just for a laugh, so Circus Vegas has to change the name of its skit to something like ‘The Sing Quotient, with Muckey Rat and Ronald Goose’.

Still, they’re smart, those circusoids. The kids in the audience would probably have cheered and laughed if every act was a man maniacally waving a jobby on a stick, but the real trick is to keep the dads, brothers, grandpas and uncles engaged. That’s where the scantily-clad 20-something dancing girls came in. At every point at which I was ready to gouge out my own eyes and plug the gaps in my blood-soaked sockets with popcorn in the hope of an agonising yet comparatively interesting death, out they came: juddering, jiggering and gyrating, kicking their long bare legs in the air, and  a-jiggling and a-wiggling their snake-hipped asses off. Across the auditorium, you could actually hear the sound of 300 awkward dad hard-ons tightening into life.

Circus-Vegas-Shoot-0084 I must say that something peculiar happened to my girlfriend each time the dancers appeared. She did this thing where she flailed her arms about and hit me in the ribs with her elbow. I think it must’ve been an Albanian folk dance or something.

During the interval, parents could pay a few pounds to allow their children to go on a supervised donkey trek around the ring. What a magical sight that would’ve been had the guys in charge not looked like henchmen from the Bulgarian Mafia. Fat, old, scowling: all of the qualities you’d expect to see in top-class children’s entertainers, really. It was a donkey trek with all the frivolity of a funeral procession on a merry-go-round.

Some good snaps for the album, though, eh? “Ah, little Johnny, remember that time at the circus when we entrusted you into the care of a deeply uninterested Bulgarian murderer?”

A large positive though: their clown was awesome. Yes, they had a clown. OK, there’s a chance he might have just been a schizophrenic guy in a wig, but that’s pretty much what a clown is anyway, right? I especially loved the bit where he killed time between acts by throwing popcorn into the air and catching it in his mouth. For ten minutes. I shit you not. Never mind your WWE wrestling, kids, THIS is live entertainment of the highest caliber: an ill man chucking food about as a couple of fat men drag a trampoline into the periphery. Sounds like a Falkirk kid’s birthday party, right?

I miss the days when they used to whip the elephants and kick the lions in the cock to make them angry.

John Lewis Christmas Advert 2013 – Director’s Cut

Here’s a link to John Lewis’s 2013 Christmas advert, if you haven’t seen it.

John Lewis Christmas advert

Pretty good effort, John Lewis, but I can make the ending better. You want drama? Heart-ache? You’ve fucking got it.

johnlewisOK, this is what happens. The bear waddles out from hibernation. He makes his way down the snowy hill to be with his best pal, the hare and – oh my God… Christmas… and all my friends… and… and a big tree… and OH MY GOD, I’M SO OVERWHELMED WITH AWE AND EXCITEMENT, this is literally AMAZING – just then, a hunter steps out from the forest, takes aim with his rifle and shoots the bear through the back of the skull. BANG! A FOUNTAIN OF BLOOD! The bear’s dead body thumps down onto the snow, and an oil-slick of red quickly spreads over the white landscape. The owl is so freaked out by the gun-shot that primal instinct takes over. The owl swoops into flight, and heads straight for the hare, digging his sharp talons into the hare’s back, and snatching him up into the air. The hare’s too heavy, though, and the owl can’t cope with the burden, so he releases him earthward. The owl, snapping out of his fugue, and finding himself racked with grief and shame, heads straight for a tree trunk, and slams his revolving head into it at full speed. SNAP! He’s DEAD. At the same time, the hare tumbles and hurtles towards the ground like a cannon-ball, and lands – with a sickening crack – right  on top of the hunter’s head, killing the human instantly. The hare is alive – but only just. The hare rolls and rolls and rolls, his legs broken, his neck twisted, rolling and rolling down the snow, until he comes to a stop not too far from his dead pal’s giant slack-jawed body. The bear’s big dry tongue rests lifelessly on the cold, cold snow. The hare struggles to breathe. As the life drains from him, he looks into the bear’s wide, dead eyes, and starts to cry. The guilt is killing him as surely as his injuries. His best friend, the big gentle bear – thought the hare – would’ve been safe in his cave until spring, if only he’d kept his fucking mouth shut about poxy bloody Christmas.

‘It… was… my fault,’ he says. ‘I’m…sorry… old friend. The worst… thing is… Christmas… is shite anyway…’ Then he dies. And a caption flashes up on the screen:

WOULDN’T’VE HAPPENED IF THEY’D BEEN JEWISH.’

Then there’s an enormous nuclear explosion, killing everyone – man and animal – within a 60-mile radius.

Get filming it, John Lewis. And I want my cut.

Merry Christmas, everyone!