Tag Archives: America

All Our Lives. Watching America.

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What has the US Presidential Election got to do with us here in the UK? Why should we care as much as we undoubtedly do? We seem better informed and more animated about the minutiae of our transatlantic cousins’ glitzy political battles than we do our own. Perhaps that glitziness has a lot to do with it. Our elections are quite drab in comparison. As Scottish comedian Joe Heenan so memorably put it: ‘You wouldn’t get this shite if the Americans did it the British way. Right now the President would be on a stage in a sports centre with a guy dressed as a squirrel standing behind him.’

In the US, politicians stroll out into vast arenas in the manner of WWE stars, with their own walk-on music booming unironically in their wake. One only needs to watch a highlight video of former PM Theresa May’s bizarre attempts to connect with the people of Great Britain through ‘dance’ to understand why we should never, ever, under any circumstances, abandon our reserved political discourse for the ratings-chasing, reality-TV-show grandstanding of the states. Whenever Theresa May – woman of the people – danced on camera she looked either like a drunk stork pretending to be a bear, or a shy Al Jolson trying his best to perform his act during an earthquake. Let’s stick to the drab, and let the Americans worry about the fab.

Donald Trump, of course, has turned the pomp and circumstance up to eleven. Even if the world had any choice in the matter, which it doesn’t thanks to Trump’s depressing ubiquity, it wouldn’t dare turn away from that fat car-crash in a suit for even a second: he’s got more plots than Stephen King, less shame than a back-street flasher in a face-mask, less scruples than Ted Bundy after Happy Hour, and more bullshit than a farmer’s field in spring-time. Some people out there have been watching too much television, and think they want a fictional character in charge of their country. But the qualities it’s easy to admire in an unpolished, rebellious, blue collar, tells-it-like-it-is character like Happy Gilmore, or an alpha-strongman like TV’s Tony Soprano, don’t necessarily make for a good president. Trump is a cartoon; a buffoon; a shark with legs; a great big bag of narcissistic contradictions; a circus ringmaster in Hell, who uses Twitter in place of a whip.

All of that, then, goes some way towards explaining why America has always been so grimly fascinating and strangely compelling to us, especially now, with yet another ‘celebrity’ in the hot-seat. But it doesn’t explain why we do – and why on earth we should – care so much. After all, Bush, Obama, Trump or Biden weren’t, aren’t and won’t be our presidents.

Perhaps it’s down to the Butterfly Effect. America is the heir to the British Empire’s dead hegemony. Its existence and actions have always affected us, and the world. But it’s definitely the case that how the US comports itself, and who it chooses as its figurehead, affects us now in a much more impactful, instant and targeted way than ever before, thanks to the unsleeping, unfiltered portal of the worldwide web. And what a wicked web we weave.

I remember from my youth a well-used refrain about America. It used to be said that whenever a societal trend, change or calamity took root across the pond, we should expect it to sweep our shores within six months or less. Fashions, pop-culture crazes, political skulduggery, crime-waves. We all watched the news with a sense of foreboding, wondering what would be expected of us in the seasons to come. We were powerless to prevent this tidal wave of transformation, even though we could see it coming. America was us, and we were America, bound by our shared history and language.

“Everyone in California is wearing assless chaps!” my grandmother shouted from her TV-chair one balmy summer evening*. My grandfather sighed and wandered into the kitchen to find a pair of scissors. “I’ll go get started on all my trousers,” he shouted back, before muttering to himself, “It’s going to be one cold ass winter.” But what could he do? America had spoken. *[that may or may not have actually happened]

I wonder how much of that misguided belief of ours was connected with how we felt about movies. There used to be a significant lag between a movie premiering in the states and it finally debuting here in the UK. About six months. While we waited we’d pine, speculate, get swept up in the hype and longing, before eventually – finally – getting a taste of the action.

Over the course of my lifetime the western world has become more dream-like, more cinematic, and more cravenly consumerist than it ever was; it therefore makes sense that back in the 80s and 90s we would readily conflate a six-month wait for a movie with the idea that six months after watching news reports from the US we’d be ushering in those same societal changes. American movies contained reflections of American life and thought and ideology, in which we, in turn, saw reflections of ourselves. And since all life was a movie, and we its stars, ipso facto movies and reality were interchangeable. The US electing an actor as its president went some way towards reinforcing that feeling.

Ultimately, though, we never imported all that much from America, besides the cosmetic. With the exception of the horror of Dunblane we never became a nation of school shooters. Our cities didn’t ring out with gun fire. We never abandoned our welfare state to private equity and insurance – at least not completely. In time we realised that as much as we admired and venerated and sought to emulate America, we would never be America – and that was okay. We didn’t want to be America. We didn’t need to be.

And then along came the internet, ushering in a new era of hyper-connectivity, and a new and immediate sense of round-the-clock globalism. The internet brings us together at the same time as it splinters us apart. We’re united in our disunity as never before. While the internet was initially a liberating and unifying force, it was soon weaponised by social media. Whatever power was displaced by the common man or woman having access to the world at their fingertips was soon clawed back by authoritarian governments like those of China and North Korea, or subtly redirected by shadowy organisations like Cambridge Analytica. Governments could interfere in the elections of other countries not by mobilising for war or sending spies on long-term undercover missions, but by employing a group of sun-shy tech experts to sit in a darkened room all day posing as zealots, or patriotic movers and shakers on Twitter and Facebook. Political rivals could sink an opponent not by setting a honey-trap, or paying a PI to rake through their bins looking for compromising letters and receipts, but by flooding the internet with memes of wildly fluctuating veracity, ranging from the sort-of-true-but-skewed to the risibly fantastical. The truth didn’t matter. Memes became missiles. And when you’re hit by one, the truth is a moot point.

The shadow Donald Trump casts across America falls over our land, too. His rallies and rantings and ravings don’t happen in a Stars-and-Stripes emblazoned vacuum. His opinions on race, his opposition to truth and reality, his economically-motivated scepticism on climate change and epidemiology, his aversion to culpability and compassion, have all seeped into and permeated our national discourse, and infected our cultural consciousness.

A great many of the memes we see spreading on-line – on Black Lives Matters, on the poor, on coronavirus, on the environment – carry Republican and pro-Trump stamps, and millions of Brits share them without knowing or caring that they’ve been infected by the political and ideological tussles of another country. A disturbing minority of Brits long for Trump, or someone more like him, to be our Prime Minister. Our politicians, too, have adopted the Teflon Don’s tactics of holding firm and denying objective reality just long enough for the news cycle to sweep past them onto something and someone else. Thanks to Trump’s leadership style of cult-leader cum CEO cum mad king, it’s harder than ever to hold people in power to account. We can see the effects of that even here in Scotland with the SNP’s Margaret Ferrier, a Westminster MP, who by all rights should’ve resigned after flouting coronavirus restrictions, the virtues of which she’d been busy extolling on behalf of her constituents. Ten, or even five, years ago she probably would have stood down immediately, but the lesson from America is clear: don’t listen to the media, don’t listen to the people. Tell them to go fuck themselves. Do what you like.

We care about the US Election, then, because it has consequences for us, even if we’re entirely powerless to control their direction. Like a meteor about to strike the earth. Hopefully when Joe Biden takes office a more measured ethos will radiate from the US, and spread some much needed calm across cyberspace and the world. We just have to hope that the fat, orange genie isn’t already too far out of the bottle.

Trump Campaign US Election 2020 Timetable

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Oct 26

Trump arrives at a WOMEN FOR TRUMP rally with Mike Pence, and looks genuinely happy.

“How did you manage to arrange this, Mikey? There’s a lot of them to get through. I’d better get started.”

“They’re here to support you, Donald. To support you.”

“Well, Jesus Christ, they’ll need to. I’m gonna be exhausted after fucking all these women.”

“Donald, I…”

“I knew I was right to have that fifth burger at breakfast this morning.”

“Donald, look, I really want you to start focusing on the election…”

“Don’t worry about that, Pencey, I’ll be fine. I scrunched up some Viagra into my burgers.”

“Donald, I said election, not….”

“OUTTA MY WAY! MAGA SHAGGA COMING THROUGH!”

Oct 27

  • Trump attends a rally in Wisconsin dressed as Jesus, and tells his supporters he’s got a lot in common with the Son of God, except he wouldn’t have been pussy enough to get himself crucified. Besides, Jesus wasn’t that great, because how many casinos did he manage to build? Yeah, exactly, you see? Loser. “Never trust a man who can’t afford proper shoes,” he tells the crowd.
  • Kanye West is hired to dress like the Pied Piper of Hamlyn and play the flute outside inner-city polling stations. He leads all black people not wearing MAGA hats into a holding area, whereupon an angry, hysterical white lady calls the police on them.
  • Amy Coney Barrett is confirmed to the Supreme Court. Six out of nine seats on the court are now occupied by hard-line Republican judges. Trump vows to kill the three Democrat judges by the end of the year and replace them with Dracula, Rasputin and a golden effigy of himself.

Oct 28

  • The Pope issues a rebuke to Trump following his previous day’s comments about Jesus. Various Republican and conservative Catholic organisations are furious with the President. Trump reminds them that Jesus is a total loser – who never even had his own condo in Palm Springs, can you believe it? – and they should have no Trump but Trump. If they vote for him he’ll ban abortion, keep allowing churches to flagrantly disregard coronavirus restrictions, and put as many Mexican kids in cages as he possibly can. The organisations release a joint statement that simply says: “USA, USA, USA!” eighteen-hundred times.
  • Trump holds a Super Spreader event on Jeffrey Epstein’s old island. Hopes to make it a regular thing. Mike Pence points out that, a) a super spreader isn’t a good thing and, b) that’s not the kind of spreading it refers to anyway. Trump responds by pointing out that, a) shut up Mike Pence and, b) when are we stopping for burgers?

Oct 29

  • A flotilla of screaming and naked Eastern European teenagers is discovered off the coast of Epstein Island. Trump orders a napalm strike to make sure there’s no risk of coronavirus contamination, and definitely not to ensure their silence. Trump says he’s just doing his bit to keep the country safe, and shouldn’t be considered a hero.
  • Trump orders 6,000,000 hats with HERO written on them.
  • Mail trucks carrying ballots are pulled over by Proud Boys soldiers. All ballots that smell  even a little bit socialist are destroyed.

Oct 30

  • Melania escapes.
  • Trump reveals that Elon Musk is building a space station for him and Vladimir Putin in orbit of the earth. Mike Pence apologises and says Trump stayed up all night watching Elysium. Trump orders surveillance on Matt Damon, “just in case that leftie bastard ruins everything.”

Oct 31

  • At a late-night rally, on the stroke of midnight, lightning explodes across the sky’s dark canvas, and a swarm of flies erupts from Mike Pence’s mouth. A disembodied voice can be heard shrieking ‘THE TIME OF THE EVIL ONE IS UPON US!’ as Pence shakes like a turkey on a washing machine. He later blames it on a combination of technical faults, the Democrats and the gays. “I’m definitely not Satan’s representative on Earth,” he tells Fox News. “We wouldn’t have minded, to be honest,” they admit.

Trump tells 15,000 supporters at a mega-rally in Virginia that coronavirus has been cured, and is angry when they don’t cheer.

“Why aren’t they cheering, Mikey?”

“They’re all dead from coronavirus, Donald.”

Nov 1

  • Melania is recaptured.
  • Trump is asked about his record on the environment. He says he’ll probably release it in time for Christmas. “And it’s gonna be the best song you ever heard,” he tells them.

Joe Biden takes the concept of social distancing at rallies to its logical conclusion and holds a rally on the moon. Trump orders NASA to deploy Neil Armstrong to capture him.

“Sir, Neil Armstrong died in 2012.”

“I said now, goddammit!”

Nov 2

  • Walls are built around polling stations in all southern states with high Latinx populations. Trump makes John Leguizamo pay for it.
  • Trump realises Melania hasn’t been recaptured at all, and he’s been having breakfast and attending rallies with a terrified Gloria from Modern Family. With some reluctance, Gloria is released.

Trump has projectiles hurled at him while attending a rally for all three of his black supporters.

“You shouldn’t have gone on stage wearing that, Donald,” Pence tells him.

“You told me to! You said I should do a rally in the hood!”

“DA hood, Donald. In DA hood.”

Nov 3

ELECTION DAY – All indications are that Donald Trump is the next President of the United States. Biden refuses to concede, because there are still millions of votes to count. Trump whips his cock out live on TV and says, “Count that, commie!” “Zero,” says Biden.

Nov 7

Mike Pence explodes into a fireball live on-stage during a press conference. When the flames die down everyone can see that his skin is a mottled red, and a tail now droops between his legs.

“Janice Grappily, CBNFHGS News. Mr Pence, are you the anti-Christ?”

Pence thinks for a moment, and then says, ‘No comment’, as a swarm of flesh-eating flies shoots out from his penis, and strips the flesh from Janice Grappily’s bones.

Nov 21

There are various legal challenges to counting in Republican-majority states, to which Trump responds angrily. “How can you challenge counting? One, two, five… see, it’s easy.”

Dec 8

Trump buys the Electoral College and renames it Trump University 2.

Dec 9

Trump University 2 goes bankrupt.

Dec 10

US government bails out Trump University 2 and changes its name back to the Electoral College

Dec 11

Mike Pence tries to explain to Trump that the Electoral College isn’t an actual college, and he shouldn’t really have been able to buy it.

Dec 12

Trump tries to buy the Electoral College again

Dec 13

Trump gives a joint press conference to address the issue of Mike Pence being the devil.

“I just want to say that I give Mike Pence my full support, and so should you. Why didn’t you tell me you were Beelzebub in disguise, Pencey?”

Pence looks down at his shoes. Well, at his cloven feet. “I thought you’d feel threatened by my dark lineage and powers.”

“Jealous of you, Pencey? There’s no-one more evil than me. I’m the evilest. I eat cats, for Christ’s sake.”

“Brad Fanachuk, FKWSG News. Mr President, did you just say that you’re evil and you eat cats?”

Trump points a finger. “You’re toxic.”

“Mr President, I heard you say it.”

“Get this guy out of here. Pence, squirt some flies out of your evil dick at this joker.”

“Carver Sweetchuck, CBBC News. We all heard you say it, sir.”

“Well maybe you’ll hear this: JOE BIDEN IS A PAEDOPHILE AND HE’S WORKING FOR IRAN. OKAY?”

Dec 14

  • Joe Biden is officially elected President, with Kamala Harris as his VP.
  • Trump changes the locks on the White House door.

Jan 3

  • Joe Biden knocks on the front door of the White House, and hears someone shouting, “No speaka de English, senor”, then a gunshot, then Trump screaming, “GODDAMIT, WHY DID YOU SHOOT ME?” and then someone saying, “Sorry, Mr President, I heard a Mexican voice and just acted instinctually.”

Jan 4

The Proud Boys take up fortifying positions around Trump buildings all across the US. Trump tower is engulfed by violence, gunfire, gambling, raucous noise, biker gangs and sleaze. Marty McFly arrives in the De Lorean to retrieve the Sports Almanac from Trump.

Jan 5

Civil War in America. It’s swiftly brought to an end when Ant Man shrinks himself down, flies up Donald Trump’s arsehole and disconnects his brain.

Jan 8

With the help of Mike Pence’s evil, Trump turns himself into the Lawnmower Man and takes over Twitter from the inside.

Jan 20

Donald Trump pretends to be Joe Biden at the inauguration and hopes nobody will notice. He gives himself away when he pats a woman on the pussy rather than her ass.

Feb 4

  • The White House gains a mysterious new and exceptionally ugly old dinner-lady called Desdemona Crump, who says she makes “the best rice pudding, world class, they don’t make rice pudding like I do.”
  • Joe Biden chokes to death on some rice pudding.

Feb 7

Mike Pence returns to Hell ‘for a bit of peace’.

Feb 8 

Melania becomes the 47th President of the United States

 

The Art of the Trump: A Deal for All Seasons

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“I don’t do it for the money. I’ve got enough, much more than I’ll ever need. I do it to do it. Deals are my art form. Other people paint beautifully on canvas or write wonderful poetry. I like making deals, preferably big deals. That’s how I get my kicks.”

Just as Ronald Reagan once plundered the toolkit of his former career – namely his screen presence and charisma – to power the presidency, so too has Donald Trump been plundering his toolkit, bringing to bear on the Oval Office a mixed bag of dirty tricks gleaned in the convergent worlds of the boardroom and the red carpet. Trump is renowned for – whether or not some or indeed all of it justifies the renown  – his business acumen, his big-balled risk taking, his chaotic and quixotic sex life, and especially for being a merciless, sociopathic, bullying ball-bag of a man; all of which made him a compelling TV star, precisely none of which qualifies him to safeguard the health, happiness and financial well-being of 327 million souls.

Trump may have been an entrepreneur, but he made his gambles knowing he had a multi-million dollar safety net behind him. Trump may have generated vast profits, but much of his success was built upon his aversion to paying tax and contractors – the real truth of his assets buried and obscured behind bank loans, off-shore accounts and IOUs.

I’ve read a lot of books about Donald Trump, but until recently I’d never read a book by Donald Trump. I plumped for the most famous and influential of them, the New York Times’ Best-selling The Art of the Deal, first published in 1987. However, it’s perhaps something of a stretch to say that it was written by Donald Trump. Anyone who’s ever read Trump’s Twitter feed or listened to his speeches knows that eloquence and coherence aren’t his strong points. Any book written by Trump and Trump alone would probably scan like a version of Jack Kerouak’s On The Road as penned by Narcissus after a massive head injury.

The Art of the Deal was ghost-written – aka simply written – by journalist Tony Schwartz. In 2016 Schwartz publicly lamented his part in helping to cement Trump in the public consciousness as some sort of munificent emperor, an image that, in concert with Trump’s appearances on The Apprentice, somehow convinced the American public that a dead-eyed orange cabbage was the best choice for Commander-in-Chief. I can well imagine the quantity of Prozak Schwartz would’ve needed to ingest to keep calm during those long months with Trump translating his grandiose, slogan-centric puffery into something palatable.

Trump’s distinct lack of empathy and rampant sense of self-righteousness and entitlement blinds him to the fact that he’s more redolent of Mr Burns and Biff Tannen than Andrew Carnegie and Henry Ford. Let’s see if we can divine in his writing the man we see at work on the world-stage today, be it on the golf course, or tapping away on Twitter as he takes a shit.

I’ve tried to group my selected quotes into categories, with catty asides where appropriate.

The White House as boardroom and battlefield

“I’m the first to admit that I am very competitive and that I’ll do nearly anything within legal bounds to win. Sometimes, part of making a deal is denigrating your competition.”

Trump’s certainly taken that insight with him to the White House, only remove the bit that says ‘within legal bounds’.

“I fight when I feel I’m getting screwed, even if it’s costly and difficult and highly risky.”

And doesn’t America know it.

“Most people are surprised by the way I work. I play it very loose. I don’t carry a briefcase. I try not to schedule too many meetings. I leave my door open. You can’t be imaginative or entrepreneurial if you’ve got too much structure. I prefer to come to work each day and just see what develops.”

Yep. Still seems to be his signature style as president. A sort of nonchalant dictatorship.

On the Trump Organisation: “With so many regulators and regulations to satisfy, we had one major advantage: the fact that we are not a bureaucracy. In most large public corporations, getting an answer to a question requires going through seven layers of executives, most of whom are superfluous in the first place. In our organisation, anyone with a question could bring it directly to me and get an answer immediately. That’s precisely why I’ve been able to act so much faster than my competitors on so many deals.”

“I’ve never had any great moral problems with gambling because most of the objections seem hypocritical to me. The New York Stock Exchange happens to be the biggest casino in the world. The only thing that makes it different from the average casino is that the players dress in blue pinstripe suits and carry leather briefcases. If you allow people to gamble in the stock market, where more money is made and lost than in all the casinos in the world put together, I see nothing terribly different about permitting people to bet on blackjack or craps or roulette.”

The NYSE is a casino, except for when Trump wants to claim he’s directly responsible for its robust performance.

Man of the People

Because he really is just like one of us, right?

“And while I can’t honestly say I need an eighty-foot living room, I do get a kick out of having one.”

“In the middle of 1985, I got an invitation from Adnan Khashoggi, a Saudi Arabian and a billionaire at the time, to come to his apartment in Olympic Tower. I went, and while I didn’t particularly go for the apartment, I was impressed by the huge size of its rooms.”

Yes, that Khashoggi family. That dude was the uncle of the Saudi journalist, Jamal Khashoggi, who was butchered in the Saudi embassy in Turkey. Interesting connection there.

“I rarely go out, because mostly, it’s a waste of time.”

I guess when your house is the size of a city park, and you own scores of buildings, you don’t need to.

“For me the relevant issue isn’t what I report on the bottom line, it’s what I get to keep.”

Trump and the press

Trump knows the press, and has learned how to wield it as a weapon. It helps that he has Fox News and the Murdoch press on-side.

“First, the press thrives on confrontation. They also love stories about extremes, whether they’re great successes or terrible failures.”

“If there’s one thing I’ve learned from dealing with politicians over the years, it’s that the only thing guaranteed to force them into action is the press – or, more specifically, fear of the press. You can apply all kinds of pressure, make all sorts of pleas and threats, contribute large sums of money to their campaigns, and generally it gets you nothing. But raise the possibility of bad press, even in an obscure publication, and most politicians will jump. Bad press translates into potential lost votes, and if a politician loses enough votes, he won’t get reelected. If that happens, he might have to go out and take a 9 to 5 job. That’s the last thing most politicians want to do.”

“Most reporters, I find, have very little interest in exploring the substance of a detailed proposal for a development. They look instead for the sensational angle. In this case, that may have worked to my advantage. I was prepared for questions about density and traffic and the mix of housing on the site, but, instead, all the reporters wanted to talk about was the world’s tallest building. It gave the project an instant mystique. When I got home that night, I switched on the CBS Evening News, expecting to hear news from the opening of the summit between Ronald Reagan and Mikhail Gorbachev. Dan Rather was in Geneva anchoring the program, but after summarising the day’s developments, suddenly he was saying: ‘In New York City, developer Donald Trump announced plans to build the world’s tallest building.’ It demonstrated how powerful and intoxicating a symbol I’d found for my project.”

Prescience with a dash of irony and a sprinkling of ‘Oooo, bet you regret saying that now, Trumpy’.

“I discovered, for the first time but not the last, that politicians don’t care too much what things cost. It’s not their money.”

On Mitterand: “It wasn’t just that he was a socialist, and that he began nationalising companies, it was also that he turned out to be a dangerous man. What can you say about a guy who goes around selling nuclear technology to the highest bidder?”

Yeah, Trump would never do anything like that. Too much integrity.

“Atlantic City’s reputation had also been hurt by corruption charges growing out of the FBI’s Abscam sting operation. In 1980, the vice-chairman of the Casino Control Commission, Kenneth MacDonald, resigned after admitting that he’d been in the room when a $100,000 bribe was passed to a local politician by potential investors looking for help in getting a casino license.”

Imagine being in a room when some dodgy deal, bribe or attempted extortion was going down. Trump would NEVER do anything like that.

On Conrad Hilton: “His son Barron joined the company in the 1950s, and of course it was only a matter of time before he took over. It had nothing to do with merit; it’s called birthright.”

Remind me just how many of your children are prominent figures in your administration?

“But Conrad believed very strongly this inherited wealth destroys moral character and motivation. I happen to agree that it often does.”

(cough cough)

“You can probably guess how much stock I put in polls.”

Yes. It very much depends upon how favourable they are to you.

“There is nothing to compare with family if they happen to be competent, because you can trust family in a way you can never trust anyone else.”

(cough cough, IRONIC, cough cough, MAFIA)

On Ed Koch: “He’s presided over an administration that is both pervasively corrupt and totally incompetent.”

(sound of someone taking a machine gun to a barrel of fish)

“Meanwhile, no fewer than a dozen Koch appointees and cohorts have been indicted on charges of bribery, perjury, and accepting kickbacks, or have been forced to resign in disgrace after admitting various ethical transgressions.”

Imagine that…

“The irony is that Koch made his reputation by boasting about his integrity and incorruptibility. It doesn’t seem to occur to him that if the people he appoints prove to be corrupt, then in the end he must take the responsibility.”

That sort of thing doesn’t occur to a lot of people, to be fair. Wouldn’t you agree, Donald?

Simply put: guy from the big house and the guy from the book? Same crook, different deal.

Jamie’s Outlander Binge – Season 4, Eps 7 – 10

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Part 17: Let’s do the time warp again

Wherein the whole gang’s back in the past, and things don’t exactly go according to plan

I’m convinced that a harrowing fate awaits the Frasers in the fourth season finale. Perhaps not the immolation fated in the archived newspapers discovered in the 1960s – that would be too obvious, and rather hard for the show to bounce back from – but something equally painful and transformative. Until then, we’ve got a veritable banquet of quests, grudges and reunions to feast upon.

In this clutch of episodes Roger finds Brianna, Brianna finds Claire, and Jamie’s fist finds Roger’s face. Many times. As the Frasers are moved around the chess-board of life by the wicked hand of fate, we discover that it isn’t God, or the devil, or Lady Luck that owns that hand, but Stephen Bonnett.

To describe the amoral, psychopathic Irishman as the Fraser family’s arch nemesis is to undersell his evil and understate his omnipresence in their lives. He’s the demonic force that shapes their feelings, their decisions, their movements, their every waking moments. His ability to wreak destruction upon the Fraser family even when he’s not even trying to or even really thinking about them makes Black Jack Randall in comparison seem about as malevolent as a little kid taking a surreptitious poo in the next door neighbour’s koi carp pond.

Bonnett is much, much worse than Black Jack. There was at least a twisted symmetry to Black Jack, some semblance of a code, a hint that some part of his soul might once have been salvageable. Bonnett very rarely bothers to put a positive spin on his actions. He knows he’s utterly bereft of noble impulses, and throws himself into murderous debauchery all the more enthusiastically for it. Black Jack occasionally fooled himself that he was righteous or justified. I don’t know. Maybe that makes Bonnett ‘better’, relatively speaking. It definitely makes his evil purer, even if it does make his character seem a little less nuanced.

In ‘Down the Rabbit Hole’, Roger and Brianna briefly become the series leads, and we get to imagine what Outlander might look like sans Jamie and Claire. The verdict? Perfectly fine for an episode, but I’m in no rush to see a spin-off series.

During their solo adventures the two young lovers find themselves trapped in a web of fate and misfortune; their respective journeys to Wilmington putting them at the mercies of their parent’s greatest and most dangerous (living) adversaries: Bonnett and Laoghaire.

Roger’s path through the stones leads directly to Bonnett and his ship, the crew of which Roger blusters his way onto to secure passage to the new world. Both men are unaware that the tendrils connecting them to each other will soon reach out and grab Brianna, too.

Poor Roger. We’ve all had bad bosses in our time, but I’d wager that very few of them ever gave us pause to think that they might chuck a baby into the ocean . ‘Don’t worry,’ Bonnett’s fixed smile seemed to say to us, ‘I wouldn’t throw a fecking BABY overboard, and frankly I’m offended at the fecking suggestion.’ He would, however, throw a little girl with smallpox overboard without a moment’s hesitation, an act of brutal pragmatism that revolts us in direct inverse proportion to how very little it surprises us.

When Roger later encounters his direct ancestors, a woman and her tiny little baby, the latter carrying a rash that might very well be mistaken for smallpox by a certain sociopathic sea-captain, Roger knows he has no choice but to play hero and help hide them. By helping them, Roger knows that Bonnett might very well kill him for his insolence and insubordination, but if Bonnett were to find and kill the baby, then Roger would cease to exist. As options go, it’s a lot like the choice between Butlins, and, well, Butlins.

Upon discovering Roger’s treachery Bonnett inexplicably becomes Two-Face from Batman, recalling how he once avoided death by the mercy of a coin-toss, and resolving to decide Roger’s fate in exactly the same way. Roger lives to tell the tale, of course, although one thing becomes instantly and abundantly clear: there’s no human resources department on Bonnett’s ship. Or if there is it’s a particularly bad one.

Things don’t go too well for Brianna, either. Within seconds of arriving in ye olde Scotland, she’s rolled down a hill and sprained her ankle, leaving her half-dead and hobbling before she’s even left Inverness. While Brianna shares her mother’s impulsivity, it isn’t tempered by her mother’s hardiness and resourcefulness. Never mind 18th century Scotland: Brianna wouldn’t even survive a night-out in Glasgow in 2019. Mind you, who would.

Brianna eventually – and literally – falls into the clutches of Laoghaire, who actually seems like quite a nice person when she isn’t repeatedly trying to kill Claire. It isn’t long before the spurned banshee learns the identity of the wandering invalid in her care, which triggers a reassuringly chilling primal response. Thought you’d gone all human on us there, lassie. Welcome back, Laoghaire, you narcissistic nut-case.

It’s clear that the intervening years haven’t expanded her repertoire of vengeful acts: decrying someone as a witch is still very much her cold dish of choice. Luckily for Brianna, Laoghaire’s daughter, Joan, isn’t an absolute fucking maniac, and helps Bri escape to Lallybroch, where her Old Uncle Ian secures her passage to the new world. Before she leaves, Bri redeems her earlier near-death prat-falling by doing something so utterly Claire-like that she almost out-Claires Claire. She rescues a young lassie called Lizzie from sexual servitude, and takes her with her to America as her paid assistant. Way to go, sister.

Far across the ocean, Claire is enjoying a rather warmer relationship with Laoghaire’s eldest daughter. Mind you, it’s not that hard to go warmer than ‘I’m going to have you burned alive as a witch’. Claire and Marsali’s mama talk is sweet, but demonstrates great delusion on Claire’s part, especially when she says: ‘Ah, your kids. You’d do anything for them. Anything.’

Em, except, you know, resist the urge to jump through a time-portal and abandon them for the rest of their adult lives.

Now that Jamie and Claire are landowners, they get to do things like swank around at big social functions and meet all of the big celebrities of the day, like George Washington, and a young Keith Richards. It isn’t all hob-nobbing and networking, though. While attending a play in Wilmington, Claire’s called upon to use her surgical skills, and Jamie has to play fifth columnist.

The two plot points weave into and around each like vines up a tree. Governor Tryon’s guest, and fellow robber of the people, Mr Edward Fanning, experiences insufferable pain from a particularly vicious hernia (HER-nia? Should be a HIM-nia, am I right, ladies???). When Claire mentions that he might require surgery, Fanning bats away the suggestion like it was a poo-footed blue-bottle, certain that Claire’s vagina disqualifies her from saying anything to him with any deeper resonance than, ‘Oooh, would you like some biscuits?’

When Jamie learns, half-way through watching the play, that his old pal Murtagh and his band of Regulators are about to be rumbled as they rob a carriage filled with tax money, on account of a government spy in their midst, he knows he needs a distraction to get the word out. This he finds in Fanning’s hernia, which he wallops with all of his might. ‘Accidentally’, of course. In steps Claire the surgeon, ready to rifle through Fanning’s guts for as long as necessary to make sure Murtagh doesn’t end up leaving this world swinging on a rope, his skin as blue as a sunbathing Scotsman.

It’s hard not to sympathise with Murtagh’s aims, and Jamie’s sympathy with them, when Governor Tryon is such a cartoonishly wicked elitist bastard, and the kind of man who says things like: ‘Those wretches don’t want their taxes to go towards my palace,’ stopping just short of adding ‘Muhahahahaha!’ after it. Murtagh’s moltenly socialists schemes, however violent in execution, can’t fail to seem noble when weighed against the extravagant and thoroughly corrupt spending plans of a cossetted, wig-wearing, arrogant buffoon like Tryon.

Eric Joyce

I’m reminded of a real-world, close-to-home example of a political figure abusing the public purse, if you’ll indulge the brief diversion. Our town once elected an MP called Eric Joyce. Eric was one of the most prolific expense fiddlers and spender-of-money-that-wasn-t-his that Westminster has ever seen. Seriously, he almost topped the expense scandal league table. He eventually appeared on BBC’s Newsnight to defend his place at the top of the list, hilariously claiming that he spent tens of thousands of pounds on framed paintings for his constituency office, because his constituents ‘wanted to see nice paintings’ when they attended his surgery. Not if they’re at your surgery to complain about their MP spending tens of thousands of pounds on paintings with tax-payers money, Eric, you glutton.

Google Eric Joyce’s name and you’ll find reports of reckless spending, lewd and lascivious behaviour, drunkenness and brawling, a cocktail of behaviours that his opponents claimed made him no longer fit to represent the people of Falkirk. Of course, if you’ve ever been to Falkirk you’ll know that he’s probably the most representative politician the town has ever had. Eric being a Falkirk MP was like making Charlie Sheen the mayor of Sodom and Gomarrah. Namely, absolutely perfect. Anyway, I digress. Eric’s boorish behaviour does, however, lead us quite neatly into talking about throwbacks to another time and place…

Let’s talk about Claire, and the attitudes poured on her by the pompous pricks of the day, whether that day is in the 20th or the 18th century. Claire continually has to prove her skills, intelligence and worth in the deeply patriarchal societies she’s cursed to flit between, with the added worry that if she ever fails she’ll probably be thrown in jail or burned as a witch or something. When an old male surgeon arrives at Wilmington and sees Claire operating on Edward Fanning, he splutters: ‘What hath hell wrought? You’ve butchered him. All he needed was tobacco smoke up the rear.’

All he needed was… em, all he needed was what? Was tobacco smoke up the rear a real thing? Is that where the phrase ‘blowing smoke up your arse’ comes from? Being a doctor in the 18th century sounds like it was quite easy, doesn’t it? Seems all you had to do was sit back in your chair nonchalantly chain-smoking cigarettes, remembering occasionally to puff one up a patient’s arse. And if anyone came in with a mental health problem or a neurological disorder, you’d simply burn them as a witch. Then off to the course for a few rounds of golf, whether it had been invented yet or not!

Imagine going to the doctors with a stiff knee and the doctor smoking a pipe through your bum-hole. What remedies did they offer for people who attended surgery with sore arses? The mind boggles. Along with various other body parts. Did a tender butt-hole call for a different treatment, or just a bigger fire? ‘Nurse, this man is about to prolapse. Fetch the wicker man and a hundred gallons of kerosene. And be quick about it, by God, his star’s already starting to collapse!’

Anyway, this episode handled the tension, sense of mounting dread, rising stakes and intersecting plot lines very well. Mercifully, Fanning’s operation was a success, and Murtagh was able to escape the trap that had been set for him by Tryon, all of which allowed Claire and Jamie to retain their place unscathed at the top of the high-society power-couple league table.

Some time not long after after maw and paw’s close shaves at the theatre, Brianna reaches ye olde America. So does her dutiful, but also rather dastardly, beau, Roger, who surprises her with a make-shift marriage ceremony and the altogether less welcome revelation that he’d known about the prophecy of her parents’ deaths all along and deliberately chosen not to tell her. No sooner are they (sort-of) married with a bit of hand-fasting than the whole thing looks set to collapse quicker than a Mackenzie clansman at an all-you-can-drink whisky festival.

I’m sure I’m not alone in seeing the seeds of serial abuse in Roger. He’s an emotional rapist, a passive-aggressive man-child who uses guilt to get what he wants, reacting to any slight – perceived or real – with the whiny, self-regard of a spoiled toddler. I don’t know if this is because he’s a typical man of the 1960s, or if he’s just an asshole for the ages. In any case, you can’t argue with his love and affection for Brianna. It’s not every man who’ll literally jump through time, risking life and limb, to track down his lover. Mind you, it’s also not every man who’ll conceal the truth of said lover’s parents’ fiery death so he can get his leg over. Swings and roundabouts, I suppose.

Roger and Brianna’s subsequent fight feels rather stagey and hollow, hitting a note of theatrical melodrama where a more naturalistic tone would’ve better served the mood and the material. It’s perhaps not the fight we wanted, but it’s the fight that we needed, setting the narrative on a collision course with a most unpalatable, status quo-shattering event that will leave ripples in the timeline for seasons to come.

(sigh) Yep. Another rape.

This time it’s poor Brianna’s turn to bear the horror, running fresh from her fight with Roger straight into the lair of that dastardly fiend Steven Bonnett.

At this stage I think the only member of Jamie’s immediate and extended family who hasn’t been seriously sexually assaulted is his brother-in-law, Ian, and with that limp of his he’d best start taking some precautions.

Brianna’s rape is particularly ugly and vicious, and that’s saying a lot in a series that specialises in vicious and ugly rapes. Bonnett’s brutality and callousness is magnified by the insouciance of his equally callous henchmen, who sit around laughing and playing cards as Brianna screams and cries for help in the room next door.

I can’t see Bonnet making it out of this season’s finale alive once Jamie finds out about his attack on his daughter. I imagine Jamie will hang, draw and quarter Bonnett, sending each of his chopped, stretched and lacerated body parts through the stones to a different time zone. One to the age of the dinosaurs, one to the Mongol hordes, one to the battle of Ypres, and one, finally, and most devastatingly of all, to present-day Greenock.

Roger eventually makes it to Fraser’s Ridge – or near it, in any case – but unfortunately for him the first person to spot him is Lizzie, who saw him quarreling with Brianna before the attack, and in the intervening weeks arrived at the conclusion that Roger was the assailant. She reports the sighting and its significance to Jamie, who intercepts Roger on the fringes of his land, denying him the chance to communicate by repeatedly smashing him in the face until Roger’s eye-lids are like two boiled eggs sprouting from his brow, and his face is slick with blood. I genuinely thought Jamie had killed him.

Now THAT’S an awkward first-meeting with your father-in-law. Greg Focker might’ve regretted his evening of smashed urns and milking cats over at Robert de Niro’s house, but it’s certainly better than being beaten to death before you can so much as say ‘I’ve got nipples too, Greg. Could you milk me?’

Jamie and Bri’s first encounter is a little sweeter and more sanguine than the attempted murder that befalls Roger. In-keeping with Outlander’s signature style of marrying the sacred with the profane, Bri meets her father for the first time as he’s standing in an alleyway taking a piss. The scene quickly segues from slap-stick into real, intense emotion, the musical score and the performances combining to make this Jamie – the one who’s writing this rundown – leak almost as much as screen-Jamie did in that alley-way. But, you know, from my eyes. I realise I’ve made it sound like I’m saying the scene made me wet myself.

I didn’t wet myself! [OK, Jamie, don’t protest too much, son]

Outlander is good at the special moments; the big pay-offs: Jamie reuniting with Murtagh, Brianna meeting her father for the first time. It’s not always so good at following through. The longer Brianna spent in her father’s company, the more they seemed to settle into a ping-pong of hoary and expository dialogue. You could feel nothing of the weight of their shared but separate history.

For the reasons of rape and Roger already outlined, the happy family reunion doesn’t stay happy for long, and a very contrite Jamie has to help retrieve the hapless, half-dead Roger from the native Americans who bought him as a slave. Except Roger doesn’t need their help. He found his own way to escape their clutches. He may also have found another, less-traceable route of escape: another set of stones.

Should he stay or should he go now?

You probably already know what decision he makes. I’ve yet to find out.

Three episodes to go and then I’m in-step with transmission. Soon there’ll be no more bingeing for this late convert to the show.

A few final, disjointed thoughts

  • Wee Ian looked a little crestfallen when Brianna was introduced as his cousin, the wee perv. Don’t worry, Ian, just head south and take her with you.
  • Claire’s go-to face seems to involve her eyes shifting back and forth in her head like a haunted painting, or a ventriloquist’s bear.

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READ THE REST – Click below

Why I want to binge-watch Outlander

Jamie’s Outlander Binge – Season 1, Eps 1 – 4

Jamie’s Outlander Binge – Season 1, Eps 5 – 8

Jamie’s Outlander Binge – Season 1, Eps 9 – 12

Jamie’s Outlander Binge – Season 1, Eps 13 – 16

Jamie’s Outlander Binge – Season 2, Eps 1 – 4

Jamie’s Outlander Binge – Season 2, Eps 5 – 7

Jamie’s Outlander Binge – Season 2, Eps 8 – 10

Jamie’s Outlander Binge – Season 2, Eps 11 – 12

Jamie’s Outlander Binge – Season 2, Ep 13

Jamie’s Outlander Binge – Season 3, Eps 1 – 3

Jamie’s Outlander Binge – Season 3, Eps 4 – 5

Jamie’s Outlander Binge – Season 3, Eps 6 – 7

Jamie’s Outlander Binge – Season 3, Eps 8 – 10

Jamie’s Outlander Binge – Season 3, Eps 11 – 13

Jamie’s Outlander Binge – Season 4, Eps 1 – 3

Jamie’s Outlander Binge – Season 4, Eps 4 – 6

30 Things You Didn’t Know About Scotland

America’s Deadly Shame: The National Panther Crisis

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A Citizens’ Rights group in the United States, NAW TO JAWS, has appealed to President Trumpelstiltskin to undertake an urgent review of Panther Ownership legislation. This follows the mauling of a young boy, Jackson Towtruck, at his family home in Scottsdale, Arizona, the seventeenth accidental home-based panthering this year alone. NTJ say this latest incident is part of an ‘all-too familiar tragic pattern’ that is ‘completely unacceptable and wholly avoidable in America in 2019.’

The boy’s father, Shard Towtruck, had left the panther free to roam in the garage instead of keeping it locked in a secure steel cage. The boy’s decision to play fetch with the panther while his parents stitched slogans into their baseball caps upstairs proved a fateful one that ultimately resulted in the emergency services having to play fetch with the boy’s limbs.

Tragic: Shard Towtruck

To the shock of many in the local community, the father has not only been allowed to keep his panther licence, but has also decided to retain ownership of the panther who killed his son. He told a local news network: “What y’all, snowflakes? A panther rips my son’s face off, and somehow the solution is to get rid of panthers? Maybe it’ll give my other twelve kids a wake-up call about using panthers responsibly.”

While news crews staked out the Towtruck family home, scores of pro-panther activists crowded into the sleepy suburban street, each of them wearing a T-shirt emblazoned with the slogan that’s become synonymous with American notions of liberty: PANTHERS DON’T KILL PEOPLE, PEOPLE DO.

Protests against panthers are at an all-time high following a chain of pantherings at schools and government buildings all across America. Some schools have installed elaborate panther-mazes at their entrances to slow down any panthers that might be released into the student body by crazed assailants.

The National Panther Association, always ready to counter-protest anti-panther protests, has called for teachers to be be-panthered in class. NPA spokesperson Bolt Grundy reminded the association’s million-strong members: ‘The only thing that can stop a bad guy with a panther is a good guy with a panther.’ The former head of the NPA, the famous actor Chortles McMonkey-Chariot, last week echoed the organisation’s most famous proclamation, coined by the organisation’s founder, that they could ‘have his panther when they prise it out of his cold dead hands.’ A few days later, McMonkey-Chariot’s panther turned on him and chewed his leathery old body into a hundred different dessicated sections, after which first responders had to prise his cold dead hands out of the panther’s mouth.

The President burying McMonkey-Chariot on the White House lawn

President Trumplestiltskin has praised McMonkey-Chariot, a man he described as being ‘almost as famous as me.’ In a press conference on the White House lawn, Trumplestiltskin went on to stress his support for panther owners across America. ‘We love panthers, black panthers, but not the kind who wear those funny hats and black jumpers, and not the one from that movie, not the ‘black’ black panthers, just the black panthers, the actual panthers. Black panthers shouldn’t have black panthers, because they’re animals, and I don’t know if they have panthers in Mexico, but if they do, the wall will have to be higher, because they tell me panthers can jump. But I’m going to jump over the White House. And I’m going to do that easily. I’m the best at jumping. No-one does jumping better than me. Especially not the Mexican jumping beans. God damn Mexicans.’

The notion of panther ownership is a particularly hard one for protest groups to unpick and counter. After all, the right of US Citizens to bear panthers is written in to the national constitution. It harks back to a time when defenders of the fledging nation state were urged as a point of patriotic duty to carry a panther with them at all times in case they had to repel an invasion party of British troops, who were renowned for their deadly surprise attacks using hordes of coked-up foxes.

NTJ has been criticised by the NPA for its suggestion that citizens should arm themselves with guns to protect them from rabid panthers. ‘GUNS?’ said NPA spokesperson Bolt Grundy. ‘GUNS? Are you crazy? Do you know how fucking dangerous those things are?’

‘No, I really think the best thing we can all do is just keep on thinking and praying.’

Jamie’s Outlander Binge: Season 3, Eps 1 – 3

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Part 10: Let me be dead frank with you

Wherein everything everybody does to forget the past only makes things worse

It would perhaps be putting it a smidgeon too mildly to say that Jamie and Claire are a thoroughly unlucky couple. In the tragedy stakes they’re Shakespearian, Sophoclesian, and Soap-opera-vakian all rolled into one. But at least the valleys of their many agonies and sadnesses occasionally find themselves dwarfed by vast peaks of pleasure and purity. There is balance.

Rupert was a thoroughly unlucky man. He lived a life of drunken, violent fecklessness, barely rising above the ranks of toiling buffoon, surrounded wherever he went by death and drudgery. But at least he got to experience love and loyalty through his friendship with Angus, and at least in his final moments he was able to comport himself with bravery and dignity. There is balance.

Frank was a thoroughly unlucky man. He returned from war to be reunited with a woman who had become a stranger to him, only to lose her for another three years, and then have her return a stranger once more, but this time openly hostile to him, and carrying the child of a 200 year-old Scotsman in her belly. But at least he got to be trapped in a loveless marriage for twenty years while raising his wife’s lover’s child, and then get hit by a car and ki…

Oh.

Oh dear.

OK, Frank, you win, son. Despite Rupert’s hastily extracted eye, Jamie’s many lashings and jail-cell abuses, and Claire’s harrowing miscarriage, in the pity-and-misery stakes, Frank is still head and shoulders above them (with those head and shoulders being dismembered, placed into a rocket and fired towards the outer reaches of the galaxy through the unforgiving bleakness of space).

Identity isn’t just important: it’s vital. Its loss or lack can have catastrophic consequences: on a macro scale, it can lead a nation or a band of rebels to war; on a micro scale, it can erode a person’s sense of self to the point where they no longer know who, and why, they are. When Frank allowed Claire to substitute his Frankness (or Frank-nicity, or Frank-naciousness, or whatever invented descriptor you feel most comfortable using) for Not-Jamie-ness, he allowed the void inside of himself to be filled with anger, grief and resentment. He was Not-Jamie. That was his identity. Second-best to a dead man.

There were reminders of Jamie everywhere Frank and Claire looked, and everywhere that they didn’t look, too. Poor Frank was cursed to suffer frequent public assaults on his self-esteem, the first – and possibly worst – of these coming when the mid-wife set eyes on the newly-born Brianna and asked, “How’d she get the red hair?”

Even a seemingly innocuous article from a Boston newspaper managed to smuggle barbed commentary about Frank and Claire’s doomed relationship into their kitchen, and from there straight into Frank’s face. The article, about Ireland declaring itself an independent republic, free from British rule, is obviously intended to draw parallels with the concurrent situation in post-Culloden Scotland, but it’s also a very clear manifestation of Claire’s desire to be free from Frank’s rule.

While Claire’s self-interest and guilt-soaked sense of obligation won’t allow her to consider severing things with Frank – not at that point, anyway – she manages to find less overt, though no less insulting, ways to create distance between them. For instance, while her desire to become a US citizen is partly motivated by pragmatic concerns, it’s also a sure-fire way to cut ties to the England she knows is indivisible with Frank. England: his England.

It’s telling that the things Claire admires most about America – its youth, its eagerness, its passion, the way it’s always looking towards the future – are also the things she admires most about Jamie. Frank, by contrast, embodies in his person and outlook the forces of tradition and conservatism; of staid ceremony and hush-voiced acceptance of one’s station in life.

That difference is quite aptly demonstrated when we’re introduced to Frank’s boss at the university, who is, among other things, an arrogant, sexist bastard, of the type I’m sure was fairly typical during that era. He’s seen here balking at the idea of women being the equal of men in the intelligence and aptitude stakes, which instantly marks him out as a thin-domed dum-dum, though he’ll probably go to his grave unaware of his own shortcomings both as a man and a human being.

Although Frank does say something to counter the worst excesses of his employer’s misogynistic pronouncements, it’s a very soft and carefully measured something, more placatory in spirit than gallant. Frank effectively forces Claire to compromise and bite her tongue in the interests of maintaining the status quo. We, the audience, are left thinking to ourselves, ‘If Jamie was here, that guy would be hanging out the window with a mortar board shoved up his arse sideways.’ In many ways, Claire was freer to be who she was, and who she wanted to be, in 18th Century Scotland, than she is here in 20th Century America.

Later on, we meet one of Claire’s lecturers, yet another scoffing fuckwit of a man. The misogyny he displays – and its bunk-mate, racism – is, like that practised by Frank’s boss, of the sleekit, withering and wry variety, springing more from a sense of dusty entitlement than from any feeling of raw hatred, which somehow makes it much, much worse. I guess it’s because a man’s hatred might be cured, but a man’s sense of superiority over those he considers his inferiors probably can’t be. ‘A woman and a negro,’ he remarks flatly. ‘How very modern of us’. Universities don’t always attract the very best and brightest of us. Sometimes they only serve to amplify or institutionalise society’s existing divisions, or create whole new ones, breathing life into the very worst breed of entitled, conceited little wankstains.

Claire and Frank attempt to return a physical dimension to their relationship, but Jamie’s ghost haunts every corner of their lives. When Claire whispers to Frank, ‘I miss my husband,’ we know whose touch it is she really mourns. This isn’t an earnest display of affection to Frank, but a hushed apology to Jamie.

Claire and Frank embrace before the open fire, the light from the flickering flames dancing over their bodies, but there’s no heat there; no passion. Their clothes remain on. It’s a distorted mirror-image of many such scenes she’s shared with Jamie in the happy past. We know her eyes are closed because she’s imagining that past while she’s with Frank. And Frank knows it, too.

[Back in the past, Jamie has an encounter in a cave with Lallybroch’s housekeeper. He can’t look her in the eyes either; his eyes are nothing more than vessels for tears. It seems that everywhere Jamie and Claire go in these episodes they’re tormented by memories and visions of each other.]

Claire never asked for any of the things that happened to her following that fateful honeymoon in Inverness (it’s hard to anticipate a rock that hurtles you through time). She was as much a victim of those unusual circumstances as Frank. Furthermore, out of the two of them, it was Frank who displayed the most agency by fighting to keep them together, a move that arguably invited twenty years of pain and despair. He was in many ways the architect of his own destruction. Despite all that, it’s hard to feel much sympathy for Claire – especially when she seems genuinely hurt by the idea that Frank might wish to seek out alternative sources of sex and affection after fifteen years of being cuckolded by a dead guy.

The worst thing about bearing witness to Claire and Frank’s many arguments about their loveless marriage is Claire’s voice, which tends to become more and more of an aural abomination the more upset she gets. It’s like nails down a chalk-board, expect your brain is the chalk-board, and the nails are actually samurai swords. The second worst thing about their contretemps is Claire’s face, which threatens to rip itself apart while it tries to convey seemingly every possible emotion at once. I half-expected her face to start twitching, and then slide and fold open like Arnie’s mask in Total Recall, with cries of ‘Two weeks, two weeks’ filling the air.

“I did love you,” Claire’s now mercifully steady face tells Frank’s corpse in the morgue. “Very much. You were my first love.”

How very hollow and perfunctory.

Bye, Frank.

And a big bye-bye, too, to Frank’s famous Randall namesake and great-great-great-grand-uncle (or whatever he was) – culled at Culloden just as fate intended. Black Jack gets a shorter, but somehow more resonant and emotional, send-off than Frank, which is odd considering that Black Jack is a murderous rapist. Christ, this show really fucking hates Frank.

As Culloden begins, the landscape is pregnant with sorrow; dark and grimy and dimly lit, even the daytime scenes. It remains so right up until Black Jack and Jamie lock eyes across the battlefield, at which moment the screen erupts in fire and colour. This is their destiny, the culmination of all the strange, dark feelings that have passed between these two men for a long many years. Theirs is a grudge-match, but their battle also carries a macabre and violent echo of romance. They repulse each other, each is set on the other’s destruction, and yet in some warped and wispy way they complete each other, like Joker and Batman.

There’s something quite tender and sweet about Black Jack limping alongside Jamie, and dying in his arms. Certainly there’s no trace of glee or hatred in Jamie’s eyes. On the dark and silent battlefield of Culloden, strewn with the twisted, snow-covered bodies of untold thousands, Captain Randall and Jamie lie together as they once did in a prison cell long, long ago. Both of them are at peace: one dead, the other ready to die.

But not quite.

Jamie has miles and miles to go before he sleeps.

Jamie’s decision not to kill John Grey, the young English scout who snuck up on his camp prior to the battle of Prestonpans, turns out to have been a very, very good one; not only morally sound, but literally life-saving. When a band of redcoats apprehend Jamie and a squad of other low-laying Jacobites, poor old Rupert included, Jamie’s the only one of them to miss an appointment with the firing squad, on account of the officer in charge being John Grey’s brother. The Grey family owes ‘Red’ Jamie a debt, and it’s repaid through the act of letting Jamie run for the hills, instead of turning him into a human collinder.

When next we meet Jamie he’s a fugitive living the life of a rural outlaw in a cave near Lallybroch; a man fading into song and legend even as the redcoats track and hunt him. Like Frank, Jamie is a man without identity, but where Frank surrendered his, Jamie’s has been taken. Everything has been taken from Jamie: he’s no longer a husband or a father; he can’t be a brother or an uncle or a Laird as long as he’s a wanted man, which he will be in perpetuity; he’s not a soldier, or a general, or a loyal subject, or even a rebel. He’s the Dunbonnet – nothing more – a walking myth that’s half-Robin Hood, half-Oliver Queen (“Sheriff of Nottingham, you have failed this city”); another in a long line of identities that have been foisted upon him by external forces.

Ultimately, life on the lam is too much of a hardship on the people he loves at Lallybroch, who will never be left alone by the redcoats as long as he walks free. So Jamie arranges for his sister to ‘turn him in’ to the authorities, freeing them from oppression and scrutiny, and sending him to prison for six years.

During that time, Jamie asserted himself as the prison’s top dog, which is hardly surprising given his ferocious spirit. It was interesting to see him through the eyes of other characters, far from the pull of Claire’s orbit. As Jamie growled his way around the prison, hooded in darkness and fixing the guards and warden alike with a piercing stare, I could understand why people feared him.

The Grey connection again proves handy. The mouthy little teen whose life he once saved, and who indirectly saved his in return, is now his warden. “Thank you for coming,” he says to Jamie, as Jamie is huckled into his private room in chains, a fine example of the English gentry’s fondness for politeness whatever the situation.

Their burgeoning friendship – characterised by dinner, drams, fireside chats and games of chess – is incredibly sweet, even if at one point John’s attentions led me to shout, ‘Oh, not another fucking rape. Give Jamie a break.’ Thankfully, John has developed into a fine and noble young man, one who clearly loves and admires Jamie too much to subject him to ill-treatment or force him to do something against his will.

I loved this exchange in particular. Jamie has just described John as having been ‘a worthy opponent.’

“If you found a 16 year-old shitting himself with fear a worthy opponent, Mr Fraser, it is little wonder the Highland army was defeated.”

“A 16 year old boy who disnae shit himself with a knife held to his throat has either no bowels or no brains. Ye wouldnae speak to save yer own life, but ye would to save the honour of a lady. I admire that.”

And so, Jamie’s historic good nature and John’s benevolence ends up saving Murtagh from a potentially fatal dose of the sniffles, and puts a post-prison Jamie in the service of an artistocratic family instead of on a galley-ship to America.

Jamie appears to have spent a long many years hopping between prisons of varying degrees of harshness. Claire has spent the same length of time in the prison of a loveless marriage. How long now before they both break free – through hurt, through time – and once again find solace in each other’s arms?

I’ve got a feeling I’ll find out very soon.

A few final, disjointed thoughts

  • Unless Claire and Jamie encounter Uncle Tex Randall when they head off to America in season four (“Yee haw, boy, yoo shoo got a purdy mouth, an ah aint had me a stiff Scotch since fo-eva, so git yo Highland heiny ova here!”) I think that’s probably the last we’ve seen of Tobias Menzies – barring flashbacks.
  • Bonnie Prince Charlie looks horrified that war could prove to be so nasty. What were you expecting, you wig-wearing dandy? A big tickle fight? The two biggest guys meeting in the middle of the battlefield to settle it all with an arm wrestle? A black-tie reception and drinks afterward?
  • I loved Jamie and Murtagh’s little moment of levity on the battlefield, where the two friends bonded over battering a man to death with a clod of earth. It’s the little moments you treasure, isn’t it?
  • Jamie may be skilled at a great many things, but disguise isn’t one of them. You can’t really hide your trademark red hair with a hat when your hair is long and you wear it down. With a green hat, to boot, which only serves to accentuate the red hair. In many ways, he should have just cut it.
  • The sequence where Jamie had to hide from the Redcoats inside Lallybroch, with his sister’s baby in his arms, was real edge-of-the-seat stuff.
  • Fergus has lost his adorable, Lord of the Rings vibe. He’s awkward and lanky now. He reminds me of Patrice from The Inbetweeners – ‘I… had a nice tug, em, sinking about your muzzer.’
  • I don’t know what was more painful: watching a suddenly 85-year-old Fergus having his hand chopped off by a self-hating Scottish redcoat, or enduring the acting skills of the aforementioned gentleman. Woof. He made panto look like Pinter.
  • In episode two, Jamie is grimy, hairy, doesn’t speak much, and shoots things with his bow and arrow – if he isn’t quite Robin Hood or Oliver Queen, then he’s definitely Daryl from The Walking Dead. That’s not the sole similarity with AMC’s flag-ship zombie show. Fergus even fires a gun and attracts a herd of walkers… I mean redcoats (wankers, I guess you could say). And, as happens so often in The Walking Dead, Fergus gets his hand chopped off, something that happened to innumerable freshly-bitten characters on the TV show, and Rick Grimes himself in the original comic.
  • I liked how Jamie, as part of a primitive early-release program, was sent to decipher cryptic messages from the guy who used to run towards the camera at the start of every Monty Python episode – a madman havering about gold in English, Gaelic and French.

READ THE REST – Click below

Why I want to binge-watch Outlander

Jamie’s Outlander Binge – Season 1, Eps 1 – 4

Jamie’s Outlander Binge – Season 1, Eps 5 – 8

Jamie’s Outlander Binge – Season 1, Eps 9 – 12

Jamie’s Outlander Binge – Season 1, Eps 13 – 16

Jamie’s Outlander Binge – Season 2, Eps 1 – 4

Jamie’s Outlander Binge – Season 2, Eps 5 – 7

Jamie’s Outlander Binge – Season 2, Eps 8 – 10

Jamie’s Outlander Binge – Season 2, Eps 11 – 12

Jamie’s Outlander Binge – Season 2, Ep 13

Jamie’s Outlander Binge – Season 3, Eps 1 – 3

30 Things You Didn’t Know About Scotland

Donald Trump: The Apocalypse’s Casus Bellend

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I have to keep reminding myself that Donald Trump has held office for a little over a month. It feels like his cartoon duck mouth has been issuing terrifyingly hilarious proclamations since before America was even discovered; as if the vortex of evil that propelled him to prominence is so powerful that it has bent not just reality, but also time and space to its will. “I was there at the creation of the universe. The ‘let there be light’ thing. That was my idea. And God was very appreciative, said my idea was the greatest. And when that light went on? No dinosaurs, people. FAKE. You know I’m right.”

I can’t envisage a single day in the next four years when I won’t see or hear the onomatopoeiac fart of his name. Being president must be doing wonders to stoke the fires of his pomposity, paranoia and narcissism: the entire world really is talking about him. Incessantly. Every hour of every day. Trump would have you believe that our obsession with him is due to a giant, media-fuelled conspiracy, or sour grapes on the part of the losing side, but it’s clear that Trump is a megalomaniacal ratings chaser who will stop at nothing to keep himself in the limelight, even if that means inventing terrorist attacks, banning journalists from his briefings, or labelling reality ‘fake’. We shouldn’t be too concerned about our attentions being hijacked by Trump’s hyperbolic rhetoric: what should concern us is what would happen if we all chose to ignore him. He’d probably nuke Belgium, or declare war on Lidl.

Many people have been quick to point out the societal similarities between modern-day America and Germany during the rise of the Third Reich. There’s definitely some weight to that comparison, however there is one crucial, towering difference between Donald Trump and Hitler: Hitler was a good orator. If evil must have a face and a voice, then it’s a pity that this time around it’s got the face and voice of a malfunctioning android stuck in a six-phrase feedback loop, or a racist, half-mad taxi driver who’s been ripped from his cab, pushed behind a presidential podium and handed a scrap of paper that’s got ‘Everyone except you is an asshole’ scrawled on it in blood. When Trump talks he sounds like a man who’s being continually interrupted and fed lines by an invisible hologram only he can see, who’s also a complete fucking idiot. “Ziggy says there’s a 40 per cent chance that wall, wall, muslim, muslim, wall, wall, America, great, America, dude, wall, bad guys, bad dudes, enemies, bad dudes, wall.” “…What the fuck?” “Just say it, Sam! Just say it!”

Feel free to insert your own crude mustache.

Each day the world wakes up, switches on the TV and stares at the orange man with the nest of half-dissolved, beshitted candy-floss on his head, and thinks: how the fuck did this happen? The man has all the grace and articulacy of the giant man-baby who’s forced to fight Mel Gibson in Mad Max 3. His face vacillates between that of a man who’s sneering with disgust at the whiff of a particularly foul fart, and then smirking a little cause he realises it’s his own, and he likes it. He possesses all the charm of a bogey-soaked tissue bobbing in a warm flute of piss, and all the compassion of a malnourished tiger let loose in an orphanage. You wouldn’t trust him to be in charge of a tombola stall at the church fete, much less place a nuclear arsenal at his disposal. Seriously. How did this happen? Let’s rewind the tape, because somebody’s very clearly edited out a crucial sequence from this movie. Where’s the arc here? There’s no arc. It’s just: world is sane: world is crazy. Someone’s deleted the middle: the bit that explains this clusterfuck.

Within the space of a few short weeks, Trump has put a climate-change denier in charge of protecting the environment; placed a brain-damaged billionaire who struggles to comprehend basic facts in charge of education; classified dissenting (for dissenting read ‘truth-seeking’) journalists as enemies of the state; tried to erect an invisible wall to ban Muslims from entering his country; proposed to erect an actual wall around the border of another country; signaled that he’s ready to accept Vladimir Putin as his best-bro and role model; re-branded a smorgasbord of bare-faced lies as ‘alternative truths’; and harried, bullied, threatened, cajoled and alienated just about every section of society, with the exception of prickly white billionaires and the sort of alt-right, flag-waving, gun-toting tit-wanks that share both his disdain for reality and hatred for ‘the other’, whoever that ‘other’ happens to be in any given week. Never before has Orwell’s ‘1984’ been so successfully re-appropriated as a manifesto.

If you evaluate success in terms of capitalist excess, then Trump’s been a winner all his life. This is something, true or not, that seems to have struck a chord with many Americans, for whom Trump is the living embodiment of the American dream. If you’re rich and powerful, you must have worked for it, earned it. You must be smart, strong. You must deserve it, else you wouldn’t have got it. His supporters don’t necessarily think that Trump’s just like them, but believe that one day, with a little bit of graft and a lot less foreigners, blacks and socialists running around, they could be just like him. They admire his directness, his toughness, the way that his world-view hasn’t been corrupted by science, truth, nuance or articulacy. I’d maintain that just because you enjoy watching fictional sociopaths like Tony Soprano and Cersei Lannister ruling their empires with an iron fist, doesn’t mean that it’s a particularly good idea to elect a real-life sociopath to the most powerful office on Earth.

He looks like Ruprecht from Dirty Rotten Scoundrels.

You probably haven’t heard anything in the media about Trump’s financial successes. He tends to hide his light under a bushel, but if you listen really, really carefully to his speeches, you may occasionally, every so often, once in a blue moon, hear him mention it. Who am I kidding? No one’s better at telling people he’s better than people than Trump. His self-categorisation is, however, something of a hollow boast, given that he was born into his fortune. Look at it this way: if you happened to be born with a 6000cc engine in your back, and high-performance wheels instead of legs, then it would be rather churlish to berate your fellow competitors in the 100m sprint for failing to beat you with their shitty normal legs. Trump’s inherited wealth has always insulated him from failure, and gone a long way towards helping him construct and maintain the Death-star of his ego. The Art of the Deal, the most famous book Trump’s ever not-actually-written, only really needed one page, with the following written on it in big, bold letters: Be born a billionaire.

Given his arrogance and privilege it’s little wonder that Trump’s such a stranger to reality; his life must be like a virtual-reality tycoon simulator with cheat mode enabled. Trump was free to run his businesseses with a cold heart and an iron fist, pushing his employees around, conning his customers, eliminating competitors with the dead-eyed zeal of a Nazi death-camp commandant, and generally treating people like dog-dirt quesadillas, and people would applaud him for his tough-talking, get-results-damn-it, business acumen; and if they didn’t, or if one business or a thousand businesses imploded in a shock-wave of lawsuits, bad PR and bankruptcy, then who cared, right? Blame the government, blame the media, blame the Chinese, lie, lie, and thrice lie, pick up another bundle of dollars, clean the slate, and start again. Unfortunately, if you take the same set of principles necessary to succeed as a ruthless CEO with an infinite supply of inheritance behind you, and apply these to government, then what you are is a dictator.

Trump is reminiscent of a vengeful Scientologist, or the Iraqi information minister, Mohammed Saeed al-Sahaf, who famously appeared on camera with a fleet of American tanks behind him to claim that there wasn’t a fleet of American tanks behind him. Lying is such an integral part of Trump’s strategy and defence mechanism that it’s difficult to believe anything that he says. Even his fortune is up for debate, given the amount of businesses he’s allegedly sent to the grave. But it doesn’t matter. Some evil supercomputer has calculated Trump’s ground-base of support down to a man, and told him what TV stations they watch, which news outlets they read in print and on-line, and what size of shoe they take. All he has to do is keep preaching to the converted, telling as many outrageous and egregious lies as he likes, and they’ll always be lapped up, and never cross-referenced. “Ostriches are green. Japanese TVs electrocute people. Barack Obama once killed a penguin with a hole-punch. I’ve never met Vladimir Putin… who is he again? I’m so smart. My hands are the size of frying pans. Mexicans are responsible for ISIS. I cured AIDS.”

If Trump really believed his rhetoric, then his best weapon against his critics would be the steady, patient unveiling of his vision to Make America Great Again, piece by piece, encouraging transparent democratic debate every step along the way. After all, if a man was lying bleeding on the street, and I could help him, but between me and that man was another man, who was shouting out vicious slurs about my motivation and intentions, then I’d still move forward and help the bleeding man. I wouldn’t thunder off in a fit of rage, and proceed to hold scores of press conferences in which I angrily discredited the shouting man, as the other man – the one I was supposed to be saving – died in the street.

I guess it begs the question: who, or what, does Donald Trump want to make great? Because it sure as shit doesn’t seem to be America.