The Queen’s Corgi is such a tonally discordant movie that watching it risks dislocating your amygdala. Its ideas, scenarios and moods ping across the screen like balls in a haunted pinball machine, careening into the flashing, dinging pads of plot, theme and character with such vicious speed that it’s hard to know whether you should be laughing, wincing, praying or reporting yourself to Childline for letting your kids watch it in the first place.
The movie begins with the kindly and considerate Prince Phillip gifting a Corgi puppy to the cooing and gushingly maternal Queen Elizabeth. There’s your first note of discordance. Everything’s predicated upon the falsehood that Prince Phillip and Queen Elizabeth are nice, regular, normal people just like you and me, and not, respectively, a maniacal, fox-blasting, dead-eyed, colonial throwback and a bejewelled joyless void who delivers her annual Christmas message to the nation with all the warmth and conviviality of a statue being held at gun-point.
It’s a strange time to be putting a soft sheen on one of the world’s most prolific hoarders of hereditary wealth. The United Kingdom is on the cusp of a no-deal Brexit, a potentially seismic event with the power to unite the lower and middle-classes in an orgy of hardship and poverty; consequently, I found it pretty tough to empathise with a character who, towards the end of the movie, greets a fire in her palace with the merest of shrugs. To put things in perspective: I almost had a rage-related stroke when I found out the price of the family-sized tub of popcorn. Mind you, the creative forces behind this movie are Belgian, so maybe rubbing the UK’s face in the truth of its own fawning subservience in the run-up to Brexit was a deliberate and, on balance, very funny thing to do.
The opening portion of the movie shows us Rex’s life as the Queen’s most adored Corgi and wearer of the coveted Top Dog collar [In the UK, Rex is voiced by Jack Whitehall, about whom the kindest thing I can say is, ‘At least he’s not James Corden.’].
If Rex is high on the Queen’s pedestal, then he’s positively subterranean in the considerations of everyone else at the palace: Prince Phillip resents the pampered pooch for supplanting him in the Queen’s hierarchy of affections; the Queen’s head servant is disgusted at having to demean himself in the service of a bolshy dog [at one point the poor little man has to follow the dog around the garden holding an umbrella over its head so it doesn’t get wet, only to be deliberately pissed on for his trouble – and that, to me, is a perfect allegory for the Royal Family’s feelings towards its supposed subjects]; but no person or group in Buckingham Palace hates the prissy little pillock as much as his canine bunk-mates, who variously bemoan him, despair of him and, eventually, actively try to murder him.
Things start to go wrong for Rex – as it does for most people – as soon as President Donald Trump arrives. Trump comes to the palace as part of a state visit along with his First Lady, Melania, and their First Dog, Mitzi, the latter a preening, pampered, cossetted little bitch who’s only in it for the money [hush now, be nice].
While Trump is the butt of many jokes during his short time on-screen – about his hands, his hair, his tone-deaf braggadocio and, obscenely for a kids’ film, his rape allegations – he’ll almost certainly come across to kids as a lovable, eccentric oaf, a far cry from the hateful, narcissistic demagogue we big people know and loathe from the almost daily deluge of unhinged pronouncements we’re exposed to through the media. Making Trump cuddly again is a strange creative choice, on a par with putting a cartoon Hitler in a kids’ film, and making him a smiling, jazz-loving juggler who cares for sick cats.
In the spirit of re-cementing the so-called special relationship, the Queen agrees to marry off Rex to the Trumps’ beloved Mitzi, precipitating a highly unsettling sequence in which Mitzi chases a terrified Rex around the palace ostensibly attempting to rape him; an X-rated, reverse Pepe le Pew, if you will.
It’s genuinely upsetting, and not something to which I was comfortable exposing my young children, aged 2 and 5. I’m no lily-livered snowflake, folks. I’ve let my kids watch Watership Down, the original Hellboy Movies and Shazam. I believe that while movie violence can be downplayed and even laughed at when it’s cartoonish in tone, and death is a sad and irreducible part of life to which kids are inevitably introduced through movies – and usually kids’ movies at that – their first grapples with the idea of sex and romance shouldn’t be filtered through the prism of a terrifying sexual assault, regardless of which gender is leading the charge. Another reason why Trump’s inclusion in the movie, given both his history and Mitzi’s behaviour, is weirdly inappropriate.
After Rex accidentally bites Trump in the cock [OK, I enjoyed that bit], resulting in Trump and his hellish entourage roaring off in a huff, Rex finds himself out of favour with The Queen. Although quite why Rex would still exalt her after she sanctioned him for a raping is anybody’s guess, and just another of the movie’s myriad baffling character motivations. Rex ends up banished and betrayed by fellow Corgi, Duke, who leads him away from the palace and tries to drown him in a freezing river, thereafter fabricating a blood-and-fur crime scene in the palace grounds so that none of the humans are moved to look for him.
Rex ends up at the local pound, and quickly falls for Wanda, a dog of regular stock who only reciprocates his feelings once she see’s able to confirm Rex’s identity as property of the palace, aka absolutely minted. Strike two against my children’s burgeoning psycho-sexual development. Thanks, movie.
Unfortunately for Rex, winning Wanda’s heart and escaping back to the palace won’t be easy, because the pound cum prison functions by night as a vicious doggy fight-club, and Wanda is the main squeeze of a raging pile of working-class muscle called Tyson (voiced, somewhat inevitably, by Ray Winstone), the pound’s top dog.
The power of friendship doesn’t quite triumph over the power of violence, given that it’s Rex’s growing friendships within the pound that give him access to the violence he needs in order to defeat Tyson, but at this point I don’t think anyone – least of all me – was expecting any sanguine, family-friendly messages. Generally, though, when the movie isn’t busy being tonally inappropriate, it’s busy being incredibly formulaic.
Rex, along with Wanda and an assortment of dogs of all creeds, shapes and sizes, return to the palace to teach Duke a lesson, namely in allowing him to be crowned Top Dog so that the Queen will send him off to America to get repeatedly raped by Donald Trump’s dog. Em… great, I guess. Yep. That’s… that’s fine. The Queen, in another uncharacteristic bout of woman-of-the-people-ness decides to let Rex’s low-class friends and girlfriend remain at the palace with him to live happily ever after, which it’s just possible is a reference to Meghan Markle joining the Royal Household, but might just be an attempt to salvage some sort of a happy ending from the rather horrible rape coda.
I’ve had a stab at condensing the movie’s moral message. Here goes… What the film appears to be saying is, if ever you let your privilege go to your head and become callous and arrogant and unpopular with your peers, you might just need the humbling experience of almost being raped as part of an arranged marriage scheme to show you the error of your ways. And if you do end up in a prison fight-club for poor people owing to the actions of a jealous peer, then never forget that you can get your revenge on them by seeing to it that they’re raped and deported in your place.
Did you get all that, kids? Lovely, isn’t it?
All told, this movie might make your kids laugh in some places, and gasp in others, and the animation is certainly bright, clean and fluid enough to hold their interest, but if you’re looking for a warm and fuzzy classic to watch with your kids, you’d be better off considering full-blown grown-up movies like The Shining or Reservoir Dogs. At least they don’t pretend to be nice or wholesome.
And, perhaps crucially, neither of them have Donald Trump in them.
THE VERDICT
out of a possible 