Men’s Guide to Pooing Away From Home

If a man’s home is his castle, then it follows that his toilet is his throne. It’s hard to leave the kingdom, to try out other toilets in places you don’t trust, or among people who may mean you harm. But sometimes, out there in the big bad world, a King’s gotta do, what a King’s gotta do: a King’s gotta poo.

Here’s a quick and handy guide to some of the bathrooms you might find yourself having to poo in over the course of your life, with an honest appraisal of the risks and dangers, and the obstacles you might have to overcome.

It all starts in primary school…

Dropping the kids off at School

Like a cat forced to use a litter tray inside a kennel of angry Jack Russells, the boy who poos at school is quite correct to feel scared. Nothing in this world excites the same level of primal violence in a group of primary school boys than one of their number going for a shit. Something about the spiritual nakedness and vulnerability of that act triggers their blood-lust, and the mere suggestion of it happening somewhere in their vicinity sends them howling off round the school like chimps on a hunt. They sniff the air. They beat their chests. A Mexican wave of excitement clatters through the playground. Roll up, roll up, ladies and gentlemen, boys and girls, come see the amazing… shitting… boy! It feels like VE Day. The kids erect stalls, arrange a tombola, they sing, they dance, and before you know it Doris Day’s up on top of a bin belting out ‘The White Shits of Rover’. It’s literally the best thing that’s ever happened to the school, with the possible exception of that day a dog got into the playground.

“Quick! Davey’s doing a shhiiiiiiiiiiiiiitttttttt!”

This certainly isn’t the best thing that’s ever happened to the boy foolish enough to answer nature’s call away from the safety and sanctity of his family bathroom. The hunters lock in on his location, and swoop in to the main building; they track, surround and mount his flimsy cubicle, laying siege to it with shrieks and roars as the frightened little shitter inside begs for them to stop, and perhaps even tries to subdue them with the toilet brush. It’s like the Wicker Man with noise instead of fire. This boy’s crime? First degree turd-er. He’s paying for the collective bodily shame of the whole class.

He’ll never shit at school again, and if he’s ever tempted he’ll have his new, life-long nickname to dissuade him: he’ll never be known by any other name than ‘Jobby Boy’ until he’s at least 17.

For some reason you could take a piss at school without attracting much heat or ridicule; unless, of course, you made the mistake of going for a piss in the cubicle. Oh dear. If you did that could expect to be handed the hereditary title of ‘gay for life’, and hounded for the rest of your days. Gay was a more prevalent insult back then, you see, because Central Scotland in the early-to-mid 1980s wasn’t the, ah… enlightened… cosmopolitan…em, paradise… it is today? Hysterical parents everywhere wanted to protect their boys from the would-be gays in their midst, and knew of no better way to do it than to steer them towards the more wholesome things in life, like tits in their dad’s newspaper, drinking until you pass out, and Jimmy Savile.

Such was the impeccable logic of Scottish schoolboys in the 1980s that the boy they’d hold up as the gayest was the one who not only got himself as far away as possible from all other penises while in the bathroom, but actually sealed himself inside a giant penis-proof box. ‘Hey!’ a boy would shout as he pounded on the cubicle door from outside, ‘I can hear you pissing in there! If you don’t want to be called gay, you’ll bloody well come out of that cubicle and show me your cock… and then you’ll have a fucking good look at my cock, by God!’

Chod on the Road

(PS: FYI if you’re not Scottish: ‘Chod’ means ‘jobby’)

(PPS: ‘Jobby’ means ‘shite’)

Let’s do some quick maths. In your average public lavatory consisting of three cubicles, approximately three-out-of-every-three seats in those cubicles will be covered in drips, crescents, loops and lakes of the very yellowest of piss. The piss will often be accompanied by a bold, bristly sprinkling of pubes and arse-hairs. Mmmmm. Delicious. Would sir care for some herpes with his defecation? And the bowl beneath your arse will usually be beskidded with the kind of splatter patterns only Dexter could decipher. Or it’ll have a jobby bobbing in it, like a brown olive in the world’s most disgusting cocktail.

If you do happen to stumble upon an immaculately clean seat, you’re more wary of it than you would be a piss-stained one. The other two are filthy, says a suspicious little voice inside your head. So why is this one gleaming? What foul secrets hide behind the invisible barrier around this bog that can only be exposed with the aid of a UV lamp and plenty of luminol? Your brain imagines the worst. Did a tramp piss everywhere and then have his trusty dog lick up the evidence? Or vice versa? Did an old man wipe down the seat with one of his socks after his largest hemorrhoid burst open like a firework during a particularly gnarly shit?

Public shitting is the most dangerous activity this side of running along the banks of the Nile baiting crocodiles with your blood-basted bollocks. Most people would rather crap in a bush, take a ten-mile taxi-ride home, hold it in until they’re half crippled, or simply shit themselves, than risk sitting on a public toilet-seat. Only those with nothing left to lose would ever contemplate letting their bare thighs thunk down onto a public pan. The sanest option, if pushed, is for a man to hover above the water like a Lancaster Bomber, dropping payloads from up high, and taking the shitty splash-back like a man.

Possibly the worst breed of public toilet is the one you’ll find inside a nightclub toilet. The lavvies in your average nightclub play host to more cum, cocaine and fecal matter than an evangelical preacher’s cock. As if that wasn’t bad enough, the locks on the cubicle doors are usually bust, so you have to shit like you’re playing Twister – one foot held out, both hands ready – in case some drunk asshole barges into your space when you’ve got a mitt-full of shitty toilet-paper.

The Toilet on a Train

Enough said.

Plop, Plop. Who’s There?

Provided you can find a pube-and-piss-free throne to perch your ass upon, nothing beats a good shit at work. The toilets are a lot more sanitary owing to a regular cleaning schedule, and the finite, measurable number of bum-cheeks on site that could potentially occupy them. Plus, there’s no phone in there. No emails. No bosses. No command structure. No pressure. For five or so blessed, blissful minutes of your hectic day, there’s nothing but you and the poo.

But never let yourself be lulled into a false sense of security. You know as well as I do that  one creak of that bathroom door, one flurry of footsteps, and you’re locked inside that cubicle like a rat in a trap, possibly until the end of time.

When we step out of that cubicle immediately post-poo we want the bathroom to be empty. It doesn’t matter if somebody walks in as we’re washing our hands – even if our stink is hanging in the air like mustard gas, we can still chat away with whoever walks in, even reference our own ungodly stench with a smile and a shrug of the shoulders. But being seen exiting that stall? Unthinkable. The equivalent of being snapped by the paparazzi on your way out of court for an animal sex-crime.

Everybody shits. We know that; it’s one of life’s great levellers. There’s certainly no shame in defecation. We should be bolshy, proud. After a shit we should be bursting the door open from the inside like an FBI agent raiding a drug den and greeting whoever’s out there with steely resolve, or strolling through the door like we’re emerging from the smoke on an episode of Stars in Their Eyes dressed like Johnny fucking Cash. We do a shit: we don’t take shit. In reality, though, when faced with intrusion in the bathroom we hold back. We clam up. Maybe we’re still haunted by the nickname we were given in primary school…

Anyway, you know the drill. One hint of the outside door creaking open while you’re inside that cubicle, and all plopping, wiping and polishing ceases immediately. You become like Tom Cruise in the first Mission Impossible movie, held in suspended animation, frightened to breathe. ‘Just fuck off,’ you plead under your breath. But another person comes in. And another. And another. And another. It’s a convention. A stampede.

And then the unthinkable happens: ‘You going to be long in there?’ comes a voice from outside. An answer is demanded. Your identity is demanded. What can you do?

There’s only one thing you can do. You shrink to the size of a vole and swim down the U-bend to safety, dragging your jobbies behind you.

New You, New Poo

It’s great to spend the night with a girl at her place; sharing a bed and each other’s bodies, then waking up naked and sated in the half-light of the next morning. What isn’t great is waking up in that half-light absolutely bursting on a shite. If your relationship is very new then that bouncing blurble in your stomach, if allowed to evolve into a monstrous doo-doo, could sound the death knell for your union.

It’s probably a smart idea to avoid creating a mental connection in the mind of your good lady between you number one, the sexual harpsichord that’s fun to play, and you number two (literally), the man who’s devastated her living area with the gagging stench of egg in the wake of a particularly oily shit. Take it from me: best not to shit in the same post-code area, much less the same house or flat. Only a German would consider that an aphrodisiac.

When I was a student in Aberdeen I dated a girl who lived in student accommodation ten minutes down the hill from mine’s. Most nights when I stayed over I’d wake up very early the next morning a sweating, shaking, bagged-up mess, and would have to spend long, dark hours gritting my teeth to dust as I willed a jobby back up my intestinal tract like a priest conducting a violent reverse exorcism of his bowels. I couldn’t let her smell my splatter. Worse still, she shared a flat with three other girls, any one of whom could have emerged from the shadows at any given moment to inhale my heady anal perfume – Eau de Dead Dog’s Colon. I’d have to find excuses to leave her flat at half five in the morning, which isn’t an easy thing to do without coming across like some love rat who’s sneaking out early so he can get the kids he hasn’t told you about ready for school. I think I started scraping the bottom of the barrel before long:

“Where are you going at this time of the morning?”

“I’VE GOT A BIG TABLE-TENNIS MATCH LATER!”

“But you’ve never even talked about table-tennis once in all of th…”

“I’M A WORLD CHAMPION, BYE.”

I’d stagger up that hill like the world’s angriest Parkinson’s sufferer, shouting and cursing as I went, kicking bins, telling squirrels to fuck off. Then I’d arrive home and do a poo that would trigger such an exquisite feeling of relief that I’d write poems about it – in one case an award-winning three-act play that was a huge smash on Broadway.

After that first giddy year, and especially once you’ve moved in with a girl, all restraint goes down the pan. It becomes perfectly normal to catch a waft of each other’s botty parcels, to hear the plips and plops of a poo in progress, even to bloody well shit in front of each other. It’s best just to embrace this when it happens, have fun with it. My partner and I regularly play a game called ‘But Who Can Shit the Fastest?’, and have side-by-side contests, with one of us using the bath. Now THAT’S sexy.

Biggest TV Disappointments of 2013: The Following

following

Kevin Bacon should be commended for his savvy in snapping up the lead role in this bold, brutal, and exhilarating piece. Yes, the production values are high, the dialogue is crisp and knowing, and visually it’s slick and vibrant, but make no mistake: Bacon’s the real star here. Everything is lifted to another level by the power of his performance; every second he’s on screen reminds us why this talented actor deserves his place at the top of the A-list. In a word: unmissable. 

You’re confused, aren’t you? Here you are expecting me to be giving The Following a ruddy good thrashing – pants down, six of the best – and yet here I am lavishing praise on the bugger. Well, not exactly. In actual fact, the paragraph above has nothing whatsoever to do with The Following. I was applauding those EE ads Kevin Bacon stars in, which begin to look like a series of mini-Citizen Kanes when set against The Following.

bacon1Remember Kevin Bacon in Sleepers? Remember when he led those boys down to the basement? Well, watching The Following is like being one of those boys. You’ll say to yourself: ‘I don’t know where he’s taking me, or why, but I just know this is going to be an awesome experience! How could it not be? I mean, it’s Kevin Bacon! This is going to be brilliant, just brillia… uh… em… Kevin, what are you doing? WHAT… WHAT are you DOING… Kevin! Kevin?? … KEVI…OW!!… inOWWWWwwwwuuuu…uhm… erm… I think… I think KEVIN BACON just FUCKED me!’

The Following is a piece of dog-shit. It really is: a hot, slimy, sticky, dog-shit sandwich, where even the bread is made out of dog-shit. It’s not a BLT: it’s a BDS. Take a big bite and watch that dog-shit slush down your shirt-front. Rub it in. Take some and smear it in your eyes. Saw open your skull and lather it onto your lobes like it’s some sort of shitty sun-tan lotion. Get someone to flamethrow your head – really flambé that dog-shit. Melt it straight into your skull, scalp and throbbing mind-bollock. Is it excrutiating? Good. That just means it’s working. You’re not done yet, though. Next, let a dog – any dog – lick the disgusting, syrupy, melted, congealed faecal mush from your exposed and infected brain, and then wait for the greedy beast to vomit it all back into your mouth. Ah, drink it in. Gargle with it. Swish that sick-shit around in your gob like it’s Colgate mouth-wash. Mmmmm, feel the chunks in your cheeks. Let them marinate. Then French kiss the dog. Go on, kiss it. Do it! Let its big, slobbery, dog-dick-scented canine tongue investigate your inner-jaw. And why stop there? Fly the dog to Vegas and marry it. Cheat on it with a hooker who’s also a tiger, and then have sex with that slutty tiger – and the dog – live on webcam, and email the footage to your parents. And then – and ONLY then – shoot yourself through the throat. You’ll have a more entertaining evening, I guarantee you.

The Following: not even WHITE dogshit.

The Following: not even WHITE dogshit.

Still determined to enjoy The Following? Be warned: you’ll have to lower your expectations in order to extract even minimal enjoyment from this rancid semen-stain of a show. Did you deduce that? Have I been too subtle thus far? And, people, you won’t have to lower your expectations just a little. You’ll need to lower them so much that eventually your expectations will drop down through the earth’s molten core, pierce through the fabric of time, space and reality, and knock Dante clean into a coma.

In fairness… the first and last episodes aren’t entirely awful. It’s just the bit in the middle that’s agonisingly bad. And that’s over eight hours worth of dog-shit. This really should have been a movie, or at-least a three-part mini-series. Maybe they could have salvaged something. But it isn’t. And they didn’t. All that’s left is a squandered premise and wasted potential, and an idea stretched beyond breaking point.  And that makes me mad. And when I get mad… I do dog-shit analogies in which people fuck tigers. Ggggrrrrrreeeeeaaaaatttttt (‘Kellogg’s on line 1…’)!

What it’s about: The Back-story

Kevin Bacon as Ryan Hardy.

Kevin Bacon as Ryan Hardy.

Kevin Bacon plays former FBI agent Ryan Hardy, a retired, alcoholic cliché who has to hunt down escaped convict Joe Carroll, an allegedly charismatic serial killer – and former professor of literature – played by James Purefoy.

Hardy catches Carroll after the depraved don’s first round of brutal serial slayings, but takes a near-fatal knifing to the chest as he arrests him. Hardy’s injuries force him out of the FBI, and he hits the bottle big-time. I know what you’re thinking: a maverick lawman who turns to booze to fight the pain, and doesn’t know if he’s ‘still got it’? Yes. It’s a startlingly original conceit (actually, a lot of novel work can be done with stock characters and familiar scenarios, but in this case…). In a nutshell, life’s a bit shitty and bleak for Ryan, but he does get to pump Carroll’s hot but irritating ex-wife Claire, played by Natalie Zea, so there’s some degree of silver lining to be enjoyed. Unfortunately, he also falls in love with her, the silly boy, which complicates things somewhat.

James Purefoy as Joe Carroll.

James Purefoy as Joe Carroll.

Meanwhile, Joe Carroll, in prison for being a serial killer and all-round bad egg, is busy secretly assembling a cabal of murderous psychopaths, who’ll be on hand to help him escape, and carry out his evil masterplan. The plan, such as it is, involves Carroll winning back his wife and young son (Well, it’s more ‘kidnapping’ than ‘winning back’) and tormenting the living hell out of Ryan Hardy using the aforementioned newly acquired legion of head-cases. Oh, and murdering lots of innocent people as well, obviously. Be rude not to.

Fantastically – and I don’t use that word as a synonym for ‘brilliantly’ – Carroll manages to recruit the bulk of his mental, stabby cultists through the internet… which he has completely unfettered access to… while in prison. Yep. You read that right. He recruits hundreds of killers to his cause, on his computer, in prison, while in prison for murdering lots of women.

GUARD 1: ‘Hey, shall we check this brutal serial killer’s internet history, see who he’s been talking to?’

GUARD 2: ‘Why don’t we just monitor his every move, read all of his mail, lock his door at night, stop him from having blades, and pay close attention to the hundreds of psychotic strangers who visit him every week as well, you fucking Nazi?! Geez, let the guy relax and play some Candy Crush, Hitler!’

OK, he’s got one of the guards on side, but even still…

In addition, both Hardy and Carroll have written and published books: the former, a blow-by-blow account of his investigation into Carroll and the events leading up to his stabbing at the madman’s hands; the latter, a pretentious piece of shit novel that has savagely dark undertones. Ryan Hardy is in fact the subject of Joe Carroll’s difficult second novel, which we discover Joe is writing as a companion to and an account of the horrible shit he does to his nemesis over the course of the show’s first season.

Anyway,  The Following begins nine years after Carroll’s incarceration, at the very moment he escapes from prison.

Why it sucks so hard

1.) Joe Carroll is a Poe-ring Bastard

tf6

“Hmmm, I wonder what method I’ll use to kill my agent.”

Joe Carroll has a thing for Edgar Allen Poe. He’s obsessed by the man and his works, and aspires to write fiction of a similar quality; unfortunately, he’s a two-bit, psycho hack, who couldn’t write for RiverCity. He is quite good at killing, though, and with this in mind he resolves to build his cult and its murders around the theme of Edgar Allen Poe. Some of his bampots even wear rubber Poe masks when they’re out on a kill. Now that’s devotion fur ye.

The whole Poe thing’s a nice conceit, but one that gets old far too quickly, and becomes dull even more quickly than that. Luckily, the writers seem to agree, and the idea sort of fizzles out for a while after the first few episodes. You’ll be glad. There’s only so much tenuous, Poe-related cod philosophy you can listen to before you begin to wonder if Drop Dead Diva might’ve been a better choice of box-set.

tf8

Couples’ counselling.

We’re supposed to believe that Joe Carroll is the most charismatic man on earth. But he isn’t. He’s smug. And arrogant. And a little bit creepy. His only discernible talent seems to be that he’s a half-decent English teacher. Nothing in the acting or dialogue convinced me that this man could’ve enticed or bewitched a rag-tag assortment of insanely-loyal psychopaths to do his evil bidding. Get them a passing grade on an Edgar Allen Poe test paper? Maybe. But this? Midway through the series, one of his insanely devoted cultists offers himself to Carroll as a human sacrifice, ultimately because he thinks Carroll will have a right laugh stabbing him to death. He’s right! I did, too. I think I was supposed to be shocked, though.

So how does Joe Carroll’s ‘charisma’ work? How does he recruit his army and manage to provoke such slavish, unquestioning devotion in his would-be recruits? Beats me. On the surface of it, he just sort of stares at them intensely and then talks to them in a honeyed, husky whisper for a couple of minutes:

‘So you’re a fan of murdering, and you butchered your own mum? Ach, don’t worry about it, murdering’s cool. Extra points for a family member! Anyway, you’re awesome, and I’m definitely awesome, so how about joining my cult? We’ve got prose and everything, and sometimes we get to talk like we’re in a high-school production of Shakespeare.’

2.) Soap Cra-pera

Awful. I don't even care what their names are.

Awful. I don’t even care what their names are.

Too much of the action focuses on a trio – two guys, one girl – of young, trendy, be-quiffed and coiffured cockbags. After many years spent as dormant ‘sleeper-cultists’ living undercover as Claire Carroll’s neighbours and babysitter, their mission is activated: kidnap Carroll’s kid, and get him to Serial Killer HQ in time for big Joe’s arrival. These three characters are essentially 2-dimensional, knife-wielding haircuts, who seem to exist only to look pretty and spout pseudo-philosophical bullshit about how awesome it is to butcher people. And to shag each other, obviously.

The three losers eventually form a steamy, bisexual love triangle, which proves to be about as entertaining as having experimental groin surgery performed upon you by an angry monkey in the grip of meth withdrawal, and less convincing than Katie Hopkins’ impersonation of a human being. Whenever these three are on screen together The Following becomes like an episode of Hollyoaks Later with slightly shitter dialogue.

3.) Police

"God DAMN it! I can't get past level 358!"

“God DAMN it! I can’t get past level 358!”

OK, I know the stakes are supposed to be high in a policey/slashy/killy show. High stakes that gradually become higher still serve to ramp up the tension; create conflict and suspense; and drive the narrative in an exciting direction that makes the audience want to keep watching. I get that. And if the police were absolutely brilliant at their jobs, then the show would be over in less than an episode:

‘Ha ha ha ha, you’ll never foil my fiendish plans, never, never, NEVERMORE I say, NEVE… {click} Shit.’

Granted, the baddies’ plan is suitably fiendish. There’s an army of sleeper serial-killer cultists out there, drawn from all walks of life, and across the divides of age, race and gender. At the beginning, the good guys have no idea that the cult even exists, and even when they realise what they’re dealing with, they still have no idea how many members it has, or who they might be. They could be anyone: a cop, a prison guard, an FBI agent!

I get all that. But if the police are consistently shown to be about as effective as the Chuckle Brothers armed only with a bag of dead chickens, as they are in The Following, then it quickly destroys your willingness to suspend disbelief. Honestly, the cops don’t win at anything. Not once. Every strategy they adopt fails, everything they say is bull-shit, and everything they do is ball-achingly stupid: ridiculously, incompetently, fatally stupid.

tf10In real life, I’ve seen more and better trained police officers sent to deal with a noise disturbance in my street than The Following’s fictional FBI ever deigned to send in pursuit of a serial killing cult. No-one ever takes back-up with them, and when they do call for back-up, it’s always at-least forty miles away. Jack Bauer would never have found himself in such a sorry situation: no matter where he or his agents were in the world, it only ever took them ten minutes tops to get where they needed to be. Actually, bad comparison, because Jack Bauer never needed back-up at all; a fucking sharp pencil would be good enough back-up for him (I suppose 24 suffered from the opposite problem to The Following: Jack Bauer was too good at his job).

Really, though, it’s as if the police and the FBI have recruited all of their officers from the same pool of people who always die horribly within the first six minutes of a horror film. Considering there’s a cult out there whose members could be anywhere and anyone – essentially making every stranger a suspect – the police seem keen to adopt the curious tactic of suspecting no-one at all. Douchebags.

4.) Ryan Hard-ly

hardyKevin Bacon is a really great actor: Ryan Hardy is a really shit character. He just mopes, broods, and frets his way through the dark, grey, oppressive atmosphere of The Following’s suicidally un-cheerful fictional world. It’s not Bacon’s fault, I suppose. All he did was sign the contract. I hope the cash was worth it, because Ryan Hardy’s merely a poor man’s Jack Bauer. Imagine Jack Bauer with a pacemaker and a drinking problem, and then stop to realise that even with a pacemaker and a drinking problem Jack Bauer would be a hundred times more fun, likeable and interesting than Ryan Hardy – and Bauer kills and tortures people in almost every episode! Come to think of it, although the premises and subject matters are radically different, it feels to me like The Following wants to be a slasher-psych-thriller version of 24 (but without the real-time element, obviously), and fails miserably on all counts. Can you still taste that dog-shit?

And this is before we even delve into Hardy’s reputed ‘death curse’. God, the dialogue is execrable on this show. There’s a scene that shows Hardy in bed delivering a woeful chunk of expository dialogue, in which he reveals that almost every single person in his life has died or been horrifically murdered, a preposterous roll-call of hilarious deaths. It’s supposed to make us sympathise and connect with the character, I suppose, but it only served to make me roll my eyes and snort out a derisory laugh.

‘…and then all I had left was my turtle, Mr Jenkins, but somebody put a pipe-bomb inside him and threw him in my girlfriend’s face…’

The Best Worst Moment

One of Carroll’s acolytes is captured by the FBI. He’s injured, so they sling him in a hospital room, and place him under armed guard. As he lies there awaiting interrogation, the loyal idiot realises that he would rather die than betray his master. He proceeds to kill himself by eating his own bandages, suffocating himself to death with them. I’m guessing the intention was to chill and shock the audience by showing them just how deep and twisted a loyalty Carroll inspires in his sick-ass tribe of psychopaths, but it didn’t have that effect on me. I thought it was funny as fuck.

I couldn’t help but be reminded of this scene from The Simpsons:

http://www.youtube.com/watch?v=WJEtonrIKP8

The Verdict

Do I really need to sum up this article for you? I don’t think there are any lines to read between here. The Following is shit. But it’s good shit, if you get enjoyment from deliberately watching shit things and then tearing them apart, like I know I do.

So, remarkably, I guess it’s good.

Now THAT’S a twist.

And, in closing…

zea

Why Advertising is so Full of Shit

'I'm chokin' it.'

Advertising: the art of taking something ordinary and building a mythology around it : the art of masking the brutality and nonsense behind the money.

Adverts. I wish they’d all just front up. Show us the whipped and weeping Chinese kids crying bitter tears over an assembly line of Barbie dolls. Show us an alcoholic drink-driving past a school with a bottle of Budweiser in his hand, swerving to avoid a mass of talking frogs and crashing into the school bus. Show us Ronald McDonald rabbit-punching an injured abattoir worker in the kidneys. It makes my head spin.

But it all makes me laugh, too. While shopping in Spar I came across something that made me guffaw uncontrollably. It was a slogan on the front of a Super Value Pack of KittenSoft toilet roll: ‘Irresistibly soft,’ it said.

'Itty Bitty Shitty Kitty.'

Has anyone ever found their toilet paper to be irresistible? ‘So Soft, You’ll Wipe After Every Fart,’ it seems to entreat. If we follow this line, it won’t be long before daddy is blowing his wage packet on luxury toilet roll items instead of heroin. Psssst. Want some Andrex, mate?

Ah, yes, Andrex: the crap-paper manufacturer that chose the puppy as its brand mascot. Puppies FIND the paper deliciously soft; the product is not AS soft AS puppies, a trap into which KittenSoft appears to have fallen. The implication from their packaging seems to be that using their product will have the equivalent feel to picking up Tiddles and sliding him between your arse cheeks like some kind of miaowing credit card. In fact, the little kitten on the packaging wears an expression somewhere between terror and hope, praying that today will be the last day he gets used as a BogMog.

Or a ShitKat, if you’d prefer.

'Go on, motherfucker, I dare ya.'

It makes me wonder whether the scientific wing of KittenSoft experimented with different creatures before settling on the kitten. Could we have had Total-Chinchilla-Comfort? HamsterWipe? Never mind if animals were harmed during the process: were any scientists harmed? ‘Can we just say a few words of remembrance for brave Ronald before we have a little re-think on HedgehogHeaven?’

And what criteria were used? Did they have a little check-list, sub-divided into animal groups and species, measuring things like fluffiness, absorbability, prickliness, and likelihood-of-biting-back-iness? And call me far too liberal-minded and PC for my own good, but things seem to be disgustingly mammal-centric over at toilet paper HQ. Kittens, puppies, tribbles. For once I’d like to see: ‘New SharkWipe – Something to Get Your Jaws around’; or ‘PythonWipe – For When You’ve Snaked One Out’. And why not give the amphibians and reptiles a chance to shine: ‘FrogComfort – So Tough You Won’t Ribbit?’ ‘Chod-in-the-Hole’?

I’m not even going to broach the subject, ladies and gentlemen, of Gerbil Lil-Ets.

New Stella-flavoured Deodorant a steaming success.

Ah, I really should have gone into advertising. A final word on deodorants. It seems that not smelling like filth isn’t good enough for us anymore. We have to stare at rows of peculiarly labelled scents ranging from the sublime to the ridiculous. On the shelves in Asda the other night (yes, I really do spend my free time skipping from shop to shop, frantically scanning the aisles for amusingly-named commercial products to brighten up my suicidally depressing existence) were deodorants called Java, Surge, Cool and Miami.

Java? Who the fuck wants to smell like a computer programming language? And what in Christ’s name does it smell of? I’ve seen computer programmers, and they don’t look like the kind of guys you’d want to be within sniffing distance of. As for Surge… I’m sure the smell of the surge rather depends on the kind of surge you’re talking about. Whatever the explanation, I’m pretty sure I don’t want to walk into work smelling of it.

A snapshot from Falkirk's premier nightspot.

And Miami? Hello? Did they huddle seven thousand Floridians into a warehouse, spraying chemicals at them from a giant shower-head until they all agreed on what Miami smelled like? ‘I couldn’t smell enough sunshine in that blast!’ ‘Give us a whiff of Mickey Mouse!’ ‘That one smelled far too much like Detroit!’

Where will it end? Scents called ‘One-Legged Welsh Gay’; ‘Recently Mouth-Raped Kangaroo‘? ‘Dead Peruvian’?

Next week, look out for the launch of my new toilet paper: ‘ARSEWIPE – You Can Clean the Shit From Your Arsehole With It’.