Jacob Rees-Mogg – By the Nanny Who Knows Him

Jacob Rees-Mogg is without doubt the hippest man on the planet right now. Not only has he recently changed his name to Bae-Club Rees-Vlog, but next week he’s at the MOBOs performing his brand new hip-hop single ‘F*** YOU I WON’T DO WHAT YOU TELL ME!’ (his song about the London Fire Brigade) I can just see him on stage now, twirling his sceptre, cocking his top-hat and drawling something devastatingly polite into the microphone: ‘You know, one is rather fond of severely inconveniencing them bitches, if you’ll permit me a momentary lapse in grammar, all you people out there who fiercely indulge in intercourse with the women who gave birth to you.’

But it wasn’t always thus. Believe it or not, Jacob used to be considered a little starchy.

I know, right?

And I know better than most. I was his nanny. I adored that be-spectacled little ubermensch so much that I decided to stay on in his service even from beyond the grave. I’m his ghost nanny, you see. The perfect nanny for the Rees-Mogg family, as it turns out, because they don’t have to pay me anything (Nanny McNo-Phee).

Jacob’s great-grandfather, Hogg-Lees Rees-Mogg

They’re a lovely bunch, the Moggies, despite the fact that it was Jacob’s great-grandfather who killed me. He’d been drinking French furniture polish and sniffing gunpowder all day, and said he could smell ‘the whiff of the pickaninny about me’ before beating me to death with a copper serving spoon. It was a rare lapse in etiquette for a man who usually comported himself with impeccable manners: he of all people should have known that it’s a grapefruit spoon for murdering servants.

Still, my brutal murder was at least in-keeping with Rees-Mogg family tradition. Jacob’s great-great grandfather blew my mother’s face off with a blunderbuss because she ‘looked at him a bit Chinese’ as she was making him a swan  sandwich. What a character! I just feel disgusted that I never had any kids of my own so that Jacob could one day employ them in some menial position before smashing them to death with a signed copy of the King James Bible.

I’ll never forget when little Jakey was born. His mum and dad were so over-joyed they could barely contain their lips from breaking into a tight, perfectly straight hyphen. Little Jakey slipped out of his mother’s clam-pit without any fuss at all, as nonchalant as a complete bastard of a politician lounging insouciantly on the front benches of the houses of parliament during a crucial debate. I’ve never seen a child look so absolutely, completely, utterly and adorably full of withering indignation and arrogant rage. A wee smasher! The man who would one day write the political best-seller “It’s HIS-Tory, not THEY/THEM-Socialists” was already there in that tiny, pale, baleful little creature.

Not fifteen seconds later, he spoke his first words; an Oscar Wilde quote: ‘All women become like their mothers. That is their tragedy. No man does. That’s his.’ Not moments later, his grand-father beat him half to death with a hickory stick for not having said it in ancient Hebrew.

Jakey was a delight growing up, he really was. It took him a long, long time to wean himself off breast-milk. Even now he still enjoys the odd suckle on my ghostly titties. And sometimes I like to soothe him by turning invisible and gobbling him off in the cabinet room. But that’s just what a good nanny does, by golly.

When Jakey was about six he used to burn ants with a magnifying glass, except instead of ants it was working class people, and instead of a magnifying glass it was a shotgun. Sometimes he’d give them a sporting chance and chase them across his private minefield, promising to let them live if they could guide themselves safely to the other side with the instructions he’d painted on the ground in Aramaic.

He was nice like that, you see. Always trying to better people. He couldn’t help himself. That’s why he became a conservative, of course. So that he could help people more fortunate than himself, so one day they’d help him become as fortunate as them. And then he could just help himself to, you know, whatever the fuck he liked.

I remember his first proper big boy’s bed was made from the pelts of endangered monkeys. Well, not strictly accurate. It was the entire monkeys it was made of, all of them still alive, bound together like a raft. He took great care to angle the monkey anuses away from his face, but if a monkey did happen to shit on him as he slept, he’d just wake up and throw it to the crocodiles. Sometimes the monkeys would get lucky, and the crocodiles wouldn’t eat them, because they were already full from eating too many Malaysian servants that day. Well, I say ‘get lucky’. If a monkey survived the croc pond little Jakey would chase it round the garden and smash its brains in with an ivory cane, before masturbating over its tiny little corpse. Even to this day I can’t take him to the zoo without drugging him first.

Most of the time, though, Jakey would put his erections to good use. Once a week he would get a servant to jerk him off with an antique oven-cosy into a tiny crepe pan, which he’d then order his pastry chef to make into a man-muck omelette for his ground-maintenance staff, reasoning that a little of his DNA in their nutritious snack might make them a bit smarter by-proxy, the self-abusing, crotch-sniffing bumpkins that they were.

I remember as he got older and became a more proficient wanker he started shouting out in Latin at the point of climax. Once he accidentally gibbered out an ancient gypsy curse which he unknowingly placed upon his pet horse, Titus Andronicus. It was a literal gypsy curse in that it turned his horse into an actual gypsy. It still looked like a horse, but you could just tell. Poor Jakey was distraught at having to put it down. Even still he was smart enough to use a harpoon gun so there wasn’t any risk of being contaminated by its filthy gypsy blood.

Well, Jacob is all grown up now, but if you go into his old room it’s exactly as he left it from his wild teenage years: posters of Jesus on the wall; the Turkish hookah filled with orphan’s tears; his extensive book collection, including Enoch Powell’s best-seller ‘Europe Can Suck My Bendy Banana’; his blow-up Maggie Thatcher doll, with stolen-milk stains around the anus; his flared knickerbockers; and his seed-encrusted copies of ‘Murdered Monkey Monthly’.

And, do you know, he’s never stopped making me proud. Just this week he said something that made me tingle with joy. ‘Nanny,’ he said, ‘If you weren’t already dead, I’d jolly well kill you with my priceless antique letter-opener that once belonged to Adolph Hitler.’

The big-hearted, sentimental fool that he is!

Sieg Kyle – Daytime TV’s Case for Sterilisation

I wrote the piece below about four or five years ago. These days, Jeremy Kyle styles himself on a waxwork of a waiter from the Titanic, and has taken his hectoring talk-show to the States, its spiritual home – Jamie

Jeremy Kyle has become what many of his studio guests need: an institution. He is a mainstay of modern British media culture, along with Richard and Judy, Rolf Harris and Howard from the Halifax ads.

His long-running show serves us up a daily dose of poor, stupid and ugly people with which to satisfy our voyeurism, and generally make us feel better about our own pathetic little lives. Jeremy and his production team like to pretend that each edition is a sort-of pseudo trial, designed to expose dishonest behaviour before a furious Jury of the People, an act that will surely take away the need for any real social work, and possibly save the world. It’s all about reclaiming lost dignity, punishing the sinful, mending fences and repairing lives. Is it? Is it really? Then why does it seem that all Jeremy – and, by extension, we the viewers – are interested in is humiliation on a grand scale, with the added bonus of the threat of violence?

The typical guest is from the north of England, or Scotland, possesses little in the way of teeth or intellect, and has usually been – despite resembling a walking tumour – shagging their entire home town. Paternity and lie detector tests are the order of the day. The results of the latter wouldn’t be admissible in a court of law, but anything goes in Jeremy’s daytime Kangaroo Court. That’s why there are so many big, bald men with tattoos on stand-by as security; just in case any of the big, bald men with tattoos featured as guests decide to pop Jeremy’s head off and use it as a football.

The episode I watched featured the usual slideshow of human sputum, tears and tantrums. One of the segments told the beautiful story of an adolescent male who had met and ‘romanced’ a young lady, only to find out after their brief relationship ended that his ex-beau believed herself to be pregnant with his child. He disputed the accuracy of this claim, and thus demanded that she submit to a DNA test. Once his neckless, feckless, and dietarily reckless ex-partner thundered out on to the stage, I too was pretty eager for a DNA test: to prove she was human.

The ex instantly endeared herself to the audience by free-style swearing, and nervously yet aggressively hitting her shoe. I know it’s become something of cliché to describe an inarticulate, chavish girl as being like Vicky Pollard, but this lady really is the closest match I’ve seen; in looks, speech and mental processing abilities. She couldn’t see any connection between her outright refusal to submit to a simple test that would prove she was telling the truth about her pregnancy, and Jeremy Kyle’s mounting disbelief at her story. As guests often do on the Jeremy Kyle Show, she stormed off backstage. He followed her, changing his tone from hectoring, Hellfire Baptist minister to wise, understanding uncle. ‘Never mind them out there, it’s just you and me, now,’ he said to her, or words to that effect, refusing to let the fact that millions of eyes were on them both destroy the sense of intimacy he was cultivating.

‘Why don’t you want to take the test?’ he asked her softly. Her response almost had me rolling on the floor. ‘I’m not going to go down to his level,’ she said, rolling her eyes and continuing to batter her shoe.

Some might say that once you’re sitting on Jeremy’s backstage sofa it’s a little too late to worry about dropping a level or two. This is it, Neckless. This is rock bottom.

Let’s put aside our role as collaborating spectators for a moment (yes, I’m talking to you) and ask ourselves why anyone in their right mind (I think I’ve just answered my own question) would want to appear on Jeremy’s show. I see it as a venal circus, from which few emerge with even a shred of dignity; and that’s true even of the protagonists who initially approach the producers to get their pound of flesh from someone who’s done them wrong. Why don’t the guests see it that way? I can perhaps see why a cuckolded husband would want to see an angry audience screaming at his scrawny, cheating wife; but why would the wife want to subject herself to this treatment, and vice versa where the sexes are reversed?

Who gets a phone call from the Jeremy Kyle Show and thinks, yes, yes, I do want to have a middle-aged man shouting at me in-front of two hundred people, who will also be shouting at me, while the people watching at home hiss ‘scum’ at me.

Well, perhaps you would consider going on the show if you were dirt-poor, trapped in a life you couldn’t escape, ill-educated, desperate and sincerely believed that the Kyle show was an institution primarily concerned with helping people and not with exploiting and humiliating them for advertising revenue. Or if you were getting an all-expenses-paid trip to London, and the chance for your fifteen minutes of fame, however grisly.

Certainly one thing you won’t see on the Jeremy Kyle show is a top-hat-wearing male doctor arguing with his Gucci-clad lawyer of an ex-wife about who’s going to get custody of their Shih Tzu, Phillip. Funny that.

How do the producers sleep at night? I’m sure the Nazi doctors salved their consciences by assuring themselves that their work was for the good of mankind. Maybe that’s what they do.

Our society, and care industry, must be in one Hell of a shape.