Humanity: Instagramming Ourselves to Death

This week I learned that there are people out there in the world – actual real people, mind, not robots, not actors, not reptilian imposters from hidden realms hell-bent on our destruction, but people…actual, confirmed people – who use ‘Instagrammable’ in everyday conversation. Not satirically, not in sentences such as this one: ‘When I find out who it was that said it was okay to start using the word “Instagrammable” I’m going to wrestle their head off their shoulders like a bottle-top,’ but in sickening, humanity-damning sentences like this one: ‘Look at these new £500 trainers of mine. They’re so Instagrammable.’

I’ve only recently learned what Instagram is – fire-worshipping troglodyte that I am – and now I’m being forced to accept Instagrammable as a verb. It hardly seems sporting.

We’ve been taking photographs of ourselves for a long-time, even before photography existed. Hundreds of years ago, only the very richest or most alluring could hope to have their portrait hemmed within a gilded frame and hung on the wall of some castle or stately home. In my day, you had to wait a couple of weeks between taking a photo and seeing the results, so instant gratification was never a motivation. Even with the advent of Polaroids, there was still no easy way to weaponise and disseminate your photos to a wider audience for the purposes of stock-piling serotonin.

Next, we started taking selfies – with our phones, no less. I remember how long it took for me to teach my 1920s-born grandparents how to use their VHS player. Thank Christ they died before phones became cameras, computers and shopping lists all rolled into one. It would have killed them.

With the dawn of selfies we became both trophy and target; big game hunters hunting ourselves. We snapped ourselves next to famous landmarks, influential people, gaudy palaces, plane-hijackers wearing bomb belts, and the edges of cliffs, sometimes literally dying in the pursuit of the perfect photo.

Now it seems we’re living in an age where an object’s only worth is in how it buoys our image, builds our brand, raises our social stock or makes other people feel unworthy of the gift of existence.

What cunts we are.

First there was MySpace, and Bebo, and Facebook, and Twitter, where at least some semblance of meaningful dialogue was, and is, possible among the preening and screaming, but now there’s Instagram: where pictures reign and words die. Instagram is a corporate hell-scape over which celebrities flog designer hand-bags and douche-bags, and little people wave filtered snapshots of their little lives in a desperate bid to convince themselves and others that they actually matter. Spoiler alert: they do matter, but not because of a fucking dress or a designer milkshake.

It was milkshakes that brought this nightmarish new lexicon to my attention. I heard a segment on Radio 4 about ‘activated charcoal’, the practice of adding intensely-heated (or, to put it more wankily, ‘activated’) charcoal to foods because there’s some evidence that it aids nutrient absorption, and thus improves general health. They’ve been adding activated charcoal to milkshakes, and if you’re wondering who they are, the answer is = cunts.

My apologises for having dropped two c-bombs on you thus far, but believe me I’m exercising admirable restraint. This entire article could’ve been a Jack Torrance-esque flood of that same awful word over and over, forever and ever. ALL INSTAGRAM AND NO PLAY MAKES JAMIE AN ANGRY C***T.

During the segment they interviewed a chap who was marketing active-charcoal-enhanced milkshakes – as black as tar – on account of how ‘Instagrammable’ they were. Not only were they ‘Instagrammable’, but ‘Instagrammability’ is, apparently, ‘WHAT EVERYONE WANTS.’ A part of my brain died when he said that; the part that contains the concept of hope. If that’s really what everyone wants, I thought to myself, then allow me to plough my car into the nearest petrol station. Please feel free to upload my smouldering remains to Instagram. You can even crumble my ashes into your drink first.

Where does all of this end? Are we about to enter the era of ‘Instagrammable’ funerals? Posing for selfies next to the Gucci-branded coffins of our dearly beloveds? Or worse, next to their waxy corpses, their cold skin daubed with activated-charcoal?

“Oh. My. God. Kymbyrly, you’ve got to tell me the name of your mother’s Funeral Planner.”

“Delgado de Laga. He’s terrific. Costa Rican, gay, vegan, almost prohibitively expensive. He’s the whole package.”

“I absolutely MUST have him for my mother’s funeral.”

“Oh, did your mother die, sweetie?”

“She’s absolutely fine, but I hope she goes soon.”

“Oh, me too, I do so love an occasion!”

(both clap hands together and squeal)

The most depressing thing about the whole look-at-me ethos behind Instagram is that it works. We’re big fans of the veneer, the slick surface. We love a bit of flashy, flashy, shiny, shiny. If we weren’t so superficial as a species, so susceptible to flim-flam and illusion, then psychopaths would never be able to ply their trade, and Donald Trump would still be a virgin.

It works – it shouldn’t, but it does – as much as oldies like me who are teetering on the brink of total irrelevance hate to admit it. We’re peacocks, that’s what we are: preeners, strutters, rutters and nutters. Our big, beautiful brains are in thrall to the whip-hands of our bodies, and the broth of chemicals surging through our blood-stream. We’re horny skin-bags full of hot, angry soup. Everything we do these days seems to spring from a misfiring of the perfectly reasonable impulses to love, couple, copulate and procreate. We’re corrupted and corrupting.

The problem is that our technological innovations are taking us places that our Amstrad-ian bodies and brains aren’t ready to go; our inventions are evolving faster than we are, and it’s making us take pictures of cars and clothes and milk-shakes in a misguided attempt to fuck – and fuck with – each other. No species in the galaxy can beat us when it comes to taking something simple, and making it hideously over-complicated and painful.

We’re Vulcans trapped inside the bodies of Klingons at the mercy of evil supercomputers. Things are probably only going to get worse.

One day we’ll either be dead, or better.

Get the picture?


Read my scathing piece on greed and capitalism here: ‘To the Emperor, all but the Emperor belong in the gutter.’

The Jobs of the Future, Today

The jobs people have and the work they do can tell us a lot about what it was like to live during different times in human history. The technologies and philosophies. The hopes and dreams. The haves and have-nots. But what about the UK now, today, in our machine-led age of brands, connectivity, the internet, and social media? What kind of work is out there, and what does it tell us about the experience of living and working in 2019?

Roving reporter Jamie Andrew waded into the workforce to find out.


Davey Johnson, 46, Salt-of-the-Earth Compliance Officer, Alloa, Scotland

I’m a no-nonsense, tells-it-like-it-is, salt-of-the-earth type, and my job is to make sure that the rest of the world knows it. I carry out most of my work on the threads underneath articles shared on social media by local news organisations.

It’s exhausting work. I’m there, first thing in the morning, desperately trying to find ways to put a right-wing spin on the more gentle and whimsical articles with which these outlets tend to start the day. It can be tough. You know, I might have to find something militant to say about, say, a wee boy winning a prize for drawing a nice picture of a rabbit at his school. I’ll do it in baby steps, start off with a, ‘Wisnae like that in my day’, maybe follow it up with a, ‘These snowflakes and their pictures – I was shooting rabbits at his age’, and before I know it, I’ve slam-dunked it with a ‘Wonder if they’ll still let us draw rabbits come the Muslim caliphate, eh?’

By lunch-time it’s easy. Me, I’m feeling like Neo fae the Matrix: whoosh, bam, kaplow! Everything’s just happening, like magic. I’m skimming the headlines or the wee prompts by the page admin, and the replies are just boomin’ out of me…

‘Should kids start school at 10am instead of 8am?’ BOOM! Should they FUCK! ‘What do you think about smacking children?’ BLAM! Dae it as hard as possible. Never did me ony harm! ‘Breast-feeding in public?’ SLAP! Tits oot for the lads, absolutely NOT tits oot at my dinner table, ya manky bastards. ‘What do you think about the government’s initiative to lower the murder rate in our cities? ‘BASH! Bloody pansies! My grandfather murdered me when I was 12. And it never did me ony harm!’

The trick is to sound a bit like you’re in that Monty Python’s Yorkshireman sketch, but eighty per cent more racist.

I’m bloody good at my job. Science, solidarity and compassion are no match for the angry, knee-jerk opinions of working-class, salt-of-the-earth types like me.


Randall McCallum, 31 Dinner Photographer, Bangor, NI

Not everyone can afford a new car or a dream home to rub in their followers faces on Facebook or Twitter. You don’t need that. These days, the battle to win over hearts and minds – well, the battle to make hearts and minds seethe with rage and envy – is being fought at the dinner table. That’s where I come in.

Forget fortune. You don’t need a new car to make Elspeth who used to be in your class at school jealous as fuck. The new signifier of social sophistication is food. Or, as I like to say, Duck L’Orange is the new hatchback.

All you need is a really snobby meal slapped on a dinner plate and snapped artistically, perhaps with some augmentation filter added in so the food looks like it’s glowing or glistening – just as long as you don’t use the wrong filter and end up accidentally attaching donkey ears to your Colombian goat-loin curry.

I’m so good at what I do I can make waffles look like a meal Gordon Ramsay might one day demand to impregnate. I drape parsley over them, sexily – so bloody sexy that it seems like Leo Di Caprio might paint it – then I tag it with something like #FreshPotatoGriddles, maybe even translate it to French first, because French makes everything shit sound really good, you know, with the possible exception of Citreon and Renault.

Before I got in to dinner-plate photography, I was in the wine business. I used to snap pictures of women’s hands clutching wine glasses, and then I’d add captions in post-production like, ‘WINE O’CLOCK’, ‘BEEN THINKING ABOUT THIS ALL DAY’, and ‘OBLIGATORY AIRPORT PHOTO’, you know. The work dried up, though, mainly because my clients didn’t. They all died of cirrhosis.

For the future, I’m thinking about going into business with my cousin, Tristan, the world-famous ‘Dick-Pic Stylist’. Super talented guy, he used to have Wayne Rooney and Leslie Grantham on retainer.


Jeremy Phillipston, 23 Professional Netflix Content Absorber, Cardiff, Wales

The best part about my job is when I’m talking to someone, and they’re telling me that they’ve heard about this great new series that’s just arrived on Netflix, and I get to cut them off with, ‘Yeah, I finished it last night, it’s great, you should watch it.’ I love that.I love watching their little smiles become hyphens.

The Haunting of Hill House, the Ted Bundy Tapes, the new season of Daredevil, sixteen new films that were only dropped on Netflix last night – before you’ve even had a chance to hear about them, I’ve fucking seen them. All of them.

Not everyone appreciates what I do. Parents with young children, people who work, people who don’t sit in their pyjamas for entire days at a time eating nothing but crisps – they all resent me. It’s not my fault they’re lazy, though. They should get their priorities straight. Problem they have is, they’re spending too much time playing with their children. Too much time talking to their partners. In short, too much chilling, not enough Netflix. If I can make people feel inadequate and excluded enough that they feel driven to binge-watch television to the exclusion of all else in their lives, then job done.You’re welcome, society.

This job was recommended to me because of my interest in my grandfather’s career. He was a Full-time Plot Spoiler, and he was bloody good at it. He’d walk out of elevators with a big mobile phone clamped to his ear shouting things like, ‘YEAH, YEAH, BRUCE WILLIS WAS DEAD THE WHOLE TIME, I KNOW, I KNOW, WHAT A FUCKING TWIST.’ He once took out a full-page ad in The Times that said, YOU KNOW THAT MOVIE ‘SAW’? WELL, THE DEAD GUY IN THE MIDDLE OF THE ROOM IS THE BADDIE. PS: STONE ME, DARTH VADER IS LUKE’S FATHER.

They’re making the story of his life into a 12-part series on Netflix next year, which I’ve already seen last week.You should watch it.


Sharon Grantham, 35 Worker in a GIF factory, Huddersfield, England

Me mam worked in a factory supplying funny pictures of cats and husbands to Bella and That’s Life magazines from 1969 to 1998, so I guess this sort of thing’s in me blood – along with the diabetes.

I started off in the Meme Warehouse, but most of me friends ,last few years, said the money was in GIFs – well, they pay more, in them GIF factories, ’cause it’s more dangerous an’ that. Some of them GIFs – they don’t look big on the screen, or, like, when you use them on your phone, do they? – but some of them are, like, the size of cardboard boxes, you know, them great big ones. The big boxes you’d use if you were movin’ house and that. And heavy. I knew a lass who got crushed to death by a GIF of a dancing beaver, just splatted her face off, it did. Bits of her brains all over me shoe. Worse, though, them that ordered the GIF deleted it almost as soon as they put it on Facebook, cause what they wanted was actually a GIF of a dancing Diva, but the predictive thingy put the wrong word, so me friend died for fook all, which is a shame. Still, the boss donated a nice GIF for her funeral, it was a flower all growing fast in fast motion, like it were speeded up, so the flower started off hanging down then jumped up and out, you know. I thought it were nice, but Jimmy who works the line with me was like, Christ, Sharon, that’s the GIF me and me mates use if we wanna say a woman’s given us a stiffy, and I said oh my God, and he’s like, well, I guess she is a stiffy now, so maybe it’s alright?

It’s dead hard in the GIF factory. We can be on the production line, and the big horn’ll go off, and the boss will say over the loudspeaker, he’ll shout something like: ”ERE, YOU, YOU LAZY BITCHES, THERE A WOMAN ON A GROUP IN FACEBOOK WHO’S NOT ‘APPY ABOUT SOMETHING, SO SHE NEEDS A GIF OF A BIG BLACK LADY WAGGLIN’ ‘ER FINGER. NOT TOO SASSY IN THE FACE CAUSE SHE’S ANGRY, BUT SHE’S NOT ‘ANGRY’ ANGRY, IF YOU KNOW WHAT AH MEAN. ALSO, ‘OW WE GETTIN’ ON WITH THE BATCH OF GIFS OF ALL DIFFERENT PEOPLE BEING SICK? NEED IT FAST, PIERS MORGAN’S ABOUT TO GO ON AIR.”

I’m proud of it, cause the boss says most folk just talk in GIFs now anyway, like, cause it’s easier and more fun, and you can say lots more than you can with words, and there won’t be any words left by this time next year cause of Brexit, cause once we run out of words we won’t be able to get any more sent in from Sweden or wherever they come from. Where is it we get words from again?


READ MORE OF JAMIE’S ROVING REPORTS BELOW

After the ban: What happened to Tony Tiger and friends?

Is the billionaire superhero ‘fake news’?

 

When people take pictures of your kids

snapWe went on a family trip to Glasgow last week to visit the Glasgow Transport Museum (now housed within the Riverside Museum at Pointhouse Quay) and the Tall Ship (which is moored behind the museum).

The Transport Museum is great if you love having exactly sixteen seconds to admire each display before being surrounded by a crowd of feral, elbowing families, who envelop you like something out of World War Z. Probably best to avoid the museum unless you happen to be a nostalgic, history-loving giraffe. Especially since a large proportion of the exhibits are displayed on shelves fifty feet in the air (I mean, I know Glasgow has a few issues with car theft, but surely that’s excessive).

car3The Transport Museum has a penny-pressing machine. We can never pass one without taking home a souvenir. You place a pound coin and a penny into the slot, and turn a wheel to press the penny into a flat oval embossed with a little picture, and description, of the place you’re visiting. Yes, they’re tacky little pier-side trinkets, but time’s fast march will transform them into priceless treasures, especially once my partner and I are in the ground being pressed into flat ovals of dust and gloop by the inescapable might of bio-chemistry. Depending on how good a job we do raising our children to be sensitive, sentimental beings, there’s every chance they might try to flog them on Ebay the second we’re dead.

I sat in an old tram with my young son as my partner busied off to the machine. As she stood fishing in her purse for coins, a jolly German giant approached her and asked if he could trouble her for a penny. He was a stout, rotund fella with a perma-smile and a big beard, whose giganticness was more horizontal than vertical. Imagine a Tolkein dwarf who’s red-cheeked and merry after his first four vodkas of the night.

I didn’t know the gent was German at the time, you understand. He wasn’t kitted out in lederhosen and loudly apologising for the war or anything like that. I inferred his nationality later in the timeline of this story, information I could’ve imparted to you in a more natural and fluid manner, but doing so would’ve robbed me of the use of the deliciously alliterative phrase ‘jolly German giant’.

tramsThe jolly German giant took the wheel of the machine straight after my partner had picked up her flattened knickknack. Before placing his money in the slot he spent a full two minutes staring into the mechanism with wide-eyed wonder, spinning the wheel around and around, and acting for all the world like a child who’d been turned into a man by a haunted speak-your-future machine at a Coney Island fairground.

“What the hell is wrong with that guy?” I asked my partner as she joined us on the old tram.

“He’s happy.”

I shook my head. “Fucking lunatic.”

I noticed he had a high-tech camera fastened to a strap around his neck. He lifted it up and snapped a picture of the machine, before peppering the wall-of-high-shelved cars with a barrage of clicks.

maxresdefaultWe walked outside and boarded the tall ship. On the decks there were four little barrels filled with water, each with a tiny brush sticking out of them. As my son seems to have inherited my partner’s mild OCD and love of cleaning, he was more than happy to lift out a brush and start swabbing the decks pirate-style, a task he would’ve doubtless spent the whole day engaged in had we let him. I could feel my partner’s eyes boring into me and sending me a stern, unspoken message: ‘See? That’s how you pick up a brush, you big swine.’

The wee guy looked adorable in his shorts, sandals and jaunty bunnet, as he attacked the grime of the deck with a single-minded zeal. I was felled by his cuteness. “We’ve got to get a picture of this,” I said. I wasn’t the only one who thought so. The jolly German giant appeared at our side, his camera raised like a rifle. Before we knew what was happening he’d snipered off a shot. Click! He gave us a wide, beaming grin. “He looks like a little sailor,” he said, shaking his head at the adorableness of it all before bounding off down the deck. He wasn’t whistling, but he was walking like he should have been.

I stood frozen to the spot, certain that something awful had happened but unable for the moment to articulate it.

“Did he…?”

My partner nodded.

“I mean, should we be bothered by that?” I asked.

“I don’t know…” she said.

“He should’ve asked our permission,” I said, the sound of my son’s swishing adding a staccato rhythm to my thoughts. “Which we wouldn’t have given.”

My partner winced. Then tilted her head back and forth. Then shrugged. “I guess it’s okay. I mean, I don’t think he meant any harm.”

I felt uneasy. At worst, I’d failed to act to protect my son’s safety and interests. At best, I’d allowed my authority as a parent to be usurped by a stranger. My own social conditioning had rendered me static and mute: wanting to preserve the status quo, not wanting to cause a fuss, always aiming to be cordial and polite.  Irritation twitched in my toes, sparking a chain-reaction of nerve-signals that rocketed up my leg and culminated in a controlled explosion of anger in my belly. My chest tightened. A lump formed in my throat. My brain had bees dancing across it. My lip curled into a snarl, and before I could make a rational and considered assessment of the situation and calmly decide my next course of action, I was already striding down the ship in the direction of the departed German.

“I’m going to find that guy,” I called back.

“Oh, Christ, Jamie, not again!”

“Keep the wee guy safe,” I said, suddenly wishing I’d had a pair of shades to hand. It felt somehow very cinematic, despite the fact that I was a red-faced, disgruntled, pot-bellied lanky-pants, and not Arnold Schwarzenegger.

decksWe don’t put pictures of our son on-line. Obviously, there’s a stranger-danger element. Once a photo hits cyberspace, even if it’s only shared with people you know on Facebook, you lose custody of it. Facebook is like a many-tentacled space octopus, its connections and degrees-of-separation almost impossible to chart or quantify. You never really know who’s watching, or why.

And then there’s the old-fashioned argument: that if tens, hundreds or thousands of people have ready access to your memories then those memories cease to feel as special. Better to have complete ownership of, and the exclusive distribution rights to, the unfolding storybook of your children’s lives. Better to have sets of physical photobooks to flick through as a family in the years to come, in the knowledge that only the people closest to you have been privileged enough to see them (‘But wait, Jamie, aren’t you ceaselessly blogging about your son’s life as it unfolds, I mean, isn’t that even more of an intimate thing to share than a set of photographs; don’t you think that makes you a bit of a hypocr…[imaginary opponent struggles against the onset of a chloroform knock-out, as I press the soaked rag to their mouth]’ “Shhhhh, shhhhh. Sleep now, shhhhhhh.”).

Lastly, look at how celebrity impacts on celebrities: the paparazzi, the flash photography, the front-page scoops and four-page spreads. It turns a lot of them into arrogant, conceited assholes. Facebook is doing a good job of donating a big box of celebrity-lite crowns to the masses; it’s like an on-line Hello magazine for the less significant, allowing people to become pseudo-stars in their own social circles, if not society at large. Look how narcissistic we’ve become. CHALLENGE ACCEPTED! What challenge? The challenge to post even more pictures of yourself on-line than you did yesterday? Yeah, but SOCIAL ISSUES, SOCIAL AWARENESS, SOCIAL JUSTICE, stop pooing on our parades, you meanie, we’re trying to save the world with these pictures of ourselves… and if we happen to look kind and successful – and smoking hot, incidentally, if we do say so ourselves – while doing it, then all the better!

trumanThere’s no way to know exactly what effect being displayed to the world from the moment of birth will have on our kids. In any case, I’m pretty sure The Truman Show was meant as a cautionary tale. We’re out. When he’s old enough to consent to having his picture disseminated to the world at large, then he can make that decision for himself. Although if some movie producer were to offer us £1m for our son to have a starring role in a Hollywood blockbuster, we might have to re-evaluate our stance on the matter.

Back to the boat.

I scoured every inch of it: my nostrils flared out, my swagger in full swing. Up stairs, down stairs, through dark and noisy lower decks, behind this, in front of that, here, there and everywhere.

Just as I was about to give up and resign myself to failure, I spied the jolly German giant sitting upon a bench on the shore, just about to tuck into a sandwich. I crossed the gang-plank and strode towards him, all of the possible scenarios of our imminent meeting playing out in my mind: me calling the police, me punching him, me throwing his expensive camera into the sea, me throwing the German into the sea.

imagesI sat down next to him, and stared ahead, like a spymaster about to pass details of a top-secret mission to his agent.

“I know you’re an amateur photographer, and you didn’t mean any harm, but I’m going to have to ask you to delete the picture you took of my son.”

I turned and looked him in the eyes. His jolly grin was gone. “Of course, of course,” he said, setting down his sandwich and groping for his camera. My anger was gone. I was reasonably certain that the sandwich-gobbling snapper wasn’t a nonce, but at this point it didn’t matter. Still, even with right on my side, it was an immensely awkward conversation. I had to reassure this guy that I didn’t think he was a paedophile while at the same time making it clear that I thought he might just be a paedophile. Schrodinger’s paedophile?

“You understand, we don’t even post pictures of our own son on Facebook.”

“It’s your choice, I’m sorry, I should have asked you first. I did not mean to cause distress. I will of course delete it,” he said, fiddling with the buttons on the camera.

He was cordial, sincere and deferent. All the same…

“I don’t want to sound like an asshole here, but could I watch you do it? Could you show me?”

He showed me. I had sounded like an asshole. Buto nly because I was a Scottish guy using the word ‘asshole’ and not the more colloquially appropriate ‘arsehole’ or even ‘bawbag’.

“Thank you,” I said as I got up and walked off towards the boat again. I patted my pockets. Still no shades.

As I re-boarded the boat, I realised something important: I’d spent so long scouring the decks for the jolly German giant that I had no idea where my partner and young son were.

What a fine job I did of protecting them.

PS: The picture the German took wasn’t very good. It was snapped at a weird diagonal angle. That proves one of two things: 1) he really was a paedophile, or 2) he was just a really shite photographer.

Or both I suppose.

MORE ARTICLES ON PARENTHOOD

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Existential Nightmare at the Soft-play Warehouse

Flies, Lies and Crime-fighting Dogs

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