Tag Archives: grandma

Old Ladies Have a Song for Everything

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My gran, born in the 1920s, had a song for everything. There wasn’t a question you could ask or a line of conversation you could open up that wouldn’t trigger some long-entrenched musical memory and spur her on to do a bit of loosely-related warbling.

‘Cup of tea, gran?’

(starts warbling) ‘Oh, a tea in the morning, a tea in the evening, a tea around suppertime…’

‘You need me to take you to the shops, gran?’

(starts warbling) ‘Oh, and when we start shopping, we all start bopping, it’s off to the shops we go…’

‘You got the tests back from your anal scan yet, gran?’

(starts wabbling) ‘Ohhh, first you had a look, and then you took a snap, oh, you captured me deep inside…’

I think at least part of the reason for this habit was that singers in her day tended to sing about a greater range of life experiences, which gave music a sort of blanket relevance to daily life. Let’s face it, most songs these days are about shagging. And money. And how money can best help us with our shagging. But back then? Anything went. They wrote songs about the maddest and most inconsequential of shit.

‘Ladies and gentlemen, live from The Apollo Theatre in London, I urge you to turn your radios up as loud as they can go for the smooth, sensational stylings of Jimmy Foster and his Underwater Stockinged Turtle Band, performing their latest hit song, “The Blue Umbrella is My Favourite One, But I Guess the Yellow One is Sort of Alright, Too”.

Singers back in the 30s and 40s seemed to get their inspiration from the most banal of places. They would wake up, see a fallen cornflake half-crushed into the kitchen floor, rush to their phone, call up one of their band-mates and say, ‘Dave: get the guitar pronto, I’ve got a belter on my hands here!’

‘I mean it, Dave, this one has potential to be bigger than “Tuesday is Haircut Day, But Only Once I’ve Been to the Butcher’s”.’

Part of my gran’s habit was an age thing, of course. I’ve noticed similar behaviour in my mother in recent years, especially when she’s talking to her grandkids. She’ll start singing some old-timey song about biscuits, and they’ll just stare up at her in timid, slightly bemused silence until she stops, and then carry on blathering away as if it never happened, like the aural oddity was nothing more than a waitress dropping plates in a restaurant, or the cat farting.

Maybe they think their gran is sometimes possessed by the spirit of a deceased musical nutcase, but if they do their faces never show it. Kids are cool that way.

It’s all got me to wondering… What songs that are only tangentially related to the reality around me will I be singing to my grandkids in years to come (if luck should spare me long enough for that to happen)? I dread to think, given the amount of awful pop and dance music, and good but explicit rock and rap music to which I’ve been exposed in my life.

‘Grandpa, is there a time limit on us playing this virtual reality game?’

(starts warbling) ‘No, no, no, no, no, no – no, no, no, no – no, no THERE’S NO LIMIT!’

‘Grandpa, I don’t understand this riddle.’

(starts warbling) ‘Here is something you can’t understand (makes fist into a microphone). HOW I COULD JUST KILL A MAN!’

‘Grandpa, will you come through to the living room for a moment, please?’

(starts warbling) ‘FUCK YOU I WON’T DO WHAT YOU TELL ME!’

But, here’s the thing: I’ve already started riffing out songs to the young uns. Not my grandchildren, either. My own infant children of 3 and 5. The disease has kicked in a generation early for me. And here’s the other thing: none of the songs I sing to them – spurred on by the things they say or the questions they ask – are actually real songs. I make them all up.

‘Dad, can I have some toast?’

(starts rocking out) ‘Woooahooo, toast, toast, the way it feels, the way it feels when it’s in my mouth, I said TOAST, woooahooo, crunchy sometimes but buttery too, oooooooh hooo hooo, you gotta get that ratio RIGHT, girl!’

Only the other day I went off into a big number about the importance of putting your dishes in the sink, and my eldest son, Jack, said to me, very earnestly: ‘Who sings that one, dad? That’s a good one.’

He looked visibly impressed when I revealed that lying behind the surprise smash-hit of the season was his own father’s noble artistic vision.

I’ve got a theory: because my sister and I identified quite early in our lives this tendency in our elders to free associate the minutiae of life with music, it’s quite possible that I have internalised the jokes we used to make about it so completely that they’ve been written into my subconscious as code, and now the joke has become the reality.

But here’s another, rather more unsettling theory: If I’ve been making up all of these songs for my kids, then maybe my gran was doing the same. Maybe none of those songs about sugar, or bacon, or shirts, or daffodils actually existed, and she was just fucking mental?

Like I am.

I’m scared to look back at Frank Sinatra’s or Sidney Divine’s discography in case there’s a Kaiser Soze moment, and I discover that all of the old crooners’ songs were actually about money and shagging, and not biscuits and cups of tea like I was led to believe?

The truth is out there, people.

I think I know a song about that.

(starts warbling the theme tune for the X-Files)

Blakey the Jakey: A Modern Scottish Fairytale – The Conclusion

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The story so far: as we prepare for the concluding chapter of the Blakey saga, we find our hero in his grandma’s house. He’s lost his money, his family, his self-respect (what little he possessed) and now grandma is the only one who can help him turn things around. In a nutshell: he’s fucked. Or is he? (yes, yes he is)

Catch up with Part 1 – http://www.jamieandrew-withhands.com/2012/06/10/btjp1/

Catch up with Part 2 – http://www.jamieandrew-withhands.com/2012/06/14/btjp2/

Catch up with Part 3 – http://www.jamieandrew-withhands.com/2012/06/22/btjp3/

Catch up with Part 4 –  http://www.jamieandrew-withhands.com/2012/06/28/btjp4/

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As Grandma listened, with a mounting sense of boredom, to Blake’s tale of business acumen gone wrong, she occupied herself by burning a chunk off of the armchair and crumbling it into a large cigarette paper.

This was because all of Grandma’s furniture, from the armchair to the sideboard to the footrest to the mantle-piece, was made out of massive, sculpted blocks of cannabis resin. Her footrest alone had a street value of thousands.

‘So, ye sold yer maw’s car tae some jakey at the market, eh? Ye daft wee bastard,’ laughed Grandma, rolling the rest of her fancy cigarette into a perfect cone shape.

‘Aye,’ sighed Blake. ‘and ah cannae go hame till I’ve goat the cash back. She’ll kill me, gran.’

‘Take yin ae ma shelves,’ she said, pointing behind her, ‘Ye’ll make gid profit.’

‘Thanks, gran, that’s magic,’ smiled Blake, clapping his hands with delight.

Grandma indulged herself in a moment of thoughtful inhalation. ‘Aye, son,’ she began, exhaling a jet of sweet-scented smoke in his face, ‘But if ye dinnae pay me back in a week yell get yer knees broken.’

Blake nodded.

‘Ah mean it. Business, family or no. Ye’ll be on crutches.’

Blake actually rose and kissed his grandma. On the forehead, though. And quickly.

The blaring wail of police sirens assaulted his ears before the sound slowed and died, like the batteries had failed. A high-pitched squeal then made way for an echoed-clicking as a policeman’s voice bellowed through a loudspeaker.

‘We know you’re in there, Grandma, the game’s up.’

‘Fuck,’ she lamented.

‘Ho, you, ah didnae lament,’ said an irritated grandma to Jamie Andrew as he wrote her words on this screen, ‘and ah’m no irritated, ah’m fuckin’ furious. Efter ah escape from the police ah’m gonnae come efter you and knock fuck out of you.’

Jamie was certain that Grandma wouldn’t survive her encounter with the police.

‘Third wall?’ laughed Grandma, ‘Jamie Andrew, ah’ll pit you through the fourth, fifth, sixth and fuckin’ seventh wall, ya cunt!’

Anyway, Grandma leapt from her seat and wrenched a shelf from the sideboard, handing it to Blake. Blake accepted it and tucked it firmly into his jacket. The boy looked like he was half a turtle’s head away from destroying his boxer shorts.

‘Get oot the back door and run, Blakey,’ she implored, ‘and take this tae.’

She handed him the cone from her mouth, slapped him on the back and swiftly ushered him towards the kitchen.

As Blake threw open the back door and began his rush into Grandma’s garden, and the hedgerow and park beyond, he could hear her loading her pump-action shotgun and striking up a dialogue with the officers out front.

‘Right, little pigs, come get it!’

‘Grandma, if you don’t let us in we’ll be rough, we’ll be tough and we’ll blow your door down.’

‘No by the hairs oan ma sticky big baws!’

*** 

And so Blake merrily zig-zagged his way through the streets, selling chunks of his shelf along the way until a long line of pink-eyed, crisp-munching pot-heads were shadowing him like a dragon’s tail. The only sounds that could be heard were a hundred or more people crunching Monster Munches, snapping off segments of Dairy Milk bars and frantically trying to re-arrange their JSA appointments on their mobile phones.

‘Follow that wee laddie,’ they shouted.

Blake happily puffed and sucked on his cone: the more it burned, the slower he and his vast procession of stoners became. With stacks of tens, twenties and fifties poking out of his jacket pockets, the happiness overwhelmed him and he began humming, shouting and singing pro-IRA songs, all the while mimicking the playing of a flute.

Children saw the procession and hollered with glee: ‘It’s the pie-eyed Piper of Hampden!’ And they followed.

‘Wait a minute,’ said a confused bystander. ‘Isn’t it more the other side that’s traditionally associated with flute-playing? This muddled sectarian reference doesn’t make any sense!’

‘It’s called creative license, you picky prick,’ said another bystander.

‘It’s called thon Jamie Andrew bein’ a daft cunt,’ giggled grandma as she thundered down the road with her shotgun. ‘And ah’m no gigglin’, ya fuckin’ smart arse!’

***

Blake arrived back at his family home with more than enough money for a new car and a nice holiday. He was eager to make his mother proud and happy. And having a roof over his head and not getting his throat slit was a bonus, too.

‘Hello,’ he shouted, fingers prising open the letterbox. ‘Maw?’ he shouted through it again. ‘Aw, YUK!’ Blake wiped away his piss from earlier with disgust.

Eventually, just as Blake had started kicking the door with all of his might, it opened to reveal his mother, half-naked and with a large half-naked bear of a man by her side.

‘Aw, it’s you,’ she snarled. ‘Thought I told ye no tae come back.’

‘But maw,’ beamed Blake, holding up the money, ‘I goat aw the cash back. Double. Triple even! In fact, ah widnae be surprised if it wiz qua… kawrd… kwardroo… fuckin’ four times as much!’

His mother snatched the money from his hands and stuffed it in her blouse. ‘Gid,’ she smiled, ‘But ye can still piss oaf, because ah met a new man, we’re gettin’ mayried and we’re movin’ tae a different toon.’

‘Bit…’ Blake was aghast. He stared up at the big fellow bear-hugging his mother. ‘You’re the…you’re that bouncer fae the nightclub,’ said Blake.

‘Aye,’ the big man replied, ‘Yer maw was oot dancin’ last week an she loast yin aye er orthy-pedic shoes, fir er corns and that. I kinna thought it wiz hers so ah brought it roond the day, she tried it oan, it fitted and then…well…’

He winked.

‘Then he telt me he had a few boab and pumped us on your bed, ye wee dick,’ beamed his mother, before slamming the door in Blake’s face.

***

Blake found himself sitting back on the grass where all of this had started. He passed the time throwing stones at the neighbours’ cars and listening to his mother’s shrieks of delight from the house.

Before long he felt a large hand on his shoulder.

‘BAD DAY, LITTLE MAN?’ asked the genie.

‘Aye, somethin’ like that.’

‘TELL ME ABOUT IT. I HAD TO QUIT MY JOB TODAY. STRESS. I’M OFF ON ILL HEALTH, CONSIDERING EARLY RETIREMENT.’

‘Aye?’ replied Blake, not really interested; too busy staring at some teenage temptress teetering across the road, all tits and legs. ‘How wiz London, ye ken, wi they seven wee guys in the car?’

‘IT STARTED OFF QUITE BADLY, A BIT MUCH TO TAKE. I FELT BETTER ABOUT IT ALL ONCE I’D DISEMBOWELED THEM AND FED THEIR INNARDS TO THE DOGS, THOUGH. GUESS I’M NOT CUT OUT FOR THIS SORT OF WORK ANYMORE.’

‘Dunno whit ah’m gonnae do either, like. Nae hoose, nae family, nae money.’

‘TELL YOU WHAT,’ smiled the genie, ‘HOW ABOUT I GRANT YOU ONE MORE WISH, ON THE HOUSE. ANYTHING. ANYTHING YOU WANT. I’LL GRANT YOU MY LAST WISH. GO ON, KNOCK YOURSELF OUT.’

Blake stared on as the girl’s tight buttocks swayed out of view. He looked up at the genie with a relieved smile and then back down at the ground. He was thinking hard.

‘COME ON, ANYTHING. MONEY, FAME, WOMEN, POWER, AN ISLAND, A COUNTRY, A HIT RECORD, THE PLAYBOY MANSION, AN ARMY, A PLANET, THE UNIVERSE? ANYTHING! USE YOUR IMAGINATION! HONESTLY, ABSOLUTELY ANYTHING! I WANT TO HELP YOU.’

Blake stood up, full of hope and excitement, finding it hard to restrain the impulse to grab and kiss the genie.

‘It’s goat to be money,’ laughed Blake, jumping with delight, ‘I wish I wiz the richest person in the whole world.’

Blake stopped and stood deathly still, screwed his eyes up expectantly and tensed his shoulders. He expected to open his eyes to see a fortress of gold surrounding him, a throne at his rear and all the women of the world lying like a naked, writhing carpet at his feet. He opened them and all he saw was a giant middle finger pressed into his face.

‘SWIVVEL, YOU LITTLE BITCH. WHAT DO YOU THINK THIS IS, A FUCKING FAIRY TALE?’

Pouf. And he was gone.

Blake went off in search of some more Buckfast. Not to rub this time. Just to drink.        

THE END

Blakey the Jakey: A Modern Scottish Fairytale – Pt 4

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The story so far: Blakey is having a bad day. He’s been kicked out of his mum’s house, lost all of his money, and missed out on a chance to exploit a genie. Things are looking bleak for Blake for him. Still, at least he’s not part of the Seven Little Wasters’ crew. What a bunch of bawbags they are. Blakey’s last resort is to fall upon the mercy of his grandmother, and that’s where he’s heading now… with a mounting sense of trepidation. You’ll understand why in a minute or so. She’s a ‘character’, and we know what it means when we describe someone in those terms: that they’re fucking mental.

Catch up with Part 1: http://www.jamieandrew-withhands.com/2012/06/10/btjp1/

Catch up with Part 2: http://www.jamieandrew-withhands.com/2012/06/14/btjp2/

Catch up with Part 3: http://www.jamieandrew-withhands.com/2012/06/22/btjp3/

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Grandma’s council house was the only property in the street that was still decked out with Christmas fairy-lights – in March. They stayed flashing and pulsing three hundred and sixty five days a year. It was always Christmas time at grandma’s.

Wooden animals, painted bright and bold, were planted like trees in the over-grown grass. A pink flamingo, leg cocked, sat in the centre of the lawn, surrounded by cheeky monkeys, laughing lions and timid tigers. Little bonzai trees, at the foot of the hedge, lined the inside perimeter of the grass. Red balloons, at least fifteen of them, bounced and floated everywhere. On the front door, a varnished, oval plaque proclaimed, ‘Number 89. Gingerbread House. Catch Me If You Can – You Scum.’

Blake shook his head at the tacky display and gave a furtive glance around as he approached the door. Blake never liked admitting the blood connection between him and Grandma. She could be a tough old bitch but…

‘This yin’s aboot ready fur the nuthoose,’ he scowled, kicking a balloon out of his way.

Blake rapped loudly and quickly on the door, jamming the buzzer with his free hand at the same time. A jet of pressure cascaded down from his shoulders to his toes. He had to get in and out of public view, or he felt like he’d explode.

‘Come oan, come oan!’

Beep! Beep!

Blake heard the sounds of hip-hop hammering the air. He turned around to see a gleaming red hatchback sports car parked on the road outside of his grandma’s gate. The seven little wasters were piled in the front and back, bottles of Buckfast clasped in each of their hands. A large man with a blue turban sat in the driver’s seat – with a very unhappy look on his face.

‘Ho, Blakey boy! Is zat yer girlfriend’s hoose?’

Laughter.

‘Ho, ho! Wait till we tell orra boys in oor street! They’ll pish themsel’s!’

‘Ah didnae ken there wiz a Disney World in this toon!’

Shrill whoops of laughter.

‘Whose yer girlfriend: Minnie Moose?’

Whoop, whoop!

‘Well, cannae hang aroond. We’re aff tae London, go tae Stringfellas an that.’

‘Aye, an Soho! Get wee Harry’s end away!’

‘Ma end’s away, ye cheeky bastard.’

‘Settle, Harry, wankin’ disnae coont, pal!’

‘KILL ME, PLEASE. MAKE IT QUICK.’

Ho, ho. Whoop! Whoop! It was becoming like an episode of Rikki Lake written by Irvine Welsh.

‘Aye, we’ve goat a million poonds, ya dancer!’

A bottle of Buckfast came spinning from the back seat of the car towards Blake.

‘Catch.’

Blake did, firmly between his two hands.

‘Least we can dae.’

‘Noo ye can get pished up and sook yer granny’s baws!’

The car screeched away. Blakey fired off a few salvos of expletives, but the seven little fuckers were too far away to be hit by them.

The door to Grandma’s house opened and Blake shoved his way in before daylight had a chance to cast its revelatory spotlight upon Grandma. The door slammed shut behind him. Before him, fat arms extended and proportionately fat lips pouted.

‘Come gee yer Grannie a big kiss, Blakey.’

‘Eh…nut. Ah dinnae think so.’

She snatched the Buckfast from his hands and kissed it instead.

‘Hey, whit are ye…,’ Blake began to protest.

‘Dinnae start shit, Blakey, or ye’ll be through that wa’.’

Blake let out a sigh of defeat, shrugged his shoulders, and then laid his rucksack by the door. Blake’s grandma placed the Buckfast on the kitchen counter and then returned to the hall.

‘Dinnae mention it, gran.’

Blake’s gran wore a criminally short skirt, orange nylon tights, stilt-like high heel shoes, a floral patterned boob tube, and her face contained enough make-up to allow a clown to feel natural. This might have been acceptable attire if, for one, they had both lived in an alternative universe (or San Francisco); for second, if grandma had been younger; for third, if she didn’t have tattoos encrusting half of her body, a large scar cascading down her cheek, and biceps to make a post-spinach Popeye sweat; and, most importantly, fourthly: if grandma had been a woman. A fat cigar was jammed into the left side of grandma’s mouth, dripping hot ash onto the carpet and sending plumes of acrid smoke up Blake’s nostrils.

‘Get ben that kitchen and get the tea on or I’ll gee ye a fisting ye’ll never forget.’

Grandma burst through into her living room leaving Blake, ashen white, to deal with the tea.

The kitchen door was slightly ajar and Blake could hear voices drifting through as he filled the kettle with water.

‘My, grandma, what big hands you have.’

‘Aye, a’ the better tae grab ye with!’

‘My, grandma, what a big mouth you have.’

‘Aye, a’ the better tae plluggg mummble gobbo shlurp en floosre…’

‘Ho, grandma, mind thay big teeth on ma jed, will ye?’

‘Mmmmm mmmm mmmm mmmmm.’

‘My, grandma, what’s this huge thing? What an absolutely massive big, fat, hard co…’

The screeching whistle of the boiling kettle never did announce itself at a more appropriate moment. Blake kicked the kitchen door firmly shut and tried to stymie his third panic attack of the week.

Grandma eventually entered the kitchen, adjusting her bra and wiping her mouth with the back of her hand. Blake could hear the front door as it slammed shut. A set of lipstick-stained teeth grinned at Blake.

‘Just seeing yer grandpa off,’ stated Grandma in her deep, husky voice. Grandma whipped a tenner out of her bra and shoved it into Blake’s hand. ‘Take that, son, yer grandpa owed me that fir a job ah did fir him last week.’

Blake gagged back a faint dribble of vomit.

Blake’s grandpa was also a man. His grandpa visited his grandma six to seven times a day, six days a week and managed to be a completely different man each time.

‘So whit can ah dae fir ye, Blakey, son? Ye only ever visit yer poor grandma when yer hiding fae ma sister or efter something. So which yin is it?’

‘Baith, grandma. Baith.’

‘Ah’ll bet it’s money.’

‘Aye, grandma. Jist a loan, ken?’

‘It’s no for drugs is it, Blakey?’ she asked, issuing a cold stare.

‘Naw, gran, naw.’

‘Right,’ she nodded, satisfied, ’cause there’s nae need fir that. You shid huv the gid sense to deal so ye can get them for free, ken?’

‘Aye, gran.’

‘Gid boy. Noo, get they teas, ye wee cunt, an let’s go ben the living room.’

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CONCLUDES NEXT WEEK.